Book Reviews

Our reviews of the latest in literature

The bittersweet comedy of ageing: Ladies’ Lunch and Other Stories, by Lore Segal, reviewed

Every family has its folklore. Apparently, as a five-year-old, I was on the floor playing when I looked up at my grandmother and told her matter-of-factly that she ‘was not the kind of granny I had been expecting’. I’m not quite sure what my foetal presumptions had been, but she is far from the hackneyed image society reserves for older women: no blankets or twee knitting for Norma. Sharp, glamorous, her face alive with mischief, she is a lady who lunches, a nonagenarian who shared stories, gossip and advice amid a riot of laughter. She would be familiar with much of the gentle drama in this collection of Lore Segal’s

Living in a state of fear: a haunting memoir

The Fear, a memoir by the author and artist Christiana Spens, opens with an account of the most Parisian of existential crises. A ‘newly heartbroken philosophy graduate’ in ‘the city of Sartre and de Beauvoir’, she is too depressed to get out of bed: ‘It was as if standing was falling, too pointless even to attempt.’ Finally driven outside by hunger, she ends up ‘wandering around a French supermarket wanting to die’. She finds temporary relief in stealing a housemate’s Diazepam pills, but the escape she longs for is love: ‘Nothing worked the way love did’; it was ‘the ideal, the solution, the cure’. Her consciousness of being ‘one more

Toby Young

The remarkable prescience of Alexis de Tocqueville

Alexis de Tocqueville (1805-59) produced what his biographer Hugh Brogan called ‘the greatest book ever written on the United States’. Among the most remarkable things about this work – Brogan was referring to the first volume of Democracy in America, not the more abstract second volume – is that Tocqueville’s journey to the United States lasted just nine months, and was undertaken when he was in his mid-twenties, never to return. Yet the book’s publication, when Tocqueville was still only 29, made him an instant celebrity. The young French aristocrat was especially pleased by its reception in America, where an unauthorised edition was published in 1838. He wrote to his

Sam Leith

Ian Buruma: Collaborators

49 min listen

My guest in this week’s Book Club podcast is the writer and editor Ian Buruma, to talk about his new book Collaborators: Three Stories of Deception and Survival in World War Two. A Chinese princess who climbed into bed with Japanese nationalist gangsters; an observant Jew who sold his co-religionists to the Nazis; and Himmler’s personal masseur. Ian describes how their stories link and resonate, and how murky morality gets in a time where truth loses its meaning altogether.

How hardboiled detective fiction saved James Ellroy

Public readings by James Ellroy would tend to begin like this: Good evening, peepers, prowlers, pederasts, panty sniffers, punks and pimps. I’m James Ellroy, demon dog of American literature, the foul owl with the death growl, the white night of the far right, and the slick trick with the donkey dick. My books are written in blood, seminal fluid and napalm. Etcetera. This is his ‘demon dog’ persona, adopted many years before as a way of overcoming his native insecurities. At school, Ellroy adopted a persona whose main shtick was expressing a fondness for far-right politics He is quoted in this biography as saying that this persona is ‘about 3

Strange encounter: The Gospel of Orla, by Eoghan Walls, reviewed

It’s been two months since 14-year-old Orla’s mother died of cancer, and the girl isn’t coping. Neither is her father. While he self-medicates with booze, she plots her escape, to her aunt’s in Northern Ireland, where her mum is buried: I am sad to go but it is time now and there is no point in hanging around any longer. I leave my phone under the pillow. I don’t leave a note because that is just for suicides. I don’t want to make them sadder than they will be anyway but I also don’t want them coming for me straight away. We are plunged from the outset into Orla’s head

The long journey from Lindisfarne: Cuddy, by Benjamin Myers, reviewed

Benjamin Myers had a lucky break with his 2017 novel, The Gallows Pole. First published by a small indie press, it won the Walter Scott Prize for historical fiction, garnered a two-book deal from Bloomsbury and this year is to be adapted by Shane Meadows as a BBC television series. It’s a humble orphan girl, not one of the Lindisfarne monks, who is given a vision of Durham cathedral He is something of a maverick – his work a mix of Hughesian lyricism and noir violence – and his success has been hard won.  He has been working the literary coal face for almost 20 years, trying every kind of

Stephen Daisley

The wiliest politician in the Middle East is back – but not in charge

Bibi is back. Benjamin Netanyahu has returned to the prime ministership of Israel two years after a motley coalition of his many enemies banded together to topple him. With him removed from power and facing trial on corruption charges, many assumed that the Netanyahu era was over. They under-estimated the wiliest politician in the Middle East. In last November’s elections, Netanyahu ousted his ousters and won for himself a sixth term in which to wreak vengeance on the leftist establishment he believes is ranged against him. The most powerful man in Israel presents himself as the helpless victim of ‘leftist’ journalists Victory did not come without a price. He had

Postmodernism meets pulp fiction: Dr. No, by Percival Everett, reviewed

Perhaps Percival Everett’s The Trees, shortlisted for the Booker Prize last year, made readers realise what an astonishing writer he is. But there is certainly a great backlist. I am particularly fond of Erasure, Glyph, I Am Not Sidney Poitier and American Desert in his satirical vein; and Suder, Walk Me to the Distance and Wounded in his more elegiac and contemplative tone. Dr. No seems to be in his Menippean form, until you realise just how seriously he is joking. I have often thought that a joke is not funny until it stops being funny, when it becomes hilarious, and this novel exemplifies that. The central character is not

How to be top: two new books promise the self-improvement Holy Grail

People just love books about creativity and the imagination and how to be better or smarter or more efficient. And when I say people, I mean me. I am ripe, frankly, for wholesale improvement and upgrade, right across the board – physically, emotionally and spiritually, you name it. I want to know, Molesworth-like, How to be Topp. I would love to wake up fizzing with ideas, overflowing with insights and determined beyond all reasonable determination to share my extraordinary wisdom and knowledge, my art, with the world. No one wants to be a Fotherington-Thomas – a wet. Or a schlub, a has-been or a never-was. It’s just a shame, then,

The age-old debate continues: are science and religion compatible?

