Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. Not long ago I had an email from a friend, wondering if I’d yet read the new Ian McEwan. ‘Talk about a bolt from the blue,’ she said. ‘McEwan does slapstick. I never saw that coming.’
This book could have been a classic. It starts as an account of the author’s family, no better, no worse than many such; but then, amongst the grandparents and the uncles, one figure starts to shoulder his way through the rout of characters, slowly at first, but then, perhaps two thirds of the way through,
The title of Jon McGregor’s third novel derives from an anecdote told by one of the many vivid, dispossessed characters whose voices burst from its pages: Steve is a homeless ex-soldier who agrees to help deliver a lorry-load of aid to a Bosnian town, but is turned back on the grounds that ‘even the dogs’
This is a long book, but its argument can be shortly stated. Anthony Julius believes that anti-Semitism is a persistent and influential theme in English history, which is all the more dangerous for being unacknowledged by most anti-Semites and concealed behind a facade of complex, subtle and hypocritical social convention. He sustains the argument over
In this book, Jonathan Safran Foer, the American novelist, tries to make us think about eating meat. He ate meat, then became a vegetarian, then ate meat again, then got a dog, then started to worry about eating animals, and didn’t stop worrying. This book is the result of what happens if you start to
Barry Miles came to London in the Sixties to escape the horsey torpor of the Cotswolds in which he grew up. Known at first only as ‘Miles’, he worked at Indica and Better Books and was soon helping to organise the Albert Hall reading of 1965 which is supposed to have changed British poetry for
‘I never knew peaceful times’, Irène Némirovsky once said, ‘I’ve always lived in anxiety and often in danger’. ‘I never knew peaceful times’, Irène Némirovsky once said, ‘I’ve always lived in anxiety and often in danger’. This comment was made during a radio interview in 1934, when the novelist, who would later write Suite Française,
