It is inevitable that a festival the size of the Proms should become a showcase not just for the artists taking part, but also for the way classical music is perceived more generally. There would be no point in a public services’ provider such as the BBC launching such an enterprise every year if it
‘I’ve refused to become a prisoner of “Piss Christ”,’ said the photographer Andres Serrano, referring to his 1987 photograph of a crucifix submerged in a glass filled with urine. ‘I’ve refused to become a prisoner of “Piss Christ”,’ said the photographer Andres Serrano, referring to his 1987 photograph of a crucifix submerged in a glass
Andrew Lambirth on the special relationship between the artists Zoran Music and Ida Barbarigo that is explored in an exhibition that shows their work together for the first time in more than half a century At the Estorick Collection, a modest north London townhouse, there is until 12 June a most engaging exhibition devoted to
I rarely visit the Jermyn Street theatre because it’s too nice. I rarely visit the Jermyn Street theatre because it’s too nice. A small, raffish space just off Piccadilly, it has plush crimson seats and good-natured staff who never to fail to press a welcoming glass of claret into my hand. To criticise one of
‘Shakespeare’s Lost Play Re-imagined’, thus Gregory Doran’s subtitle to Cardenio. The play appears to have been lost in the Globe fire of 1613, but why should the RSC’s chief associate director have wanted to ‘re-imagine’ and stage it as the inaugural production in the refurbished Swan? ‘Shakespeare’s Lost Play Re-imagined’, thus Gregory Doran’s subtitle to
After its brief detour into magnificence with The Return of Ulysses at the Young Vic, ENO has returned to its hell-bent form with, appropriately enough, a dramatisation of Berlioz’s The Damnation of Faust. After its brief detour into magnificence with The Return of Ulysses at the Young Vic, ENO has returned to its hell-bent form
The Trouble with Love and Sex (Wednesday, BBC2) was extraordinary and quite successful. They took two couples plus one lonely single chap, recorded them talking to counsellors at Relate (formerly the Marriage Guidance Council, following the same rule by which the Royal Association for the Protection and Furtherance of Deaf Persons would become Eh?) and
Foundling Voices at the Foundling Museum in London’s Bloomsbury (until 30 October) is the fruit of an oral history project that recorded the memories of 74 men and women (the youngest is now 68, the oldest 98) born to unmarried mothers who were placed as babies in the care of the Foundling Hospital Schools in
Lorenzo Lotto’s portraits alone should have secured him a place in history as a major Renaissance painter. Lorenzo Lotto’s portraits alone should have secured him a place in history as a major Renaissance painter. Yet, ironically, while his works continued to be admired, his name was all but forgotten. This paradoxical state of affairs came
In 1879, two young brothers moved into a new fifth-floor apartment at no. 31 Boulevard Haussmann, overlooking the Opéra. Flush with inheritances from their father’s army bunk business, Gustave Caillebotte, 31, and his brother Martial, 26, were exactly the sort of children of the Second Empire for whom these new Parisian mansion blocks had been
From across Margate Bay, the prickly silhouette of the new Turner Contemporary art gallery points towards the sea like prows of departing cruise liners. Here at last is the inspired intervention in economy and townscape to encourage resurgence in the south-east of England as has been catalysed by Tate St Ives in the south-west. Margate
As Attack the Block is being touted as ‘the new Shaun of the Dead’ I expected a light-hearted romp rather than something quite bloody and nasty, although this does, at least, come in at a highly manageable 88 minutes. As Attack the Block is being touted as ‘the new Shaun of the Dead’ I expected
‘She hung up and ended the interview,’ said John Humphrys on Saturday morning’s Today programme (Radio 4), sounding rather bemused. ‘She hung up and ended the interview,’ said John Humphrys on Saturday morning’s Today programme (Radio 4), sounding rather bemused. Had he really been cut off mid-round? The battle not yet won. He’d just been
