Arts

Music

The musical benefits of not playing live

Glenn Gould considered audiences ‘a force of evil’. ‘Not in their individual segments but en masse, I detest audiences.’ He retired from public performance on 10 April 1964, at the age of 31, having given fewer than 200 public recitals. The Canadian classical pianist had longstanding philosophical objections to the ritual of performing live. He

More from Arts

How to succeed in sculpture (without being a man)

Whee-ooh-whee ya-ya-yang skrittle-skrittle skreeeek… Is it a space pod bearing aliens from Mars? No, it’s a podcast featuring aliens from Venus: women sculptors. If the intro music to Sculpting Lives: Women & Sculpture sounds like Dr Who, its two jolly presenters — Jo Baring, director of the Ingram Collection of Modern British & Contemporary Art,

The genius of Joe Rogan

Last month, just before coronavirus conquered the airwaves entirely, millions of Americans gave up two hours to hear a professor of epidemiology discuss the emerging pandemic. Despite its huge reach, not to mention its quality, the interview wasn’t broadcast on any of the news networks. Rather it was the work of a former martial-arts pundit

Theatre

Strangely absorbing: the first lockdown dramas reviewed

High Tide got there first. The East Anglian theatre company has produced a series of lockdown mini-dramas, Love in the Time of Corona, made up of five filmed reflections on self-isolation. ‘Rainbows’ by Morgan Lloyd Malcolm is narrated by a woman on the edge teaching her kids to decorate the windows with coloured paints. ‘Child

Television

The Amazon Prime doc that will convert anyone to cricket

Imagine rooting for the Australian cricket team. If you’re Scottish, Welsh or Irish — or Australian obviously — it might not be such a stretch. But for an Englishman, I suspect, it’s nigh on impossible. It would be like supporting Germany in the (football) World Cup. Or yearning for the All Blacks to win the

Film

The bleak brilliance of Hud

Hud is a film that has haunted me for decades. I was never sure why. It seemed to be something about the bleakness of the setting and the story but also the extravagance of the hero and his car. I recently watched it as research for a book, and then, immediately, I watched it again.

Classical

The marvel of Mozart’s letters

It’s 1771, you’re in Milan, and your 14-year-old genius son has just premièred his new opera. How do you reward him? What would be a fun family excursion in an era before multiplexes or theme parks? Leopold Mozart knew just the ticket. ‘I saw four rascals hanged here on the Piazza del Duomo,’ wrote young