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He killed off Georgian style

God’s Architect: Pugin and the Building of Romantic Britainby Rosemary Hill Pugin is not unknown in the way he was 50 years ago. Two major exhibitions in the 1990s, in New York and London, the formation of a flourishing Pugin Society and 3,000 people who one weekend last summer crowded in to see his highly

Child of the New Forest

Roger Deakin was a swimmer, old-fashioned socialist, carpenter, broadcaster, tree-planter, chair-bodger, ‘quasi-hippie’, art critic, naturalist, Cambridge graduate, traveller, north-east Suffolk man, champion of local individuality, anti-globaliser and explorer of the links between nature and culture. (Guess how many of these attributes he shared with this reviewer.) He founded Common Ground, the organisation that gave the

Trusty steeds and saucy varlets

Supposedly narrated by the scholar and Aristotelian Michael Scott to his pupil the future Holy Roman Emperor Frederick II, sometime in the early 13th century, Charlemagne and Roland completes the trilogy begun by The Evening of the World and Arthur the King. Although framed as a picturesquely tongue-in-cheek accompaniment to a great deal of Carolingian

A gallery of pen portraits

Trying to explain the limits of his Parallel Lives, Plutarch compared the work of historians to that of cartographers who must crowd into the edges of their maps parts of the world which they do not know about, adding notes in the margin to the effect that beyond this lies nothing but the sandy deserts

Mamet blows his own trumpet

It would be easy to be mean about this book — so here goes. It purports to be David Mamet’s practical guide to movie-making and one of the points he makes repeatedly is that films shouldn’t have any fat on them. The film may, perhaps, be likened to a boxer. He is going to have

Not forgetting the horses’ indigestion

The appearance of this volume is an important publishing event. It is the first book in ten years from one of the outstanding historians of our age. Its brevity and unflamboyant presentation are deceptive. Those who have admired Norman Stone’s work in the past will not be disappointed — it is full of surprises and

And so to plot

There’s a theory, no doubt implausible and based on selective evidence, that alone among the peoples of Europe the English are somehow immune from those fits of mass hysteria which break out with murderous effect elsewhere. It must be nonsense, but it’s very easy to find instances in English history where what looks like the