‘In ancient times … hundreds of years before the dawn of history, lived a strange race of people … the Druids. No one knows who they were … or what they were doing. But their legacy remains … hewn into the living rock … of Stonehenge.’ The unforgettable opening of Spinal Tap’s song ‘Stonehenge’ was
It’s a misleading title, because there is nothing unexpected about Professor Carey, in any sense. He doesn’t turn up to parties uninvited, like some of his less organised colleagues. As for his appointment, he was tailor-made for the job. Right class (middle); right school (grammar); right military service (guarding sand); right religion (books). An unsullied
Siri Hustvedt’s new novel isn’t exactly an easy read — but the casual bookshop browser should be reassured that it’s nowhere near as punishing as the opening pages might suggest. In the ‘editor’s introduction’ we’re told that what follows is an anthology of writings by and about the late artist Harriet Burden — known to
If ever there was a time to write a book about self-portraits, this must be it. ‘Past interest in the genre,’ James Hall tells us in his introduction to this cultural history, ‘is overshadowed by the obsession with self-portraiture during the last 40 years.’ What he could not have foreseen was that self-portraiture would feature
Karl Ove Knausgaard was eight months old when his family moved to the island of Tromøya; he left it aged 13, because of his father’s higher-grade teaching appointment on the mainland. As they drove over the bridge linking the island with the southern Norwegian port of Arendal, ‘it struck me with a huge sense of
In the first sentence of the first chapter of this book, Henry Marsh, a consultant brain surgeon, says, ‘I often cut into the brain and it is something I hate doing.’ What a compelling start! Marsh takes us through an operation. First, he looks at a scan. A middle-aged man has a tumour of the
The troubles of Richard Pryor’s life are well known — from his childhood in a brothel to his self-immolation via crack pipe — but arranged in a biography their impact is renewed. So grotesque was his upbringing that an early encounter with a dead baby in a shoebox warrants but a single sentence in David
Here’s a book co-authored by one dead woman and one living one. Sarah Raven is the second wife of Adam Nicolson, grandson of Vita Sackville-West. In 1930 Vita bought Sissinghurst, the ruins of a great 16th-century house, and with her husband Harold Nicolson created the world-famous garden. Tell me the old, old story. Vita died
Småland’s wooden cottages with sunflowers lack nothing. Brightly-painted, small in the distance like stories, they call the eye on and on. Their painted wood is clean as thought, as the clean-cut hearts let into their shutters.
In her early days on Fleet Street, Mary Kenny, as she herself admits, was cast as ‘the wild Irish girl’, and did her best to live up to it. She held her own with the drinkers at El Vino’s, gave new meaning to the phrase ‘talking about Uganda’ when discovered in flagrante with an African
Anyone brought up as I was in a Daily Express household in the 1950s — there were approaching 11 million of us readers — knew the writings of Chapman Pincher. His frequent scoops, mostly defence- or intelligence-related, sometimes political, scientific or medical, were unusually well-sourced and headline-grabbing. Now, aged 100, he has written his autobiography.
