Book Reviews

Our reviews of the latest in literature

A trip down Ronnie Lane: from child busker to international star

Thirty years ago, I worked for a while in a shop in Soho selling vintage newspapers and magazines. The holy grail for some customers might be the 1955 Playboy featuring Bettie Page or the 1976 Daily Mirror with the Sex Pistols’ ‘Filth & the Fury’ headline. But those of a born-again Mod persuasion were usually looking for 1960s publications with the Small Faces on the cover – preferably the August 1966 copy of the teenage music and fashion bible Rave, showing Ronnie Lane and Steve Marriott from that most style-conscious of bands, complete with a double-page poster of the group inside. Now, nearly six decades after their formation, there is,

Russia’s long history of smears, sabotage and barefaced lies

Russian politicians often refer to something called the Dulles Plan. This document purports to capture the future CIA chief Allen Dulles explaining, in 1948, the US strategy to destroy the moral foundations of the USSR and bring about ‘the death of the most intractable people on Earth… the definitive, irreversible dying out of its self-consciousness’. If this sounds like a fictional villain’s expository monologue then that’s because it is. The text was taken from an antagonist’s speech in a 1971 novel, Eternal Call, which itself recalled a much earlier Russian forgery, the anti-Semitic Protocols of the Elders of Zion. The ‘plan’ was written and disseminated in 1993 in an attempt

Tales of the Midwest: The Collected Works of Jo Ann Beard, reviewed

Jo Ann Beard has said that one of the stories in this collection, although she does not specify which, took her more than 20 years to write and that there was a gap of eight months – during which she was working on the piece five days a week – between two of its sentences. It is true that her writing is remarkably condensed, not least in ‘Cheri’, the story of a real woman who had a particularly hideous case of terminal cancer (exacerbated by the fact that all pain medication made her vomit). Cheri Tremble contacted Jack Kevorkian, a euthanasia expert sometimes nicknamed ‘Dr Death’, so that he could

The illiterate poet who produced the world’s greatest epic

Odysseus is tossed on the sea when he notices a rock and clings to it. ‘As when an octopus is drawn out of its lair and bits of pebble get stuck in its suckers,’ says Homer, ‘so his skin was stripped from his brave hands by the rock.’ There is such elegant tricksiness in that simile. Homer still sits at the apex of western literature thanks to the beauty and influence of his verse. Robin Lane Fox has been teaching the epics for 50 years and studying them for many more. His lifelong fascination with the texts has bred a sort of feverish passion in him that makes him declare

Is there any defence against the tidal wave of online disinformation?

Whether you’re left, right or just somewhere vaguely in between, wherever you’re coming from you may well have a sense that things are somehow not quite right, that the country is headed in the wrong direction, that our various problems and crises seem to be multiplying. You may well have concluded that this is because our institutions have been taken over by an out-of-touch elite who run the government, the judiciary, the media and goodness knows what else, and that the only way to discover the real truth is to do your own research, which involves scrolling through the internet because you no longer trust the ‘mainstream media’. Pizzagate, in

At home in the multiverse: Bridge, by Lauren Beukes, reviewed

Lauren Beukes is a writer who puts cerebral propositions into breakneck thrillers: structural misogyny in The Shining Girls; the flipside of patriarchy in Afterland. In Bridge, she investigates the depressive’s favourite hypotheticals – could have, should have, would have, might have. The protagonist is Bridget, whose mother, Jo, has recently died from brain cancer. Jo was a scientist, interested in rather eccentric ideas, and has bequeathed Bridget a problematic legacy. It seems as if Jo had found a way, using harmonics, visual stimuli and an odd, worm-like thing (think fungus or parasite or the nematode in a tequila bottle) to access other realities. Through trial and error, Bridget manages to

The sleepless lives of great writers

To sleep or not to sleep – that is the question the French writer Marie Darrieussecq asks in her latest book, which explores the insomnia that has haunted her for 20 years since the birth of her first child. From that date, she writes, it ‘has attached itself to me like a small ghost’. Darrieussecq is best known for her surreal novel Pig Tales (1996), but Sleepless is an account of her search for a cure to insomnia and the solace she finds in discovering writers such as Franz Kafka (‘the patron saint of insomnia’), Marcel Proust, Georges Perec, Sylvia Plath, Susan Sontag, Fyodor Dostoevsky, Mahmoud Darwish, Haruki Murakami, Aimé

Hampton Court: an architectural symbol of royal lust

The Dowager Countess of Deloraine, who was governess to the children of George II at Hampton Court and other royal homes, was a notorious bore – so much so that her ‘every word’ made one ‘sick’, according to the courtier Lord Hervey. When she naively asked him why everyone was avoiding her, he replied with exquisite irony that ‘envy kept the women at a distance, despair the men’. This kind of witty, skittish anecdote is scattered throughout Gareth Russell’s scintillating hybrid of a book, which is partly a biography of a place and partly something stranger: an episodic history of England from Tudor times to the present, illustrated by lightning

Life is a game of cards: Burning Angel and Other Stories, by Lawrence Osborne, reviewed

This compelling and unnerving collection of stories is Lawrence Osborne’s first, coming in the wake of recent critically acclaimed novels – including The Forgiven, adapted into a film – and earlier works of memoir, essays and travelogue. Born in England, currently residing in Bangkok, Osborne has earned comparisons with Graham Greene for his portraits of flawed white characters in foreign settings, and Patricia Highsmith, thanks to the menacing noir atmosphere. These nine stories, written over the past decade, do not disappoint. Osborne removes his protagonists – English or American, on the young side of middle age – from their native environments and transplants them into exotic, perilous locations. Divorced from

