After several acclaimed novels, including last year’s Pulitzer prize-winning Empire Falls, Richard Russo has now produced a volume of short stories. However, the qualities which endear the novels to their readers – a wry sense of humour, vivid characterisation and the sense of lives being lived over time – are less apparent here; the shorter
In the years following the second world war, Tony Crosland, Roy Jenkins and Denis Healey either became Labour Members of Parliament or worked closely with the Labour party. Few parties in so short a time can have gathered three recruits so obviously of prime-ministerial calibre. No other party could have so contrived things that none
Forgery ranked with murder as a capital crime well into the 19th century. Faked texts and signatures could falsify wills and violate the sanctity of property, until photolithography, then typing, devalued the uniqueness of the handwritten text. But a modern forger can still make a decent profit by turning out the fake-historical or fake-literary stuff
In 1760s Bath, the promenade from the Pump Room to the tree-lined Walks of Orange Grove passed a row of luxury shops and a sign reading ‘Mr Gainsborough, Painter’. The artist’s showroom shared the ground floor of a handsome town house with his sister’s millinery shop, and the smell of the perfumes on sale mingled
At the Edinburgh Book Festival this year, Dr David Starkey, the television historian and iconoclast, pronounced that history was elitist – it was about kings and queens and power-brokers rather than the marginal or the dispossessed. He liked big and important subjects. He was uninterested in peasants. Neal Ascherson, by contrast, is deeply interested in
In fiction, as in other branches of the creative arts, reputation is all, or nearly all. One of my most cherished bookworld fantasies involves a bored literary agent plucking A. S. Byatt’s latest (not the internationally celebrated author, but an A. S. Byatt who has laboured on unregarded for 40 years) from the unsolicited manuscripts
The heroine of Margaret Drabble’s new novel is on first sight pretty depressing, and supposed to be so. The opening part of The Seven Sisters is in the form of Candida Wilton’s diary, written from the time she moves to a modest flat in London after the break-up of her marriage. Despite her incongruously glamorous
Some novels are something; others are about something. If fiction is an art, then the former class is more likely to qualify. When, for instance, Lolita is said to be ‘about’ paedophilia, or at least nymphetolepsy, it becomes aesthetically dubious. Hence admirers insist that Nabokov is using H. Humbert’s passion as a metaphor for the
In any discussion about the English judicial system with foreigners, they are always amazed to learn that more than 90 per cent of the criminal cases in this country are tried by unpaid lay magistrates. In a society where an applicant for the most unskilled job is required to be able to produce some paper
Coleridge’s Notebooks have been a companion during most of my mature life and this is a marvellously judged and varied selection, 1794 to 1820, from his 22nd year to his 48th. By that time he had become the loquacious Sage of Highgate, ‘an archangel, a little damaged’. To the end he was a self-observer, still
THE HUMOUR AND THE PITY: ESSAYS ON V. S. NAIPAULedited by Amitava KumarBuffalo Books, in association with the British Council, New Delhi, Rs 175, pp. 174, ISBN 8187890029 In ‘London’, a short essay written for the Times Literary Supplement in 1958, the up-and-coming V. S. Naipaul accurately analysed why his fictions about the Caribbean would
