Music and Opera

When you’ve got a song called If Drinking Don’t Kill Me (Her Memory Will) then you know you’re travelling through the country of country. But that’s fine, because the Possum is keeping you company. Ladies and gentlemen, Mr George Jones…

Kitty Wells was born in 1919 and she’s the oldest living member of the Country Music Hall of Fame. So it’s well past time she featured here and, this being so, it’s sensible to play her first big hit It Wasn’t God Who Made Honky Tonk Angels. If Hank Williams was the inspiration for everyone who followed him then, after the Carter Family, you can argue that Kitty Wells played a similar role on the distaff side of country.

Another gem featuring three great pickers and Alison Krauss. The Banks of the Ohio is a great song too and, like so many other murder ballads, a reminder of how closely connected old-style country is to the music of these islands.

So old school it makes old school seem dangerously hipsterish. But, you know, great.

Bryan Curtis has an excellent piece at the Daily Beast on the current state of country music. Well, the state of commercially successful, Grammy-nominated country music anyway. As you might expect, it’s depressing stuff. Basically, you have a choice between Carrie Underwood and Taylor Swift and perhaps the best that may be said of this is that it might be marginally less gruesome than the era of Shania Twain and Garth Brooks. Marginally. As Bryan explains: To reduce Taylor vs. Carrie to style points would be a mistake. Their music has deep thematic differences, too. If you favor Swift, you are embracing a Weltanschauung that says that all of life

Earl Scruggs and his boys pay a visit to Doc Watson’s home in North Carolina for some good times and some even better music. It’s old school and it’s great.

Been a whole lotta time since Waylon was seen around here. Time to rectify that so here’s the great man singing A Good Hearted Woman which is what every outlaw needs though since all mommas also know they really shouldn’t let their babies grow up to be cowboys you’d think that means they’d be doubly hesitant to let their daughters hitch themselves to the outlaw bandwagon…

Well, Sunday afternoon high-class, great-pickin’ gospel really. Alison Krauss has always cited Tony Rice as one of the biggest influences upon her career and here he is, accompanied by the great Ricky Skaggs, performing what is, in my view, a beautiful version of the classic The Soul of Man Never Dies:

Apologies for the light blogging these past couple of days. Still, it’s Saturday and so it’s time for some more country. Since I’m seeing him perform in Perth on Monday night it’s appropriate that Steve Earle makes another appearance in this series. And since his latest album is a set of Townes van Zandt covers it’s also fitting that we highlight his lovely, moving tribute to TVZ, Fort Worth Blues:

Sadly Youtube doesn’t seem amply stocked with footage of Gram Parsons. But here’s one of the next best things: Emmylou Harris performing her great tribute to Gram, Boulder to Birmingham:

Yay! Another young, still-to-reach-their-prime performer! I like Laura Cantrell heaps. She has something. Here she is performing When the Roses Bloom Again. A nice, properly mournful song that is, in its title anyway, a spin-off of an old Carter Family tune that itself is reminiscent of some of the old Border ballads and, thus, a reminder of how much good country music is still linked to songs from these parts…

I recently read of a music writer who believes the perfect pop song lasts precisely two minutes and 42 seconds. Crazy though it sounds, he may be on to something. Try ordering your iTunes collection by duration and you may find as I did that songs of that length seem slightly better on average than any others. For the record, mine include ‘Michelle’, Elvis’s ‘Funny How Time Slips Away’ and ‘Love me Tender’, Johnny Cash’s ‘Folsom Prison Blues’, Josephine Baker’s ‘Si J’étais Blanche’, ‘California Dreamin’’ by The Mamas and the Papas, ‘The Wanderer’ by Dion and the Belmonts and ‘This Charming Man’ by The Smiths. So, just as you could

Because, frankly, from Afghanistan to Texas to the corridors of Whitehall and the Bank of England, it’s been a pretty bleak week it’s appropriate to bring Saturday Morning Country forward by a few hours. This Lyle Lovett song – If I Had a Boat – always cheers me up. Added bonus: with its dreams of boats and ponies and ifs and ans and all the rest of it you may also read it as an arch critique of the promises politicians feel compelled to make and that we, because we want to believe, choose to take at more than face value. Not merely boats for all, but ponies on each

Elvis Presley once said that the Louvin Brothers were his favourite country musicians. But he nver recorded one of their songs. Perhaps because, like almost everyone else who ever had any dealings with the Alabama-born and raised brothers, he’d been cussed out by Ira Louvin.  Charlie said that his elder brother was all kinds of messed up by religion. Perhaps. But whether they were singing gospel, traditional murder ballads or their own compositions there were few better examples of harmony singing than Ira and Charlie Louvin. Here they are performing I Can’t Keep You in Love With Me. Which was, for Ira anyway, kinda true: after he tried to strangle

Yes, that would be Steve Earle’s boy and yes he’s named after the great Townes van Zandt. One of the things I like about country music is it that, in the end, it’s all one big family. Granted, a family that sings about heartbreak and loss and the endless miseries of life quite a lot, but a family nonetheless. So it’s good to see Steve’s son following the family tradition. And the kid can play and sing and write. He’s good, in a reflective, acoustic fashion that differentiates him from some of his old man’s more rock-influenced stuff. There’s a certain mischief too. Consider this song, Mama’s Eyes, from his

How is it possible that this series has, until this point, failed to include Willie Nelson? A mystery, folks, a mystery. Now Willie has some odd views and is perilously close to being a 9/11 Truther but, frankly, we don’t hold that against him. The music’s the thing and he’s written enough and done enough to earn our forebearance. Plus, you know, there’s something of a Texas shaman about old Willie. Which explains quite a lot, really. In truth I’d be lying if I said that Willie was or is one of my super-favourite country stars but there’s no gainsaying his contribution to the Church of Country. The man has

Somehow or other I missed the 60th anniversary of Bruce Springsteen’s birth this week. The Boss turned 60 on Wednesday and if that seems oddly perturbing then, I suppose, at least it’s not as cor-blimey a thought as realising that Martin Amis celebrated his 60th birthday last month. Aye, the times are racing on right enough. So, by way of belated thanks, here’s the great man performing Mansion on the Hill, from his wondrous trip along the darker roads of Americana, Nebraska.

The New York Times actually paid someone to write this about a new video game: Luckily Paul McCartney and Ringo Starr, along with the widows of George Harrison and John Lennon, seem to understand that the Beatles are not a museum piece, that the band and its message ought never be encased in amber. The Beatles: Rock Band is nothing less than a cultural watershed, one that may prove only slightly less influential than the band’s famous appearance on “The Ed Sullivan  Show” in 1964. By reinterpreting an essential symbol of one generation in the medium and technology of another, The Beatles: Rock Band provides a transformative entertainment experience. In