Sin-eating is an old European practice. After a person’s death, during the period of lying-in, a biscuit would be placed on the corpse in its coffin. Before the burial, one of the mourners would eat it in order to take on the sins of the departed and allow them to move on into the next
Mr Wilder & Me is not in any way a state- of-the-nation novel — and thank goodness. Brilliant as Jonathan Coe’s last work, Middle England, was, I’m not sure I could stomach a fictional barometer of pandemic Britain. Coe’s new book is instead a comfortingly nostalgic coming-of-age novel, or rather, a coming-of-old-age novel, probing the
Kiss Myself Goodbye. It sounds a bit like a William Boyd novel. It looks likea William Boyd novel, too: the cover shows an old hand-coloured photograph of a fur-stoled woman, determinedly leading a man in morning dress towards the camera. And, indeed, the raw material would likely make a very good William Boyd novel —
John le Carré once wrote sadly that he felt ‘shifty’ about his contribution to the glamorisation of the spying business. David Omand doesn’t deal in glamour. He was at the top of the Ministry of Defence and the Home Office, director of the code-braking Government Communications Headquarters, chairman of the Joint Intelligence Committee, and responsible
William Burroughs was introduced to a British readership in November 1963, and the welcome he received was ‘UGH…’ The headline stood guard over a review in the Times Literary Supplement of Dead Fingers Talk, the first legally obtainable book by Burroughs to be offered to the public in this country. Included in the round-up was
In 2006 the director Christopher Nolan filmed an adaptation of one of my novels, written a decade and a half earlier. Other than providing the source book, I had no involvement with any part of the filming. Unlike some novelists who have a Hollywood film made, I was not at all disappointed with the result:
In carefree days which now seem so distant we used occasionally to take the Newhaven-Dieppe ferry. Docking after a long lunch, I would try to imagine the port during the infamous Dieppe Raid of August 1942. It is so clearly a natural defensive position that I could never work out how they expected to take
I began this book waiting for a diesel train to Derby, under the windy, boxy, flat-roofed bit which one of Sir Norman Foster’s team added to the back end of St Pancras station. At around 7 p.m. on a weekday only a dozen or so people were travelling. In the arcade below — built by
