Book Reviews

Our reviews of the latest in literature

What rats can teach us about the dangers of overcrowding

The peculiar career of John Bumpass Calhoun (1917-95), the psychologist, philosopher, economist, mathematician and sociologist who was nominated for the Nobel Peace Prize and was the subject of a glowing article in Good Housekeeping, comes accompanied with more than its fair share of red flags. He studied how rodents adapted to different environments and specifically how the density of a population affects an individual’s behaviour. He collected reams of data but published little, and rarely in the mainstream scientific journals. He courted publicity, inviting journalists to draw from his studies of rats and mice apocalyptic conclusions about the future of urban humanity. Charged with reducing the rat population of Baltimore,

Politics as Ripping Yarns: the breathless brio of Boris Johnson’s memoir

It is, perhaps, hard to imagine a collaboration between Virgil and Captain W.E. Johns, a fusion of the Aeneid and Biggles Pulls It Off, but that is how Boris Johnson’s memoir reads. Our intrepid hero travels round the world, wooing Gulf potentates, sticking it to Vladimir Putin, snatching submarine contracts from under Emmanuel Macron’s snooty Gallic nose and then makes it home in time for some uniting and levelling up before settling down to a well-deserved glass of Tignanello. He also, like Aeneas, endures a thousand ordeals and makes himself father of the world’s greatest city (while also making some truly dreadful puns: ‘Was it H.J. Eysenck who gave me

Sam Leith

Alan Johnson: Harold Wilson, Twentieth Century Man

34 min listen

My guest in this week’s Book Club podcast is the former Home Secretary Alan Johnson, who joins me to talk about his new biography of Harold Wilson. He tells me about Wilson’s rocket-powered rise to the top, how he learned oratory on the hoof, why he might have been right to be paranoid… and what really went on with Marcia. This podcast is in association with Serious Readers. Use offer code ‘TBC’ for £100 off any HD Light and free UK delivery. Go to: www.seriousreaders.com/spectator

Fraser Nelson

Fraser Nelson, Cindy Yu, Mary Wakefield, Anthony Sattin, and Toby Young

31 min listen

On this week’s Spectator Out Loud: Fraser Nelson signs off for the last time (1:30); Cindy Yu explores growing hostility in China to the Japanese (7:44); Mary Wakefield examines the dark truth behind the Pelicot case in France (13:32); Anthony Sattin reviews Daybreak in Gaza: Stories of Palestinian Lives and Cultures (19:54); and Toby Young reveals the truth behind a coincidental dinner with Fraser Nelson and new Spectator editor Michael Gove (25:40).  Produced and presented by Patrick Gibbons.

Sam Leith

Malcolm Gladwell: Revenge of the Tipping Point

39 min listen

My guest in this week’s Book Club podcast is Malcolm Gladwell. Twenty-five years after he published The Tipping Point, Malcolm returns to the subject of his first book in Revenge of the Tipping Point: Overstories, Superspreaders and the Rise of Social Engineering. He tells me about the ‘magic third’, why it’s not just Covid that gave us superspreaders, and how what he calls an ‘overstory’ can have dramatic effects on human behaviour. He talks, too, about why counterintuitive discoveries are easy to find, and why we’re all wrong about everything all the time. This podcast is in association with Serious Readers. Use offer code ‘TBC’ for £100 off any HD Light and free UK

Few rulers can have rejoiced in a less appropriate sobriquet than Augustus the Strong

Augustus the Strong (1670-1733), Elector of Saxony and King of Poland, is often labelled one of the worst monarchs in European history. His reign is billed by Tim Blanning’s publishers as ‘a study in failed statecraft, showing how a ruler can shape history as much by incompetence as brilliance’. Yet this thorough and often hilarious study of Augustus’s life and times reveals these harsh headline words to be exaggerated. Indeed the man comes across as quite a good egg, as much sinned against as sinning. With disarming immodesty, Augustus described himself as: A lively fellow, carefree, showing from a young age that he was blessed with a strong body, a

Isabel Hardman

The heart-rending story of a child’s heart transplant

Max Johnson’s life while he waited for a heart transplant had become so miserable and traumatic that he didn’t care whether he carried on or not. Indeed, the colourless, almost lifeless nine-year-old recorded a video saying he wanted to die. His parents felt as though they were on ‘death row’ as they waited for a donor. They knew, too, that the call announcing there was a heart for their son would mean that somewhere else in Britain a family was mourning. They would benefit from the sudden death of someone they were initially only told was an ‘age-appropriate donor’. Max’s mother read between the lines: her son was getting the

How ballet lessons transformed Princess Diana

There is something undeniably sweet about this book. On one level, in line with the cover’s pretty pink text, it is a simple, unpretentious story about a girl who loved to dance. But on another level, the unfolding tragedy is Shakespearian – an effect amplified by the unfussy prose of Anne Allan, a long-time professional dancer and choreographer. Years after everyone else cashed in their Diana chips, the Scottish-born author has finally decided to tell her story. The book opens in 1981. Allan is a dancer and ballet mistress with the London City Ballet, and the performance is Swan Lake; but the drama happens offstage when she receives a call

Life’s little graces: Small Rain, by Garth Greenwell, reviewed

Garth Greenwell has made a name for himself as a chronicler of touch. In his previous novels, What Belongs to You (2016) and Cleanness (2020), the intimacy of a lover’s hand or the frisson of something much darker – the spit, the slap of a BDSM session – could expand to fill whole paragraphs: stories in themselves of layered sensation and reminiscence. Early in the opening sequence of Small Rain, the unnamed narrator spends close to two pages musing on the ‘shock’ of when a nurse ‘softly stroked or rubbed my ankle’. But now the touch is different. This is not a novel of sexual escapades, but pain – like

