Linda Simon’s compact and colourful circus history is, in many ways, a jewel of a publication. It is hard to say anything new about the circus because almost impossible to uncover quotes and stories that cannot be found in other books. The circus itself — disregarding the circus of ancient Rome — is a modern
O lente, lente currite noctis equi! — Marlowe, after Ovid. La mer, la mer, toujours recommencée. —Valéry. Dying by inches, I can hear the sound Of all the fine words for the flow of things The poets and philosophers have used To mark the path into the killing ground. Perhaps their one aim
Incredulity is rarely a word that crosses my mind when it comes to garden writing. This genre can, of course, be quite straight-forward and descriptive, like Miss Jekyll’s rather boring volumes. It can equally be wildly funny, as when Anne Scott-James and Osbert Lancaster hitch their respective wagons to horticulture and produce a spoof history.
Transnistria is not an area well-served by travel literature or, really, literature of any kind. The insubstantial-seeming post-Soviet sandwich-filling between Moldova and Ukraine, it doesn’t have a bad reputation. It has no reputation. As Rory MacLean, the author of the ‘across-the-old-Iron-Curtain-in-a-Trabant’ bestseller Stalin’s Nose, explains: ‘Transnistria is a breakaway republic of a ba lot smaller
The impersonator — Rory Bremner, Steve Coogan — speaks, in different voices, to a single primitive pleasure centre in his audience. Counterintuitively, we like the imposition of imposture. We connive at deceit, at replication, for the release of neurotransmitters, the flood of endorphins — the brandies of the brain. I once heard Peter Ustinov on
The story of Frank Bascombe, a sports-writer turned estate agent but always a New Jersey homebody, has already taken Richard Ford nearly 30 years and three volumes to tell, totalling 1,300 pages — longer than War and Peace. But for Frank, aged 68 (and for Ford, aged 70), it’s not over. In the autumn of
It’s always interesting when people succeed in two different arenas — like Mike Nesmith’s mum, who gave the world both a Monkee and Tippex, or Hedy Lamarr, the beautiful film star who also helped develop wireless communication, or Paul Winchell, the voice of Tigger who also invented the artificial heart. (If only he’d played the
The Pevsner architectural guides are around halfway through their revisions — though it is like the Forth Bridge, and soon it will be time for the revisions to be revised: it is 30 years since the new London: 2, for example. Aficionados have keenly awaited the Cambridgeshire volume, the latest in the series, because of
Child murder, domestic slavery, abusive families, cannibalism and intergenerational hatred — what could be better for the festive fireside than a new edition of Grimms’ fairy stories? There hasn’t been a straight translation in English of the original 1812 edition; most retellers in English relied on revised versions by Wilhelm Grimm. Now Jack Zipes has
The marvellous tales of the title are not just confined to the contents of this book, for the travels and travails of the lone manuscript in which they were inscribed are also something of a wonder, and deserve to be told. The original collection appears to have been composed in the 10th century, and it
In 1787 critics of the Paris Salon were scandalised by a painting exhibited by Mme Vigée Le Brun. The subject was conventional enough: a self-portrait of the artist cradling her small daughter. The problem was that Vigée Le Brun was depicted smiling. You could even see her teeth. This was, as one critic put it,
Tove Jansson’s father was a sculptor specialising in war memorials to the heroes of the White Guard of the Finnish civil war. He did not like women. They were too noisy, wore large hats at the cinema and would not obey orders in wartime. Tove used to hide to spy on his all-male parties, where
As I grew up half German in England in the 1970s, my German heritage was confined to the few curios my grandmother had brought here after the war: a signet ring, a cigarette case, a scrapbook with some missing pages…. She’d changed her name, she’d changed my father’s name, the nation she came from lay
When James Carroll was a boy, lying on the floor watching television, he would glance up at his mother and ‘see her lips moving, only to glimpse the beads in her lap. I recall thinking that they slipped through her thumb and forefinger the way cartridges moved into machine guns’. There was nothing unusual about
We were registered as a form, and for the first day Left unsupervised alone in a distant room With empty desks to organise our own war. Using books and inkwells was the easy way Of creating bombardments — conkers and apple-cores came In useful also, and in the master’s drawer There were sheets of exercise-paper
It is difficult to fault this remarkable volume. The publishers have created a book of quality with stunning illustrations and lucid maps. It will, I believe, become a standard reference for all who study the complex history of Central Asia and the Silk Road. This is the second volume in Christoph Baumer’s projected four-book series
A new literary editor looks among his acquaintance for potential reviewers. There was no one I approached more confidently in 1985 than Juliet Townsend (who died on 29 November). She had been a friend for 25 years and run a bookshop since 1977 with her husband John. They had looked over my own books to
Here is a stupendous achievement: a narrative history of England which is both thorough and arresting. Very few writers could pull it off. Either they’d have an axe to grind, or they’d lose perspective, or they’d present a series of anecdotes, or they’d end up in a Casaubonish pursuit of other historians’ errors. In fact,
