Arts feature

In defence of deaccessioning

There’s more than a grain of truth in the popular caricature of a curator as a mother hen clucking frantically if anyone gets too near her nest – not that her eggs are about to hatch, let alone run. The recent threat of the British Council to ‘deaccession’ – to put it more bluntly, sell

Tarot isn’t very old or esoteric – but it does work

Among my many fake and useless skills, I’m a reasonably decent tarot reader. I can do one for you now if you like. A very simple three-card spread: your cards are the Seven of Wands, the Hierophant and the Six of Pentacles. There are lots of vaguely drippy ways of interpreting a three-card spread: past-present-future,

The thankless art of the librettist

Next week, after the première of Mark-Anthony Turnage’s new opera Festen, the cast and conductor will take their bow. All being well, there’ll be applause; and then a brief lull as the creative team takes the stage. There’s often a ripple of curiosity in the audience at this point, because it’s rare that we get

Was Brazil the real birthplace of modernism?

A paradox of art history: to understand the artists of the past, it helps to study how, and where, they conceived of the future. If today we foresee the future in the East, previous generations looked westward. In the last century, Europeans, having inherited a seemingly aged and decrepit civilisation, determined that the future of

Is the tide turning on restitution? 

When passions are aroused, all of us are liable to overstate our case. Dan Hicks, a curator at Oxford’s extraordinary Aladdin’s Cave of anthropology, the Pitt-Rivers Museum, is perhaps a case in point. A Swedish academic, Staffan Lunden, has convincingly argued that Hicks is guilty of ‘distortion’ when writing about the British raid on Benin

The architectural provocations of I.M. Pei

When first considering architects for the new Louvre in 1981, Emile Biasini, the project’s head, liked that I.M. Pei was both ‘Chinese as well as American: Chinese in his respect of the past, and American in the way of radical solutions’. His controversial glass pyramid ignited much debate about which side won out. These entanglements,

How French absolutism powered a techno-progressive revolution

The Enlightenment is back. Despite the best efforts of the past decade of handwringing about cultural imperialism and wailing over machismo, money and majesty, the future keeps crashing in. The Science Museum has now laid its cards on the table with Versailles: Science and Splendour. Think gilt, not guilt. Is there anything in our lives

Why is Fauré not more celebrated?

It is 100 years since the death of Gabriel Fauré, a composer whose spellbinding romantic tunes emerge from harmonies and rhythms that nudge us towards the future. No other composer deploys such subversive mastery of the conventions of French music: again and again, if we look underneath the arches of his melodies, we find ambiguous

William Morris’s debt to Islam

When William Morris was born in Walthamstow, in 1834, it was little more than a clump of marshland at the edge of the Epping Forest. This was the terrain of his free, frolicsome childhood, and it would forever form his image of humble, Edenic England, uncorrupted by the industrialist’s yoke. About the only thing that

Much more than just a game: World of Warcraft at 20

On 23 November, the video game World of Warcraft celebrates its 20th anniversary. That’s no small thing. By most metrics, it is the most successful video game of its type in history. At its peak, it had more than 12 million active subscribers, and in its two-decade-and-counting lifetime it has made more than three times

How a single year in Florence changed art forever

The story goes that one day early in the 16th century Leonardo da Vinci was strolling through Florence with a friend. Near the Ponte Santa Trinita they came across a group of gentlemen disputing a point in Dante’s Divine Comedy. Seeing Leonardo, they asked him to explain the passage. At that same moment, Michelangelo Buonarroti

The triumph of surrealism

When Max Ernst was asked by an American artist to define surrealism at a New York gathering of exiles in the early 1940s, he pointed across the room at André Breton and said: ‘That is surrealism.’ Even today it can seem as if no other answer is available, so tenacious was his grip. A former

At Las Vegas’s Sphere I saw the future of live arts

Does Elon Musk have a good eye for the aesthetic? Earlier this month, the Tesla magnate took a break from his incessant political posting to praise something he described as a ‘work of art’ – the Las Vegas Sphere. He then treated his 200 million Twitter followers to a video of an awed crowd, desperately