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As the success of The Serpent and The Pembrokeshire Murders shows, many of us remain oddly fascinated by serial killers. But for all its popularity, the serial killer format can be tricky to get right – with many coming across as distasteful, clichéd or overly sensationalised. Here are eight recent shows – both dramas and documentaries – that strike the right balance:  Des,  ITV Player  ITV’s gripping portrayal of the cold and calculating Dennis Nilsen (known in the red top press as the Muswell Hill Murderer) flips the format on its head by starting with the last thing you’d expect: a confession. But as David Tennant’s ‘Des’ recounts his killing spree

As culture and politics become ever more polarised, it’s tempting to retreat into the reassuring hum of our own echo chambers and positive feedback loops. But this reluctance to engage with ‘the other side’ can only corrode civil discourse. As regular readers of The Spectator will know, listening to opposing views in good faith allows us to test our convictions, or as Bertrand Russell put it, ‘those who feel certainty are stupid, and those with any imagination and understanding are filled with doubt and indecision.’  In these hyper-partisan times, it’s not surprising perhaps that there are so few platforms where opposing intellectual heavyweights can go head to head — who

How do you enjoy a socially distanced kiss on screen? Come to that, how do you film a socially distanced murder? And, between takes, can robots carry out COVID testing? These are just some of the perplexing issues that actors, writers and directors on film and TV sets have been grappling with of late.  Hollywood productions, and their stars, haven’t been immune to the on-set stresses, an increasingly surreal side-effect of the pandemic. Leonardo DiCaprio and Jennifer Lawrence have been pictured wearing full plastic face visors on set in Boston for the forthcoming Netflix comedy Don’t Look Up. Tom Cruise, who is currently finishing up Mission: Impossible 7, recently ripped

When’s the last time you wore a tie? Was it yesterday? Are you wearing one now? Somehow I doubt it. After all, why should you, sitting there in your home office or spare bedroom, or sitting room?  Of course there was a time, if you’re a male reader, that you would have worn one every day to work. But ties are rapidly disappearing. Where once half-Windsors wider than 747s straddled the necks of pontificating ex-footballers on Match of the Day, open shirts now rule the roost. When you see a politician out and about on the television, his tie is gone, his sleeves are rolled up – like a vet

Every weekend Spectator Life brings you doses of topical trivia – facts, figures and anecdotes inspired by the current week’s dates in history. 23 January In 1571, the Royal Exchange opened in London. The building (or rather its Victorian replacement) still bears a golden grasshopper, the emblem of the Exchange’s founder Thomas Gresham. He chose this to commemorate one of his ancestors, who as an illegitimate baby was abandoned in a Norfolk field. A local family, the Greshams, were out walking, and only found the baby because their young son chased a grasshopper into the field. They adopted the infant, calling him Roger. Thomas Gresham knew that without that grasshopper he would

I often find myself turning to lemon-filled recipes in January. I think it’s something my baking subconscious realises before I do – that cold, dark days require the antithesis, something bright and bold, something cheering. You know what they say: when life gives you lemons, make lemon meringue pie.  Unlike its austere, pared back French cousin, the tarte au citron, the lemon meringue pie is never going to be a subtle pudding: a lurid, chartreuse centre hidden by big billows of toasted meringue, piled ludicrously, disproportionately, toweringly tall. It quivers and wobbles on the plate, crisp and firm on the outer edge, giving way to a marshmallowy interior. But that’s

The pandemic has hit the film industry for six – but there’s a precedent to suggest that it can come back stronger. Because that’s what Hollywood did after the devastation of the Spanish Flu a century ago. As that killer virus was still ravaging post-WWI America, a great auteur was at work on a project that would change everything.  This week sees the centenary of the result – the first ever movie blockbuster. 21 January 1921, was the US release date of Charlie Chaplin’s first feature film, The Kid. Never mind the endless present-day stress about if and when anyone will ever get to see the 25th Bond film; it’s small

Cinema came of age in the 20th century and documented that epoch in all its trials and tribulations. Movies are for the most part escapist confections but they can also reflect our world back to us. To learn about the major events of the last century, it is sometimes as useful to turn to a film as to pick up a book. The following are ten movies that tell key chapters of the 20th century. The Great War, 1917 (Sam Mendes, 2019)  World War I is the harder of the two world wars to make a movie about. It was not a good war, easily rendered into a Hollywood morality

After the publication of Sarah Smarsh’s She Come By It Natural, the latest biography of the beloved songstress, here’s a look at Dolly Parton’s career in the movies. Admittedly, Parton’s filmography can be described as patchy (at best), but there are enough hits, curiosities, and why-on-earth-did-she-do-it? duds to merit a retrospective. And who knows – some of those movies previously deemed as clunkers may be worth a second look. Possibly. Before launching into my film rundown, it’s worth mentioning the frequent use of Dolly’s songs in movies other than hers, often used in a contrapuntal fashion. We’ve had 9 to 5 featured in Deadpool 2 (2018), Islands in the Stream in HBO’s Watchmen

If nothing else, the nation’s latest online book club will be its poshest. The Duchess of Cornwall has thrown her feathered fascinator into the ring with Oprah Winfrey, Reese Witherspoon and Richard and Judy to found — as she announced on her Instagram feed — an online book club called The Reading Room, in which she’ll be sharing personal recommendations, author interviews and kits of suggested questions for exploring the texts.  There’s every reason to welcome this as a serious project. Camilla has been closely involved with the Booker Prize for many years, is a patron of seven literacy charities, and is known to read widely and intelligently. On a