The misery of growing up in a utopian community

In Home Is Where We Start, Susanna Crossman quotes one of Nadine Gordimer’s characters on the subject of utopias: When rationalism destroyed heaven and decided to set it up here on Earth, that most terrible of all goals entered human ambition. It was clear there’d be no end to what people would be made to suffer for it. At the unpalatable sounding communal meals, it was taboo for families to sit together The book is a brave attempt to come to terms with the 15 years the author spent from 1978 onwards with her mother, her sister Claire and her unnamed brother in an ‘intentional community’ – as it was

The contagions of the modern world

Nearly a quarter of a century ago, Malcolm Gladwell wrote The Tipping Point in which he explained how little things could suddenly add up to cause huge change, in phenomena as diverse as the popularity of Hush Puppies and the reduction of crime in New York City. The book achieved its own tipping point and became a bestseller. It was followed by Outliers, which proposed among other things that in order to be really good at something you had to have practised at it for 10,000 hours. This is my first shot at reviewing a book by Gladwell, so I am several thousand hours short of practice. The phrase ‘tipping

Damian Thompson

Man of mystery and friend of the Cambridge spies

In April 1967 Tony Scotland, a cub reporter for Australia’s ABC television news, drove with a cameraman from Hobart to a sheep station in Fingal to interview Lord Talbot de Malahide, an Anglo-Irish aristocrat who had edited a book about Tasmanian flora. This was a delicate assignment. Lord Talbot was a retired British ambassador to Laos who divided his time between his family’s Tasmanian property and one of Ireland’s grandest castles. He was fearsomely well-connected, peppery and ‘not good with people’. ABC had been trying for years to interview him, and he only grudgingly allowed in the cameras to publicise the book. Scotland, a 22-year-old English public schoolboy, wondered why

Voices from Gaza, historic city in ruins

I have been reviewing for decades and this is by far the most difficult book I have taken on: difficult to read because it relates to what Israel has done in Gaza over the last year, and difficult to write about because the subject is so divisive. But whether you think Palestinians deserve what is happening to them or that Israel is a rogue state, please read to the end. First there is the title. Not Catastrophe, or Genocide, or Reckoning in Gaza, but Daybreak. This is a book that carries the promise of a new day, or a dawning – a book that looks forward, but does so also

Rachel Johnson, James Heale, Paul Wood, Rowan Pelling and Graeme Thomson

34 min listen

On this week’s Spectator Out Loud: Rachel Johnson reads her diary for the week (1:19); James Heale analyses the true value of Labour peer Lord Alli (6:58); Paul Wood questions if Israel is trying to drag America into a war with Iran (11:59); Rowan Pelling reviews Want: Sexual Fantasies, collated by Gillian Anderson (19:47); and Graeme Thomson explores the ethics of the posthumous publication of new music (28:00).  Produced and presented by Patrick Gibbons.

Sam Leith

Alan Garner: Powsels and Thrums

40 min listen

My guest on this week’s Book Club podcast is Alan Garner whose new book of essays and poems is called Powsels and Thrums: A Tapestry of a Creative Life. Alan tells me about landscape and writing, science and magic, the unbearably spooky story behind his novel Thursbitch – and why, three weeks short of 90, he has no plans to retire. This podcast is in association with Serious Readers. Use offer code ‘TBC’ for £100 off any HD Light and free UK delivery. Go to: www.seriousreaders.com/spectator

A wish-fulfilment romance: Intermezzo, by Sally Rooney, reviewed

An earworm from the time of Covid: the sound of Connell and Marianne having breathless sex, bedsprings squeaking. I’m talking not about 2020’s hit TV adaptation of Sally Rooney’s bestselling second novel, Normal People but about the relentless piss-take featured on BBC Radio 4’s Dead Ringers. After every few skits the show would cut to an audio clip of the two undergraduates going hard at it. The joke was in the repetition – an exaggeration of the extraordinary density of earnest sex scenes in Rooney’s writing. It was crude, cruel and very funny. There is a wider than usual gulf between the writer Rooney wants to be and the writer

The hare-raising experience that changed my life

One wintry day during lockdown, the parliamentary political adviser Chloe Dalton discovered a new-born leveret on the track by her converted barn. It was only as long as her palm’s width, with a white star shape on its forehead. Ambivalent about interfering, she nonetheless gave it houseroom, despite being warned that brown hares can never really be domesticated. This book, her first, is the chronicle of how the animal changed her life. Soon her home has two leverets lolling on the sofa and gnawing her curtains If, like me, you have become leery of the subgenre (even though this example comes larded with plaudits from Angelina Jolie and Michael Morpurgo)

The Crimean War spelt the end of hymns to heroism and glory

Leo Tolstoy served as a young artillery officer in the defence of the great Russian naval base of Sevastopol against British and French invaders in the middle of the 19th century. The first of his three short stories, collected as Sevastopol Sketches, came out as the siege was still in progress. In it he spelled out as no writer had done before the way people died in shattered trenches, their bodies shredded by shell fire and left to rot in the mud; or in filthy, overcrowded hospitals, where overwhelmed doctors hacked off limbs without anaesthetic. He wrote not about the generals but about the ordinary soldiers, the men and women

How the Rillington Place murders turned Britain into a nation of ghouls

‘You never seem to get a good murder nowadays.’ With this ‘fretful complaint’ George Orwell imagined newspaper readers bemoaning the decline of the classic English murder. Gone were the ‘old domestic poisoning dramas’ – a solicitor or dentist killing his wife in a quiet suburban home – which made the perfect News of the World spread to curl up with after Sunday lunch. In their place was an altogether more brutish type of murder committed by ruthless serial killers. Everyone seemed to want to peep behind the curtains of 10 Rillington Place Orwell was writing in 1946. Seven years later, one of the most notorious serial killers in British criminal