World

The MAGA social scene was defined on the eve of Donald Trump’s inauguration by the Coronation Ball – perhaps the most exuberant celebration of the new ‘Golden Age’. The principal speaker was, unsurprisingly, Steve Bannon, the architect of Trump’s first victory and the voice of the neo-reactionary core of the President’s movement. More surprising perhaps though was the Ball’s principal sponsor, Remilia Corporation, a conceptual art movement. It was as if a Reform UK rally were sponsored by the Turner Prize. After Bannon’s speech, a representative of Remilia, an artist operating behind the pseudonym L.B. Dobis, stood at the podium to speak about internet art and to outline Remilia’s plans

The Foreign Secretary describes his approach to diplomacy as ‘progressive realism’. One can legitimately ask what is progressive about a closer accommodation with the slave-labour-deploying Leninists of Beijing or what is realistic about ceding the UK’s sovereignty over the Chagos Islands to China’s ally Mauritius. But David Lammy seems happy in his work. His choice of words serves to give an updated gloss to what most observers would readily recognise as the Foreign Office’s traditional approach – appeasement of our enemies and embarrassment at anything which appears to be a reminder of our colonial past. Whatever the aptest description of this government’s foreign policy, it is fair to say Donald