Arts

Arts feature

The West has much to learn from Hungarian culture

In central Budapest a crew from Hungary’s state TV is filming the unveiling of a new street sign. In honour of his centenary year composer Gyorgy Ligeti now has a road named after him. Contemporary classical music is deemed newsworthy in Hungary. Even more astonishingly – and anyone working in British classical music might want

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Theatre

Finally an entertaining play at the Royal Court: Cuckoo reviewed

The boss of the Royal Court, Vicky Featherstone, will soon step down and she’s using her final spell in charge to try an unusual experiment. Can she entertain the punters and make them feel happy rather than forcing them to confront various forms of gloom, misery and despair? The answer is yes. Featherstone can tickle

Opera

The future of opera – I hope: WNO’s Candide reviewed

Bernstein’s Candide is the operetta that ought to work, but never quite does. Voltaire’s featherlight cakewalk through human misery, set to tunes from the West Side Story guy: what’s not to like? And what can be so wrong with its twinkle-toed score that the combined rewriting efforts (and this is not remotely the full list)

Television

University Challenge deserves Amol Rajan

I wish I could say that Bamber Gascoigne would be turning in his grave at what has happened to University Challenge. But unfortunately, I understand from people who knew the Eton, Cambridge, Yale and Grenadier Guards historian, playwright, critic, polymath millionaire and scion of the upper classes that he chose to compensate for his privilege

Exhibitions

The wonders of 18th-century automata

At the Paris International Exhibition of 1867, Mark Twain was mesmerised by a life-sized silver swan with ‘a living grace about his movement and a living intelligence in his eyes… swimming about as comfortably and unconcernedly as if he had been born in a morass instead of a jeweller’s shop’. The Silver Swan has been

Cinema

Dense and spectacular – and not pink: Oppenheimer reviewed

Oppenheimer is Christopher Nolan’s biopic of J. Robert Oppenheimer, the brilliant quantum physicist and ‘father of the atomic bomb’ who was later haunted by what he’d created. Starring Cillian Murphy, and his cheekbones, the film is dense, ambitious, complex, so very long (three hours) and impressive, even if it does drag by the end. (When

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