Dan Jones on how the Armada tapestries, destroyed by fire, are being recreated Anthony Oakshett points to a palette and shows me a colour called ‘sea-monster grey’. The tall and genial artist is guiding me around his cool, airy temporary studio in an outhouse at Wrest Park, the Bedfordshire country house. Around us stand six
Framing Modernism: Architecture and Photography in Italy 1926-65 Estorick Collection, until 21 June Adrian Berg: Panoramic Watercolours Friends Room, Royal Academy, until 11 June Architecture exhibitions, as I’ve had occasion to note before, are not always the most visually exciting of events, principally because the experience of a building can only really be conveyed in
Art and Memory: New perspectives on memorial art West Dean, Nr Chichester, until 1 November There are those who haunt ancient churchyards in search of elegant epigraphs or curious carvings on lichened gravestones, but many focus only on what makes a good memorial when forced to do so by bereavement, and the desire to commemorate
There’s been a lot of muttering lately about the word ‘sorry’ and the reluctance of politicians and bankers to say it — an unrealistic expectation, given that the logical follow-up is resignation. There’s been a lot of muttering lately about the word ‘sorry’ and the reluctance of politicians and bankers to say it — an
My colleague Alex James (how cool to be able to describe the bassist of Blur as a colleague) briefly mentioned the online music streaming service Spotify a few weeks ago, largely as a means to confessing his tragic addiction to the music of Ray Conniff. Actually, I gave old Ray a listen as a result
Angels & Demons 12A, Nationwide Angels & Demons is based on the book by Dan ‘Da Vinci Code’ Brown and is directed by Ron Howard and stars Tom Hanks and all I can really say about it is this: if there is one movie you don’t see this year, do make it this one. Or,
Waiting for Godot Theatre Royal Haymarket Monsters Arcola Godot is one of the most undramatic pieces of theatre ever written and it contains a conundrum I’ve never seen satisfactorily resolved. As a playwright you aim to communicate emotion. If you can make the spectators feel what the characters are feeling, you have a success. However,
Götterdämmerung Bridgewater Hall, Manchester Don Carlos Opera North Manchester has a long and exalted history of service to Wagner, with Hans Richter, first conductor of the Ring, the chief conductor of the Hallé from 1899-1911, and Barbirolli a great Wagnerian, though there are lamentably few records of him in this repertoire. Mark Elder has for
There are wonderful lines in Fawlty Towers, many from rants by Basil. To the man who dares to ask for breakfast in bed: ‘You could sleep with your mouth open so I could drop in lightly buttered pieces of kipper…’, or to the woman who doesn’t like the view: ‘What did you expect from a
In his Point of View this week (Radio Four, Sunday), Clive James wove together a subtle threnody on the virtues of having a Poet Laureate. He remarked on how good poets have the ability to conjure up ‘the phrase that makes your mind stand on end’, showing that it’s a quality shared by many prose
It’s spring, the gardening public has woken up and the plinky-plonky music calls us back for another series of BBC 2’s Gardeners’ World. It’s spring, the gardening public has woken up and the plinky-plonky music calls us back for another series of BBC 2’s Gardeners’ World. We in England have no choice; it is all