According to the census, there are more Christians in the UK than there are atheists and agnostics – yet the churches are empty. These Christians, it seems, don’t take their faith too seriously. Nor, I fear, does Nicholas Spencer, who has written a big book arguing that science and religion are fundamentally compatible. He’s wrong; but, surprisingly, he is more wrong about religion than he is about science. The great assault on Christian faith came not from science, not from a denial of creation, but from history Let me start by laying my cards on the table. I’m the son of a missionary. My father’s parents were atheists and scientists.

The biography Noël Coward deserves

‘In the prison of his days,’ W.H. Auden wrote, ‘teach the free man how to praise.’ Noël Coward’s last performance, possessing, like so much of his work, a scene-stealing quality, was in the 1969 film The Italian Job. He plays the gangster Mr Bridger, masterminding a gold robbery in Turin from his prison cell. In his final appearance he walks like a Ziegfeld heroine down the central stairs of the jail to the fervent acclamation of the other inmates, acknowledging the ovation to left and right. Coward had abundant worldly acclaim; and he knew very well where the walls lay, and the doors that would not be breached. That knowledge

Is this the end of travel writing?

Thirty years ago, in the days when friendships were sustained not by email but by air mail, a friend of mine was spending time in some exotic faraway place. He would send me beautiful, florid accounts of his travels and I would read out the most hilarious passages to the flatmates I was living with at the time. When I next replied to him, I sent him their regards and let him know how much they had enjoyed hearing about his adventures. The next letter was angry. Although part of me understood why (I suppose I had rather naively and stupidly shared something that was supposed to be private), another

Living with the Xingu in deepest Amazonia

The Amazon is a notoriously difficult part of the world to write about – and I’ve tried. Travelling the river’s slow length, it can be hard to make sense of any changes beneath the forest canopy or to link its disparate communities. The Brazilian writer Eliane Brum succeeds triumphantly. Acclaimed for her previous ‘despatches from Brazil’, appealingly titled The Collector of Leftover Souls, she moved from São Paulo, one of the largest cities of the Americas, to the isolated Xingu tributary to embed herself completely. Or, as she might put it, to lose herself. When asked their age, tribal people just make up a number to be helpful – and

The trials of England’s first ambassador to India

In the beginning, there were two nations. One was a vast, mighty and magnificent empire, brilliantly organised and culturally unified, which dominated a massive swathe of the Earth. The other was an undeveloped, semi-feudal realm, riven by religious factionalism and barely able to feed its illiterate, diseased and stinking masses. The first nation was India. The second was England. So began Alex von Tunzelmann’s 2007 end-of-empire classic, Indian Summer. Now Courting India by Nandini Das traces the first encounter between these vastly different worlds, offering a fascinating glimpse of the origins of the British Empire. The world into which we are dropped is in many ways eerily familiar. Jacobean England

What possessed the Duke of Windsor to visit Nazi Germany in 1937?

Bombs start exploding at the beginning of this book. Buckingham Palace was targeted by the Nazis early on in the war in an act of extraordinary audacity – and one that backfired. George VI noted in his diary: ‘We all wondered why we weren’t dead.’ Little did he realise that Hitler had gifted him his first wartime ace. But while George grew into the role of stoic monarch, his older brother never worked out how shake off the trammels of his birth. Edward was hurt, angry and rudderless – which resulted, if not in treason, certainly in disloyalty The Windsors at War is a follow-up to Alexander Larman’s The Crown

Mass poisonings in a small town in Hungary

There is a small town in Hungary called Nagyrév. With a population of 800, it seems unlikely to make the news. But a century ago it turned out to be the centre of a murder ring, and suddenly it became the focus of news-paper reports across the world. The unlikely setting made the story. It was a backwater, literally: the redirecting of the Tiszaltiver river decades earlier had cut Nagyrév off. Forget cars: this was a town where it was notable in the 1920s if someone owned a bicycle. Yet the place had the murder rate of a violent city. By the time the authorities woke up to what was

The European influence on modern American art

Charles Darwent’s Surrealists in New York is somewhat misleadingly titled, though its true content and focus are revealed in the subtitle: ‘Atelier 17 and the Birth of Abstract Expressionism.’ Perhaps that sounds obscure and even academic. If so, it gives the wrong idea, for this is a very readable and accessible account of a hitherto unexplored area of mainstream art history. Many of us suspected the importance of European influence on what is always claimed as the thoroughly American art movement of Abstract Expressionism. This book sets out the situation in detail, and makes a convincing argument for giving credit not only to a bunch of European émigrés but to