Igor Toronyi-Lalic on the power of animation to subvert and propagate ideas The day after the attack on Pearl Harbor in 1941, the American army, on one of its first assignments, requisitioned Disney Studios and remained there for eight months. It was the only studio to suffer that fate but Walt Disney, ever the patriot,
Location, location, location. On the morning that Christie’s prepared to launch the art market’s latest high-profile, big-buck season of Impressionist, modern and contemporary sales in New York — a series beadily scrutinised by the throng of art-world Jeremiahs who have long predicted the end of this particular art-market bubble — the auction house announced that
Stephen Pettitt celebrates the new wave of masterful British productions Samuel Johnson famously defined opera in his A Dictionary of the English Language as ‘an exotic and irrational entertainment’. It’s possibly the most overquoted quotation concerning the subject, but in 1755, when the dictionary was published, he probably had a point. Opera, which for some
Entity Random Dance, Sadler’s Wells Paradoxical as it might sound, ballet’s rebirth is happening thanks to (and within) modern and postmodern choreography. Over the past 20 years, classical dance, considered by many to be a dead art, has attracted the interest of many non-classical dance-makers. While some have successfully revised and reinterpreted the narratives of
Ainadamar Birmingham Symphony Hall Der Rosenkavalier Royal Festival Hall In a series of concerts in Symphony Hall with the perhaps unlikely title Passion from Birmingham, Osvaldo Golijov’s opera Ainadamar was given a semi-staged performance with the cast that made the bestselling DG recording three years ago. It’s repeated at the Barbican. With few genuine expectations
Wedding Day at the Cro-Magnons Soho The Internationalist Gate The Black and White Ball King’s Head You can tell when a culture has lost its way because it starts handing out awards. There’s a small club of annual prizes that have some legitimacy. Oscar, Bafta, Booker, Olivier, Nobel — all provide worthwhile verdicts on the
In Bruges 18, Nationwide This film is about two Irish hitmen, Ken and Ray, who are forced to take a sort of minibreak in Bruges (hence the title; hence why this film isn’t, say, In Milton Keynes) on the instruction of their boss, Harry, who wants them to lie low for a while. The film
You might think that the revival of the 1950s radio classic Journey into Space was a desperate move by Radio Four to cash in on the success of the new Dr Who. Even the title sounds incredibly dated. Who now cares about space? But when the serial first hit the airwaves via the Light Programme,
In those distant days when I used to hang out on Facebook one of my favourite user groups was ‘I hate Catherine Tate and she shouldn’t be in the new series of Doctor Who.’ I don’t remember many of the members’ exchanges being particularly witty or illuminating, but then they didn’t need to be. The
Nigel Hall: Sculpture + Drawing 1965–2008 Yorkshire Sculpture Park, until 8 June As you drive into the 500 acres of 18th-century parkland which provide the magnificent setting for this retrospective of Nigel Hall’s work, you are met by a tall sentinel-like sculpture, which stands near the entrance. Called ‘Crossing Vertical’ (2006), it’s a dynamic column
Laura Knight at the Theatre Lowry Galleries, until 6 July Ascot racegoers whose binoculars wandered from the track in 1936 might have spotted something unusual in the car park: a Rolls-Royce with its back door open and an artist working at an easel inside. Odder still, the artist was a woman — Laura Knight —
