Spectator Life

The secret of any great sitcom is the delicate balance of sit and com. Mess the ‘sit’ bit up and you lose the ‘com’. Del Boy without Nelson Mandela House is as unthinkable as Alan Partridge without his ‘grief hole’ (aka the Linton Travel Tavern), which is why both of these characters eventually came unstuck. Sending

The romcom genre has a decidedly mixed record, often becoming a lazy way for stars to cash in on their popularity – with less than loveable results. Witness the career of Matthew McConaughey, which could have been described as ‘Death by romcom’ (Failure to Launch, The Wedding Planner, Fool’s Gold etc) until his 2011 comeback

Reading that Madonna has decided to cancel the film about her life that she has been working on for the past two years, I felt a pang of sorrow. The biopic sounded like the biggest vanity project ever attempted – and thus promised to be an excellent ‘mock-watch’, as I’ve named the cinematic equivalent of

If the 20th century was the age of the common man, the 21st is the age of the common man’s confounding. Between shambolic politics, culture wars and actual war, nothing is turning out quite as well as anyone expected. What was meant to be an era of freedom and enlightenment seems to have become the

The Tomb Raider franchise seems to have been a graveyard for oddly overqualified people. Angelina Jolie played the character of Lara Croft twice after winning an Oscar, and subsequently Alicia Vikander gave the English aristocrat-turned-global adventurer a go. Neither left much of a mark – which is why it is all the more surprising that Fleabag creator and star

The Last of Us may be remembered as the point when Hollywood’s approach to video game adaptations finally changed. In this, it’s as significant a creative development as Jon Favreau’s Iron Man was in creating a new formula for Marvel superhero movies. The series, which began on Sky Atlantic last week, is set 20 years after a

At the end of the Frasier theme song, its star Kelsey Grammer always sang the words: ‘Frasier has left the building!’ And when the show finished in 2004, it felt as if Frasier, Niles, Daphne, Martin, Roz and the rest had indeed left the building. In truth, the popular programme did not end in glory. Ever since Niles

The pundits called it long ago: Avatar 2: The Way of Water was going to be a flop. They did allow that betting against the so-called ‘king of the world’ James Cameron was rash – after all, Titanic and the first Avatar film overcame almost hysterically negative buzz in order to become box office behemoths. But there were too many reasons

British writer Graham Hancock has riled the archaeology community with his Netflix documentary, Ancient Apocalypse. The series follows Hancock to ancient sites around the world in pursuit of proof that an advanced human civilisation existed thousands of years before the first cities of Mesopotamia. Hancock, a former Economist correspondent, argues that most archaeologists are too

The Offer (Paramount Plus) Even when you know the ending, this ten-part drama about the making of The Godfather, seen from the perspective of novice producer Albert S. Ruddy (Miles Teller), is outrageously gripping, gorgeously evocative of louche, cocktail-drenched late 1960s Hollywood, wittily scripted and superbly acted. Matthew Goode is especially watchable as superproducer Robert

It would be fair to say 2022 was not a vintage year in cinema, reflected in UK box office receipts which remain around a third below the pre-pandemic year of 2019. That’s not to say there weren’t some enjoyable releases (such as The Banshees of Inisherin, Triangle of Sadness and The Northman) – but the

Banshees of Inisherin: a magnificent cinematic metaphor The In Bruges writer-director Martin McDonagh has made another film starring Colin Farrell and Brendon Gleeson which, this time, is set in 1923 on the tiny Irish island of Inisherin. Colm (Gleeson) and Padraic (Farrell) are lifelong pals and drinking buddies until Colm abruptly decides that’s it, friendship over, and

It’s become one of the traditions of the modern festive period: arguing about whether Die Hard is a Christmas movie. The explosive 1988 film features, you may recall, a vest-clad Bruce Willis confounding Alan Rickman and his terrorist cohorts’ evil plans in a Los Angeles skyscraper on Christmas Eve – and it’s peppered throughout with fir

Christmas may ostensibly be a time of goodwill to all men, but war rarely takes a break for the festive season – as events in Ukraine sadly demonstrate. Here are ten films set during Yuletide where the front line is front and centre: Castle Keep (1968) – Amazon Rent/Buy Sydney Pollack’s (Three Days of the Condor)

