Arts

Arts feature

Why we’re flocking to matinees

The Starland Vocal Band were on to something. In their 1976 hit ‘Afternoon Delight’ they sang, in gruesomely twee harmony: ‘Gonna grab some afternoon delight/ My motto’s always been when it’s right it’s right/ Why wait until the middle of a cold, dark night?’ Granted, they were singing about rumpy-pumpy, not theatre-going, but for many

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Ridiculously fun: Assassin’s Creed – Shadows reviewed

Grade: A Sometimes you want to admire the pluck and inventiveness of an indie developer. At other times, you just want to sink into some thumping AAA franchise that’s thrown all the time, design talent and VC megabucks in the world at the screen. The new Assassin’s Creed has you covered there. Irresistibly, it’s set

Theatre

I wish someone would kill or eat useless Totoro 

My Neighbour Totoro is a hugely successful show based on a Japanese movie made in 1988. The setting is a haunted house occupied by two little girls who encounter various creatures rendered on stage by puppets. The story has no action, danger or jeopardy so it’s likely to bore small boys and their dads. Perhaps

Television

Cinema

I genuinely feared The End would never end

Joshua Oppenheimer’s The End is a ‘post-apocalyptic musical’ starring Tilda Swinton and Michael Shannon that is being sold as a ‘bold vision’. And as you know I’m all for bold visions – except perhaps ones that go on for two and a half hours (I genuinely feared The End would never end) and give the

Dance

What a joy to see some Merce Cunningham again

How salutary to encounter the cool cerebral elegance of Merce Cunningham’s choreography again. A figure at the heart of the abstract tendency in post-war American culture, the lover and collaborator of John Cage, Cunningham emptied barefoot dance of ideology, symbolism, plot, personality, pretension: instead it became purely an exploration of bodies in movement, responsive to

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