The political awkwardness of the 2026 Tony Awards
Every year, the American theater world gathers in New York to celebrate the best of the best, and every year, writers like me ask why the judges have made increasingly baffling decisions. On the surface, it seems as if the 79th Tony Awards, hosted by Pink from Radio City Music Hall, were business as usual. The new revival of Death of a Salesman, with Nathan Lane and Laurie Metcalf and directed by Joe Mantello, was the big winner with six awards including Best Revival and Best Featured Actress. It also represented the partial redemption of the once-powerful, now-humbled super-producer Scott Rudin, whose penchant for big-star vehicles based on classic novels and plays was evident.