Let’s indulge in some identity politics for a second: I am from Hong Kong, born as a subject of the last major colony of the British Empire, minority-ethnic, descended from Chinese refugees, now living here in exile. This summer, both the National Portrait Gallery and Tate Britain are presenting new displays that are meant to
The Reunion opened in 1997 with some young people being carefree: a fact they obligingly signalled by zipping around the South of France helmetless on motorcycles while laughing a lot. Love appeared to be in the air as well – given that they consisted of two couples: the men in charge of driving (different times),
Trophy office blocks designed as landmarks are not welcoming to humans; their glass and steel reception areas feel more suited to robots. But this summer the cavernous lobbies of two City buildings – 99 Bishopsgate and 30 Fenchurch Street – have been humanised by To Boldly Sew, an exhibition of wall hangings by the winner
A chilly August in Edinburgh. Colder than it’s been for 20 years and the city looks scruffier than ever. Locked Portakabins squat in elegant stone courtyards. Unused site machinery lies abandoned outside neoclassical museums. Pavements and bridges are scarred by ugly steel roadblocks, and lurid street signs mar the visual harmony of virtually every thoroughfare.
In 2015 Carlos Acosta announced his retirement from the Royal Ballet and the classical repertory. It seemed like the right moment; he was 42 and, truth to tell, some of us could detect a slight waning of his prowess and physique. Time to move on: since then, he has done great work in his native
It’s not just who our pop heroes are that marks the passing of the generations; it’s how those heroes present themselves. Kevin Rowland, who turns 70 next week, appeared on stage for his London album launch in a jaunty sailor’s hat and striped top, looking as though he’d just come from a fashion shoot. Mac
Red, White & Royal Blue is a rom-com based on the LGBT bestselling novel by Casey McQuiston. Nope, me neither, but the New York Times reviewed it as ‘a brilliant, wonderful book’ and on Amazon UK it has garnered nearly 44,000 reviews, with an average of 4.5 stars, so let’s not be hasty. The romance
