Michael Bullivant tells Petroc Trelawny how he became Bulawayo’s chief musical impresario For an extraordinary month in 1953, Bulawayo became the epicentre of culture in the southern hemisphere. In celebration of the centenary of the colonialist and diamond magnate Cecil Rhodes, the Royal Opera House and Sadlers Wells Ballet took up residence. Sir John Gielgud
After Dido Young Vic Il trovatore Royal Opera House For the third collaboration between ENO and the Young Vic Katie Mitchell and her team ‘direct a new work using multi-media techniques to create a synergy of music, theatre and film, inspired by, and incorporating, the full score of Purcell’s Dido and Aeneas’. Fortunately, the performance
Baroque 1620-1800: Style in the Age of Magnificence V&A, until 19 July The Baroque is a style of drama, movement and opulence. Until the 19th century it was a term for the grotesque or absurd; then it was taken over by those who sought to categorise the mainstream developments of European culture. As an adjective,
Calendar Girls Noël Coward Only When I Laugh Arcola Ooh dear, the critics have been terribly sniffy about Calendar Girls. This dazzlingly funny, shamelessly sentimental and utterly captivating tale of middle-aged women posing naked to raise cash for charity should have won five-star plaudits all round. But the reviews have thrown a veil over its
I write fresh from a local event with historical roots far into the past — a concert, part of a year’s-worth of events celebrating Cambridge’s first eight centuries, devoted to exploring the university’s long past and rich present of choral singing. I write fresh from a local event with historical roots far into the past
State of Play 12A, Nationwide State of Play is a thriller based on the six-part BBC series shown on television in 2003 and which, I confess, I did not see. Probably, it was because What Not To Wear was on the other side and, I’m sorry, I just wouldn’t have had the confidence to know
‘Do you think that Africa is ever going to be free of these superstitions?’ asked the reporter Sorious Samura in the first of his four-part series, West African Journeys on the BBC World Service (Mondays). ‘Do you think that Africa is ever going to be free of these superstitions?’ asked the reporter Sorious Samura in
The phone rang last night, I picked it up and it was our friend Tania. ‘God, I hate my ****ing husband,’ she said. ‘Oh, Tania, don’t be silly, Jamie’s a sweetheart,’ I said. ‘Oh, shut up, I don’t want to be talking to you, you’re a man. Pass me to your wife, she’ll understand,’ said
