Book Reviews

Our reviews of the latest in literature

Cosy crime flourishes in the pick of the summer’s thrillers

Cosy crime was once the literary world’s guilty secret, a refuge for any reader seeking entirely unchallenging entertainment – like an Escoffier chef with a private penchant for Mars Bars. It has always proved a great getaway in tough times, which helps explain the extravagant success of Richard Osman’s novels. Murder Before Evensong by the Reverend Richard Coles (Orion, £16.99) follows on Osman’s heels, with the advantage of it being both a more interesting story and a better writer telling it. It begins with an array of clichés, a feature of the cosy genre. Daniel Clement is a man of the cloth, tending the rural flock of a small village

Joy, fear and regret in contemporary Britain

For two and a half years, as Britain adjusted from normality to the most disorienting collective trauma of our lifetimes, Will Ashon trawled the country for strangers’ stories. He wrote letters to random addresses, went hitchhiking, talked to the drivers and followed chance connections in pursuit of glimpses into other people’s lives. Once they had consented to speak, he asked some to tell him a secret and others to answer a question from a list. The resulting anonymous confessions, reminiscences, philosophical reflections and anecdotes were obtained via interviews, emails or voice recordings. They form a quietly remarkable study of the state of the nation, in which fragments piece together into

The diary of a tortured man: Deceit, by Yuri Felsen, reviewed

Yuri Felsen, born in St Petersburg, was an exile in Riga, Berlin and Paris and died at Auschwitz in 1943. Had his archive not been destroyed, we might find him on the same shelf as Vladimir Nabokov, Vladislav Khodasevich and Ivan Bunin – the glittering Russian literati of 1930s Paris – and Georgy Adamovich, who said that Felsen’s prose ‘left behind a light for which there is no name’. With this new translation of the 1930 novel Deceit, that light has been brought back from dim obscurity. In this first of three novels Felsen published, we follow the unnamed narrator’s tortured obsession with the ‘unequivocally irresistible’ Lyolya Heard, who drifts

In search of the peripatetic philosopher Theophrastus

Publishers lately seem to have got the idea that otherwise uncommercial subjects might be rendered sexy if presented with a personal, often confessional, counterpoint. The ostensible subject of Laura Beatty’s book is the pioneering Greek botanist and philosopher Theophrastus. He was a friend of Aristotle’s, and was once thought his intellectual equal, but is now little known except to a few classicists and historians of science. But since no one wants to publish a straight book on Theophrastus, we get instead a book that is at least as much about Laura Beatty, her library researches, her travels in Greece and her kitchen garden. Her publishers describe the book as ‘genre-defying’.

Why was Henrietta Maria, Charles I’s beautiful wife, so reviled?

On 15 June 1645, as Thomas Fairfax’s soldiers picked over the scattered debris on the Naseby battlefield, they made a sensational discovery. Amid the corpses and musket balls, dismembered limbs and severed swords there nestled a carrying case of personal letters and papers. It was nothing less than the king’s private correspondence. The cache included letters between Charles I and his queen, Henrietta Maria – his always opened ‘My deare harte’ – which discussed in detail the tactics and strategies of the war. Never ones to miss a PR opportunity, the Parliamentary high command ordered that a selection should be published with a guiding commentary. The first editorial note got

Harpo Marx – genius, idiot savant or lovable overgrown child?

It’s hard (if not impossible) to imagine a world worth living in that doesn’t include the Marx Brothers; and equally impossible to imagine the Marx Brothers without their forever silent, animal-loving, hilariously unpredictable Harpo, he of the moppet wig, trampish overcoat packed with stolen silverware and blow torches, and recurringly grotesque facial expressions. For while the greatest comic performers of the silent film era (such as Chaplin and Keaton) couldn’t speak to the camera, Harpo was the only comic of the talkie era who simply wouldn’t, as if human conversation were somehow beneath him. There was always something about Harpo that seemed a little better than the ridiculous world he

Adrift in Berlin: Sojourn, by Amit Chaudhuri, reviewed

Feelings of dislocation are at the heart of Amit Chaudhuri’s award-winning novels. Friend of My Youth (2017) followed a writer’s unsettling trip back to his childhood home in Bombay. Before that, Odysseus Abroad (2014) charted the day of a lonely English literature student from India as he meandered around London. Now, in Sojourn – Chaudhuri’s eighth novel – we meet a nameless first-person narrator adrift in Berlin. It is the early 2000s, and the 43-year-old, Indian protagonist has just arrived as a visiting professor at a university for four months. He doesn’t know anyone, and navigating the streets is confusing. After giving his inaugural talk, he is accosted by Faqrul,

An angry poltergeist: Long Shadows, by Abigail Cutter, reviewed

Long Shadows, a powerful novel set mainly in the American civil war, is very unlike Gone with the Wind. The narrator, Tom Smiley, is now an unhappy ghost trapped in his old home, which, apart from snakes, mice and silverfish, has been uninhabited since his widowed daughter Clara died. A young couple arrive: Harry, who has inherited the property, and Phoebe, a psychic. To Tom’s indignation, they start renovating, getting rid of loved objects such as his family’s kitchen table and piano. Letters, medals and his sisters’ clothes are unearthed, prompting painful memories for him. This is the story of a man from a modest Virginia farming family who were

Seize the moment: Undercurrent, by Barney Norris, reviewed

Barney Norris’s third novel opens with a wedding in April. The couple tying the knot don’t matter; it’s the occasion that does, paving the way for a story about love, family and stories themselves, which is apt from a writer who is known for his dramas on the stage as much as on the page. Ed, who narrates half the novel, is there with his girlfriend Juliet, wondering why they’re yet to get married. It’s the expense, he supposes, and the not knowing what sort of ring to buy. And so he allows time to drift by, ‘just letting it happen to me, rather than me doing very much with

Aleister Crowley was even more beastly than we’d imagined

I have never had much time for Aleister Crowley. Magic(k) is nonsense; the mystical societies he founded were simply pretexts for him to take as many drugs and have as much sex as he could. And he was a second-rate writer at best. When the novelist Arthur Calder-Marshall said he had gone ‘from Great Beast to Great Bore’, I thought it a fair summing-up. Crowley initiates were some of the dodgiest people in the western world – either frauds or hucksters themselves or the most gullible of fools. There was always the matter of his self-reinvention. Aleister Crowley was not christened thus: he changed his first name because he thought

Should a character in a novel review the book in which they appear?

