John Bierman, the co-author of a recent book on Alamein, had doubts about writing this biography of Lazlo Almasy, the Hungarian-born explorer of the Libyan desert, whose exploits were ‘immortalised’ in Michael Ondaatje’s Booker Prize-winning novel, The English Patient, and the subsequent Oscar-winning film by Anthony Minghella. Bierman did not want to be seen to
For a critic as seriously intelligent as James Wood, a discussion about the nature of comedy is, inevitably, no laughing matter. And this is appropriate enough: modern comedy, in his opinion, appears to contain few actual laughs. The historical shift from an essentially religious, theatrical ‘comedy of correction’ to a secular, novelistic ‘comedy of forgiveness’
Professor Preston has done his subject proud. This is a better biography than his 1,000-page indictment of Franco, not only because he is in sympathy with the Spanish king but because, in some respects, he now appears less implacably hostile towards the Generalisimo. It was thanks to Franco, after all, that the monarchy was restored,
When James Kelman’s novel, How Late it Was, How Late, won the Booker Prize in 1994, Rabbi Julia Neuberger, one of the judges, objected that the book was ‘just a drunken Scotsman railing against bureaucracy’. The Rabbi will find no more comfort in Kelman’s latest work in which blind Sammy Samuels struggling with Dysfunc- tional
Stalin’s admirers wanted it sooner, to help our Soviet allies. Others wanted it sooner, to give us a chance of beating the Russkies to Berlin (as we didn’t). But time and tide set the date, and the invasion of occupied France had to be in spring, at low ebb, after many months of planning, training,
