Arts

Arts feature

Lloyd Evans

Critical condition

Lloyd Evans on the perils of being both playwright and critic ‘No man sympathises with the sorrows of vanity.’ Dr Johnson was speaking of a poet who looked to his friends for solace after his verses had been savaged in the press. He got none. That’s the risk all artists take. I’ve been through this

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Fluff and granite

Boucher and Chardin: Masters of Modern Manners The Wallace Collection, Hertford House, Manchester Square, W1, until 7 September Alan Green: Joan Miro Annely Juda Fine Art, 23 Dering Street, W1, until 18 July  I can never visit the Wallace Collection without lamenting the filling of the erstwhile courtyard with an airless restaurant which scarcely does justice to the

Literary juggler

Afterlife Lyttelton Dickens Unplugged Comedy Afterlife is pH-neutral. It doesn’t enhance Michael Frayn’s reputation and doesn’t damage it either. Max Reinhardt was one of the great theatrical magicians of the 20th century and it’s easy to see what drew Frayn and his long-standing collaborator, the director Michael Blakemore, to the challenge of putting his life

Great Britten

A Midsummer Night’s Dream Opera North, Manchester Powder Her Face Royal Opera, Linbury At certain times all conditions seem to conspire to favour some opera composers, and to make others seem virtually impossible to produce satisfying accounts of. At present everything is going Britten’s way; every time I see a production of almost any opera

Four play | 18 June 2008

The Edge of Love 15, Nationwide The Edge of Love, which is based loosely on real events, explores the ménage à quatre that existed for a few years between the Welsh poet Dylan Thomas (Matthew Rhys), his wife Caitlin (Sienna Miller), his childhood friend Vera Phillips (Keira Knightley) and her eventual husband, William Killick (Cillian

Between the lines | 21 June 2008

Two men, a single piece of music and a script that’s barely 40 minutes long. And yet when it was over I felt quite stunned; shaken and unnerved by a totally unexpected dramatic twist. I’d been so absorbed, thinking in my own clever way that I knew what was going to happen, that I understood

Breathless approach

St Kilda, a set of islands off the coast of Scotland uninhabited for 78 years except by around a million seabirds. Suddenly the BBC sends a crack team of exclaimers to this remote and beautiful place. ‘Amazing!’ they cry. ‘Fantastic!’, ‘stunning!’, ‘great!’, ‘breathtaking!’, ‘spectacular!’ Now and again the team try to dredge from their psyches