Has a certain media mogul had a visit from three ghosts recently? I only ask as this year’s Sky Christmas schedule is so packed with treats and big-hitters that it can’t possibly be explained by hard-nosed commercialism. An outbreak of sudden seasonal generosity seems to be the only explanation. Whatever has triggered Sky’s largesse, the

It is 122 years this week since Oscar Fingal O’Flahertie Wills Wilde died – in exile, poverty and disgrace – at Paris’s shabby St Germain Hôtel d’Alsace. His last words were said to be: ‘My wallpaper and I are fighting a duel to the death. One or the other of us must go.’ Despite Wilde’s precipitous fall from

‘Isn’t Naples beautiful? I’ve always dreamt about it. I always wanted this city all for myself; I didn’t want to share it… I alone deserved it because of everything I lost and I would have done anything to get it.’ So says Ciro Di Marzio – nicknamed ‘the immortal’ because he has survived so much

It’s hard to imagine how baffled the British public must have been by the arrival of David Bowie on to TV screens in the early 1970s. With his saffron hair, make-up and androgynous clothes, superficially he looked like a rejection of everything his post-war south London childhood had taught him. One of the most pivotal

From Fawlty Towers to Psycho, hotel horrors have long provided a rich seam of material for big screen and small. HBO’s The White Lotus, which returns to Sky Atlantic tonight for its second series, swept the board at last month’s Emmys, with ten wins in the limited series category for its sharp social satire set at an upmarket

He is completely bald but his eyebrows are grotesquely hirsute; his ears and chin are both weirdly elongated, as are his bony fingers; and as he creeps up the stairs towards the bedroom of a young woman in white, his hunched frame casts a sinister shadow. Count Orlok in Nosferatu is as instantly recognisable a cinematic figure

It’s a rocky rural idyll on the edge of the Atlantic Ocean. The craggy sea cliffs – Europe’s highest – are swathed in the orange setting sun. Animals – sheep, cows, donkeys – gambol rather than walk on the ancient bog and jump over the babbling brooks. The sand is golden, the ocean as green

The fifth series of Netflix’s The Crown will soon be upon us. Scripted, as ever, by Peter Morgan, the show will cover the travails of the royal family throughout the 1990s, spanning everything from the then Prince Charles and Princess Diana’s marital difficulties and eventual divorce to the rumours of Prince Philip conducting an affair with a

As the credits rolled on the series finale of The Lord of the Rings: The Rings of Power, things got awkward. My partner turned to me to express his excitement for series two – just as I realised with absolute certainty that I couldn’t, in good conscience, watch the show again. My reaction came as

In a month that has seen more than its fair share of chaos, I had hoped the release of the first-ever Emily Brontë biopic would at last offer some cause for celebration. But Emily, which arrived in cinemas this week, has provided quite the opposite.  Frances O’Connor’s directorial debut focuses on a fling between Emily (played

After 9/11, American comedians found themselves in a tricky situation. Make fun of any of the usual standbys of their trade – politicians, authority figures, Rudy Giuliani, anyone who wore a badge for a living – and they were liable to be shouted down in an angry chorus of: ‘Too soon!’ Yet if all the

Mark Millar, creator of series including Netflix’s forthcoming American Jesus, has a theory that movie and TV fashions work in 11-year cycles and that we’re just starting a new one now. If he’s right – and I think he is – then it would explain a lot about the second-most disappointing series currently on TV,

Don’t Worry Darling, the highly anticipated psychological thriller directed by Olivia Wilde, has arrived in cinemas after months of online gossip and speculation about its production. The controversies include: an alleged affair between the director and main actor, Harry Styles, who also happens to be one of the most famous pop stars on Earth; the

There on my television screen, in a somewhat surreal sequence, was Boris Johnson contemplating the women in his life. And suddenly before me appeared the famous Wyatt features: first eyes, then a nose and then a mouth, right into camera. Medium-range shot and then a close-up. Ah, we had faces then. And then I looked harder,