Are today’s composers up to the challenge of writing sublime music?
When we describe music as ‘sublime’, what do we mean? For the Romans, sublimis signified greatness beyond measure. In the 18th century, Englishmen looked to The Spectator for clarification. Joseph Addison, in his Essay No. 339 of 1712, suggests that the sublime often achieves greatness without stirring up ‘pathetick’ human passions. The example he gives