Our curation of music and opera reviews
Nashville is a fun town and there’s a heck of a lot of good stuff that’s come from Tennessee but Texas is the other great home of country music and the Texas singer-songwriter tradition is maintained by Robert Earl Keen (among many others). Here he is with The Road Goes on Forever (And the Party Never Ends). True that. Remember: we’re in the country of country…
There has been much to celebrate in Barcelona this week for musicians of a certain bent. The Medieval and Renaissance Music Society held its annual international conference there, which gave the delegates the opportunity to celebrate the musicologist Bruno Turner’s 80th birthday, as well as the 20th anniversary of the foundation of Musica Reservata Barcelona and the 400th anniversary of the death of the Spanish composer, Victoria. The city may be more associated with architects (Gaudí) and painters (Dalí and Miró) than with musicians, but it knows how to stage a pachanga when the pressure is on. The only disappointment was that Rafael Nadal, who was born in Majorca and
Sorry for the lack of posts here lately. That’s what a trip to London, an 11 hour journey home and a weekend of cricket will do. Anyway, Gillian Welch and David Rawlings have a new album out and it is as good as you might expect. Here’s a bootlegged clip from a recent gig that a) is swell, b) is vivid and c) reminds one of Rawlings’ contribution to the partnership. Yeah, I’ll Fly Away….
Been a while since the standard-bearer of the modern Bakersfield sound was featured here. Time to make amends for that prolonged absence. So here’s the man himself with a fine rendition of his lovely, mournful song I Sang Dixie. Pure class.
It has to be Glen Campbell this week what with the announcement that, on account of Alzheimer’s, his forthcoming tour will be his last. So here he is with a lovely stripped-down (no bloody strings!) version of Wichita Lineman. Jimmy Webb’s song is still a mighty one and Campbell does it justice here: [This post is dedicated to NR, an old college pal and Glen Campbell obsessive]
It’s so rare I want to shout about anything from the rooftops but I do want to shout from the rooftops about The Ruby Dolls and their latest show, Rubies in the Attic, which takes cabaret and shapes it into something so original that if you can catch it you must. It’s so rare I want to shout about anything from the rooftops but I do want to shout from the rooftops about The Ruby Dolls and their latest show, Rubies in the Attic, which takes cabaret and shapes it into something so original that if you can catch it you must. The Dolls, whom I caught at the Riverside
If the atmosphere in Tokyo at the moment is relatively radiation-free — it is said to be less than in the cabin of the aircraft which flew us here — the mood among the local population is one of getting on with life. If the atmosphere in Tokyo at the moment is relatively radiation-free — it is said to be less than in the cabin of the aircraft which flew us here — the mood among the local population is one of getting on with life. Apparently, they collectively held their breaths (and stopped drinking the water) for about 24 hours at the time of the earthquake, and then turned
DAC has written some dreadful and awful songs but also some mighty fine ones. Though I prefer the stripped-down version of Would You Lay With Me (In A Field Of Stone) this is still a pretty decent version and definitely from the Good DAC School:
Been a while since we saw some Merle around here. Too long. So here’s the great man singing about his poor mama and her Hungry Eyes:
James MacMillan has a string of large-scale choral and orchestral works to his name, and last month saw the première of his chamber opera Clemency at Covent Garden. One wonders, then, how he makes time to write a new, small-scale choral piece for the re-opening of St Patrick’s Church in Soho Square. James MacMillan has a string of large-scale choral and orchestral works to his name, and last month saw the première of his chamber opera Clemency at Covent Garden. One wonders, then, how he makes time to write a new, small-scale choral piece for the re-opening of St Patrick’s Church in Soho Square. The obvious answer is that the
Here’s a strange thing about Johann Sebastian Bach. Here’s a strange thing about Johann Sebastian Bach. You can be devoted to his work, love it more intensely than any other music, yet never get round to hearing some of his most awe-inspiring compositions, or even know what you’re missing. There are dozens — literally dozens — of pieces of 24-carat Bach whose names are known only to professional musicians and scholars and are barely represented in the recording catalogue: you might find two good digital performances of them, maybe three. Bach wrote at least 400 Church cantatas, of which half are missing. But, so far as the average music lover
