There are a number of reports by his contemporaries of Thomas Gainsborough at work. They make you realise what a very strange painter he was. There was an element of theatricality in his working practice — the public would expect to be astonished when they glimpsed it — but, even so, it is difficult to
Neel Mukherjee has had a two-handed literary career, working as a reviewer of other people’s novels and writing his own. In 2014, his second novel, The Lives of Others, was shortlisted for the Man Booker Prize. His latest book is a state-of-the-globalised-nation novel which gives human particularity to those deadened concepts we pass around such
The story of Sweetpea Slight is a footnote to a footnote in the annals of British theatre. Even her name suggests it — a gentle, fragrant vanishing off the bottom of the page. In fact, it isn’t even her real name (which is Jane), but one given her by her formidable boss, the theatre producer
We don’t usually think of Hitler’s hated henchman Heinrich Himmler, architect of the Holocaust of European Jewry, as a comic turn, but the diary of Admiral Sir Barry Domvile, a former chief of British Naval Intelligence and fanatical admirer of Nazi Germany, proves otherwise. Domvile’s description of his visit to Himmler’s ‘hunting box’ high in
Levitation. We all know what it is: the ‘disregard for gravity’, as Peter Adey puts it in his new book, or as the dust jacket states, ‘the long-standing belief that we could float relatively unaided’. The cover of Levitation has an elegant lady in flowing robes apparently hovering in a bubble over New York. Who
On the evening of 28 October 1908, two unremarkable middle-class women wearing heavy overcoats gained admission to the Ladies’ Gallery, high above the chamber in the House of Commons. Suffragettes had previously hit the headlines by chaining themselves to the railings at 10 Downing Street and, emboldened by this success, the leaders of the women’s
What’s going on with book reviews? Here is the Pulitizer prizewinning (for ‘criticism’) Michael Dirda in the Washington Post, on this book’s cover: Let me say straight out that if all military histories were as thrilling and well written as Robert Gaudi’s African Kaiser, I might give up reading fiction and literary bio-graphy… Gaudi writes
Englishness is big business in the nation of shopkeepers, and not just in politics and tourism. In literature, the gypsy scholars of Clan Macfarlane range freely across the hills and lexicons in search of old England, the dying and undead. This paperchase confirms that a change in the self-image of the English is afoot too.
This is a very modern novel. Terrorist atrocity sits side by side with the familiar and the mundane. Where better for this to happen than in Northern Ireland? At the Day’s End pub ‘two eejits in Halloween masks’ enter the bar; ‘Trick or treat,’ they shout. ‘Fut-fut-fut-fut went the gun.’ A woman screams, ‘then a
