The kraken legend is often said to have been inspired by real sightings of giant squid, and this is why Wendy Williams in her Kraken: The Curious, Exciting and Slightly Disturbing Science of Squid (Abrams, £12.99) has chosen this as a title for her book. Below the thunders of the upper deep, Far far beneath
The unification of Italy 150 years ago was a terrible mistake, according to David Gilmour, imposing a national state on a diverse collection of people with little sense of patria. But Barry Unsworth thinks it’s too early to cry failure David Gilmour begins his pursuit of this most elusive of quarries where all such pursuits
Andrew Rosenheim is building a solid reputation for intelligent, thoughtful thrillers driven by character and theme rather than plot mechanics. His latest, Fear Itself (Hutchinson, £14.99), breaks new ground for him in that it is also a historical novel. Set mainly in the United States in the late 1930s and the first year of the
At a time when publishers seem chary of commissioning literary biographies, the conditions for writing them have never been better. Major authors born in the 1890s and early 1900s were written about pretty comprehensively in the so-called golden age of biography, stretching from the last quarter of the past century into the first few years
The death of the Polish-born British novelist Joseph Conrad is the central event of David Miller’s debut novel. The death of the Polish-born British novelist Joseph Conrad is the central event of David Miller’s debut novel. A reimagining of Conrad’s final days, Today explores the nature of bereavement. Within the novel’s confines, Conrad exists simply
Every schoolboy knows the story of six-year-old George Washington taking his ‘little hatchet’ to his mother’s prized cherry tree. Every schoolboy knows the story of six-year-old George Washington taking his ‘little hatchet’ to his mother’s prized cherry tree. Less well known is that in later years he more than made up for this childish piece
The telephone rang and it was Mark Amory, literary editor of this magazine. You could have knocked me down with a feather when he asked me to review Beautiful Chickens. I said yes at once. I already had a copy of the book, given me by the staff at Heywood Hill as a Christmas present,
With a new novel each year, Robert Edric cannot have much time for courting London’s literary establishment, but does he stay at home in East Yorkshire? The London Satyr is set in 1890s London and to me, a Londoner, it seems not merely researched but felt, as if its author has tramped the streets and