Amidst all the Dylanmania this week it’s worth recalling that Steve Earle once said, “Townes van Zandt is the best songwriter in the whole world and I’ll stand on Bob Dylan’s coffee table in my cowboy boots and say that.” He may be forgiven his touch of hyperbole. Nevertheless, To Live is to Fly is one hell of a song and here it is done by the Cowboy Junkies:
In ‘Poetry of Departures’, in which Philip Larkin imagines escaping his existence as a librarian for a life of wild daring and adventure, he writes: We all hate home And having to be there; I detest my room, It’s specially-chosen junk, the good books, the good bed. In ‘Poetry of Departures’, in which Philip Larkin imagines escaping his existence as a librarian for a life of wild daring and adventure, he writes: We all hate home And having to be there; I detest my room, It’s specially-chosen junk, the good books, the good bed. And my life, in perfect order. It is, he concludes, ‘reprehensibly perfect’. I wish I could
You can’t get much more country than Tonight the Bottle Let Me Down. Here’s a take on that classic lament performed by Waylon Jennings:
It is inevitable that a festival the size of the Proms should become a showcase not just for the artists taking part, but also for the way classical music is perceived more generally. There would be no point in a public services’ provider such as the BBC launching such an enterprise every year if it didn’t deliver what people wanted. And indeed it is clear that it matters very much to the BBC how many people do actually attend these concerts: the blurb is as full as ever of figures showing how last year was a ‘record-breaking’ year; and now how this year there were ‘376 tickets sold every minute
Thousands of years ago, in or about 1977, I remember reading the intemperate jazzer Benny Green writing about Genesis, whose years of commercial success were just beginning. Green was not impressed. ‘It’s all very loud bits and very quiet bits,’ he said, or words to that effect. You can just imagine his customary wasp-chewing grimace of lofty contempt. But then everyone over a certain age hated pop music in those days, and senior jazzers were often wheeled out to express the silent majority’s view. Green’s comment hit home with me partly because, at the time, I adored Genesis, and partly because he was right. It was all very loud bits
In the aftermath of an early-evening thunderstorm on a baked Easter weekend, Trembling Bells took the stage in a Lewisham pub. They seemed like visitors from another time. It wasn’t quite clear which, but the most evident contender is the early Seventies, and it’s no surprise that Joe Boyd, the celebrated producer of Nick Drake and Fairport Convention, referred to them as ‘my kind of band’. In the aftermath of an early-evening thunderstorm on a baked Easter weekend, Trembling Bells took the stage in a Lewisham pub. They seemed like visitors from another time. It wasn’t quite clear which, but the most evident contender is the early Seventies, and it’s
Here are Lester and Earl with the boys and, bless ’em, a lovely little sales pitch to put everyone in the mood for some old time harmony. Since it’s Easter this seems like a good time to sing I’m On My Way to Canaan’s Land…
It seems to me that society can now be divided into three different types of people on principles that have nothing to do with class, wealth or status, and everything to do with one’s ease — or lack of it — with modern technology. It seems to me that society can now be divided into three different types of people on principles that have nothing to do with class, wealth or status, and everything to do with one’s ease — or lack of it — with modern technology. In this arrangement, my parents, who live comfortably in Surrey with two cars in the drive and a delightful garden, would belong
Like many music fans, I could spend months pondering a playlist and coming up with dozens of variations. Since I assume I was invited to participate in Spotify Sunday as co-founder of Africa Express, I wondered whether to do an all-African list, but in the end decided to do a random shuffle of a few of my favourite things – much like the madness of an Africa Express show. Je T’aime – Staff Benda Bilili I first came across this band in Kinshasa, when a group of homeless paraplegics were carried on to the stage in a tiny club and left us all totally stunned. A breathtaking moment. Since then
