In 1959, Edvard Munch’s ‘The Scream’ was hanging above the bed where Francis Bacon nursed a fractured skull after falling downstairs drunk at his framer Alfred Hecht’s house on the King’s Road. It was there to be re-framed – a circumstantial detail Mark Stevens and Annalyn Swan report neutrally, en passant, in their 2021 biography
What do you do when one of your possessions goes missing? Search behind the sofa cushions? Ask other members of the household where they put it? If you lived in Renaissance England, there’s a chance you would have consulted a local magician for advice, especially if the lost item was of value. In the absence
Michel Barnier, the chief negotiator for the EU Commission, called Brexit an expression of ‘hope for a return to a powerful global Britain, nostalgia for the past’ – a mood that ‘serves no purpose in politics’. Popular historians have echoed his view of nostalgia as a syndrome which affects declining societies such as Great Britain.
Given that I know the author, would I feel inhibited about reviewing her new book critically, I asked myself. But other than meeting her once at a party for two minutes, I realised that I know Clover Stroud only through her raw, ravishing memoirs and – like the rest of her 37,000 Instagram followers –
The first time I went to India, nearly 30 years ago, I was sent as a young novelist by the British Council. Unusually, my first encounter with the country was Kolkata, a city I loved instantly. At the first event, after I had finished reading, an audience member gently asked if I liked Indian novels.
At 7 o’clock on a bleak February morning in 1542, King Henry VIII’s fifth wife Katherine Howard, so enfeebled by fear and misery that she could hardly stand, was half-led, half-carried from her cell in the Tower of London to the scaffold in a nearby courtyard. Watching as the axe fell on her mistress’s neck,
Five years ago, a documentary about the Duchy of Cornwall featured the then Prince of Wales in tweeds and jaunty red gauntlets laying a hawthorn hedge. It was a brilliant piece of PR. If Charles was a safe pair of hands with a hedge – something as quintessentially English as a hay meadow or a
Charles Palliser’s Sufferance tells us what happens to one family in an occupied country during wartime. What sets it apart is that all the characters are unnamed. The country, region and historical period also remain unspecified. This indeterminacy lends the novel enormous power. The father of the family decides to take in a young girl
Volcanoes, volcanoes, volcanoes. You wait years for a good book or a film about volcanoes to come along and then they blow up all at once. In 2022, Sara Dosa’s incredible, unmissable – incroyable! incontournable! – documentary about the eccentric French filmmakers and volcanologists Katia and Maurice Krafft, Fire of Love, was nominated for an