It is generally thought to be wrong, reprehensible even, for a literary critic to review a book by a friend, professional contact, former lover or other personal relation. In such cases the critic is likely to be biased, and moved, consciously or unconsciously, by ulterior motives of revenge or social or professional advancement and in clear breach of the highly held principles of objectivity and impartiality. Though writers have been given licence to freely use whatever private material they like as long as it serves their higher artistic purpose, the critic is expected to refrain from referencing personal experiences or using autobiographical material in order to be considered professional and

Sam Leith

Rhodri Jeffreys-Jones: A Question of Standing

46 min listen

My guest on this week’s Book Club podcast is Rhodri Jeffreys-Jones – whose new book A Question of Standing: The History of the CIA looks at the real-life story behind one of the most mythologised agencies of American power. How does the world’s first democratically answerable spy agency actually work? Were all those dirty tricks, extra-legal shenanigans and attempted assassinations – sorry: ‘health adjustments’ in the lingo of Langley – really the work of an agency gone rogue? Did the CIA fail to foresee the fall of the Berlin Wall, the Iranian Revolution, the Arab Spring and the Twin Towers – or has it been made to take the fall for political

The Russian enigma

Enforced brevity focuses the mind wonderfully. And when the minds in question are two of the West’s most interesting historians of Russia, the result is a distillation of insight that’s vitally timely. Sir Rodric Braithwaite was Britain’s ambassador to Moscow from 1988-92 during the collapse of the USSR (where he was the boss of Christopher Steele, of Trump dossier fame), then chaired the UK’s Joint Intelligence Committee. He went on to write the brilliant Afgantsy, a history of the USSR’s disastrous Afghan war and its impact on the Soviet Union’s collapse, and Moscow 1941, a people’s history of the heroic Soviet fight against Nazism. Sheila Fitzpatrick is an Australian historian

Propaganda from the Russian Front: The People Immortal, by Vasily Grossman, reviewed

On its posthumous publication in 1980, Vasily Grossman’s Life and Fate was widely compared with War and Peace. For all the novel’s many virtues, the comparison was hyperbolic. In one respect, how-ever, Grossman’s was the more remarkable achievement. Whereas Tolstoy wrote about historical events with the benefit of hindsight, Grossman wrote about ones that he had recently endured. Life and Fate was the third of Grossman’s novels set during the Nazi invasion of the former Soviet Union. The first was The People Immortal, which, like the second, Stalingrad, is now available in an unexpurgated edition, superbly translated by Robert and Elizabeth Chandler. It covers a few days in July 1941

How the travel industry convinced us we needed holidays

In September 2019, Thomas Cook filed for compulsory liquidation, leaving 600,000 customers stranded abroad. It was a sorry end to a company that had lasted 178 years and survived both world wars. Founded by a Baptist preacher who began organising railway trips to Midland cities for local temperance societies, the company grew into one of the largest travel agencies in the world, thanks to the transformation of tourism from an activity for the idle rich to an experience open to all. This opening up of travel is the story Lucy Lethbridge tells in Tourists, taking the reader from the last years of the Grand Tour to the first years of

The invisible man: The Glass Pearls, by Emeric Pressburger, reviewed

Not all Germans were swayed by Hitler, but the majority were. Karl Braun, the fugitive Nazi doctor at the heart of Emeric Pressburger’s 1966 novel The Glass Pearls, was devoted to the furtherance of so-called ‘science’ under the Führer. In the interests of research he cut up the brains of a number of concentration camp inmates. His chosen victims – Jews and other ‘useless mouths’ – were crematorium fodder. Yet Braun sees himself as a decent, God-fearing family man. Undoubtedly he had to carry out unpleasant work, but does that mean he has no conscience? Pressburger, a Hungarian-born Jewish émigré, had reason to dislike the Germans: his mother and other

More stirring stories of little ships

‘I found this story by accident,’ begins Julia Jones’s Uncommon Courage, referring to documents belonging to her late father that she discovered in a far corner of her attic. True, but also false. This is not one story: it is a tsunami of stories. Sometimes it’s hard going, as you try to shelve the curiosity aroused by each tale. But the author writes with vim and vigour and with her own curiosity to the fore. It is all, appropriately, as far from dry as one could wish. The imagination finds it difficult to yoke yachting with war – the one solitary and pacific, the other dense with people and mayhem

It’s thrilling to learn that the rebellious Urien actually existed

Once, when we shared the same history teacher in our teens, my older brother Dominic handed in an essay about the Dark Ages that deliberately parodied a sub-Tolkien mysticism of tone. ‘Little is known,’ his opening sentence ran, ‘about those shadowy twilit years twixt 400 and 600 AD.’ Our teacher was particularly enraged by the word ‘twixt’. In Dom’s defence, he was just reacting to a challenge that still confronts medievalists today. When there’s barely any evidence, what is there to say? The response of this intriguing book by Thomas Williams is to lean into the problem. In Lost Realms, he makes a beeline for the very darkest part of