Keir Starmer must look beyond adolescent politics
An industry poll by the British Film Institute in 2000 to find Britain’s best television programme put Fawlty Towers first and Cathy Come Home second. The latter, Ken Loach’s bleak 1966 play about a woman’s downward descent through unemployment, homelessness and poverty, is about as far from John Cleese’s inimitable farce as can be conceived. Yet both made lasting impressions on viewers of very different kinds. Adolescence’s popularity is down to telling liberal England what it wants to hear, never mind its basis in reality Watched by a quarter of the population at the time, Cathy Come Home took an uncompromising approach to its subject and provoked wide reaction. Passers-by