A thoroughly modern 18th-century heroine: The Future Future, by Adam Thirlwell, reviewed

Adam Thirlwell’s latest novel begins in revolutionary France and chronicles the travails of its embattled celebrity heroine, Celine, who is being subjected to a campaign of malicious gossip about her sex life. She resolves to cultivate a coterie of influential writers to wrest back control of the narrative – cue earnest meditations on power, misogyny and the ability of the written word to shape reality. Meanwhile, she finds solace in female company, reflecting: In a society made of words and images and circulating and recirculating, all devoted to disinformation, it was very difficult to find any personal safety, and one minuscule form might just be this intense form of friendship

George Orwell’s unacknowledged debt to his wife Eileen

Anna Funder, the author of Stasiland, is a premier-league writer who can roll fiction, reportage, criticism and memoir into glinting prose, her sentences like handheld treasures you keep turning over, admiring their graceful contours and crafted precision. Lately she’s published little. In fact Wifedom is a book wrenched from the swirl of domestic duties that drown out women’s voices – the lifeline, in this case, being a chance find at a moment of ‘peak overload’ when she stumbles on a rare edition of George Orwell’s collected non-fiction. Eileen’s fingerprints are all over Animal Farm, a book that displays a psychological acuity Orwell lacked Diving into his essay ‘Why I Write’,

The socialist thinker who imagined ‘transforming her body and soul into potatoes’ to feed the poor

May you live in interesting times. The jury is still out on whether that sentiment is a blessing or a curse. There can be no doubt, though, that the heroines of Wolfram Eilenberger’s new book lived in interesting times and then some. Ayn Rand fled the Russian Revolution; Hannah Arendt fled the Nazis; Simone Weil took part in the French general strike of 1933 and fought for the Republicans in the Spanish Civil War; Simone de Beauvoir went to bed with Jean-Paul Sartre. Eilenberger calls his foursome The Visionaries. It’s an odd title, but then so was the one he gave his previous book, The Time of the Magicians. There

Sam Leith

The faked passports which saved countless lives in the second world war

In the summer of 1942, the Polish poet Władysław Szlengel made a detour into light verse with ‘The Passports’: ‘I would like to have a Uruguayan passport/ Oh, what a beautiful land it is/ How nice it must feel to be the subject/ Of the land called Uruguay…’ Successive quatrains hymned the joys of Paraguayan, Costa Rican, Bolivian and Honduran citizenship before the final stanza declared that it was only with one of these citizenships that ‘one can live peacefully in Warsaw’.  The joke was serious. Szlengel was a Jewish man living in the Warsaw ghetto; and as Roger Moorhouse’s absorbing new book describes, Latin American passports were, or could

Hilary Mantel, Zadie Smith and Salman Rushdie are cut down to size

It is very possible that Peter Kemp is the best-read man in Britain. Certainly, as the Sunday Times’s chief literary critic for goodness knows how many years, he has read and opined upon more works of new fiction than most. His is either a dream job or an absolute nightmare, depending on how you feel about the state of the novel. A Sisphyean task? A Herculean labour? Or just a colossal waste of time? All those keen debuts, all that second-rate dross, all those egos demanding attention: Kemp has bravely buckled up, knuckled down and dutifully banged out 800-plus words, week in, week out, for longer than most of us

The stepmother’s tale: Take What You Need, by Idra Novey, reviewed

All writers studying their craft should be encouraged to try translation, thinks Idra Novey, the Pennsylvania-born novelist, poet and, si, translator. Working in another language confers the freedom to slip out of their own voices, developing their own tone in the process, she told one interviewer. On the strength of Novey’s third novel, Take What You Need, an adept tale about an estranged stepmother and daughter set in a fictional former steel town in Appalachia, all writers should heed her advice. In spare, affecting prose, she moves effortlessly between her two first-person narrators: sixty something Jean, and Leah, who was ten when Jean walked out on Leah’s dad, leaving a

Black Britons betrayed

In this frustrating book, Tomiwa Owolade sets out to establish that American attempts to identify and deal with issues of race are irrelevant to those of Britain. His basic case is that even if it might exist in America, structural racism based on colour is not found in Britain, and he criticises a significant number of people of colour, on both sides of the Atlantic, who’ve argued that it is. He believes that looking at the lived experience of people should be the starting point; and that the lived experience of black Britons is determined by nationality (and class) more than it is by race. That’s fair. The sons and

The wonders of the Paris Metro

Andrew Martin is in love. Head over heels in love, quite unable to control himself in his appreciation of the object of his affection, which is, believe it or not, an underground railway network. While this may seem an irrational attachment, it becomes easier to understand as his account of the origins, history and, most importantly, design of the system unfolds. ‘What most distinguishes the Metro,’ Martin tells us, ‘is its beauty.’ Its eroticism is, too, ‘expressed in diverse ways’, notably condom machines dotted around the system, advertisements for vibrators and the revelation that Ticket de Metro is ‘the name of the most popular bikini wax among Parisian women’. In

Reading, writing and arithmetic – the glorious interrelation of maths and literature

There are lots of reasons why non-scientists should be forced to study mathematics, but it’s hard to see why mathematicians should bother with literature. Literature is part of the entertainment industry: emotional manipulation, crippled by cheap assertions and hollow arguments. Maths is intellectual. Maths has rigorous standards. Literature hides guff under its pretty phrases. Hart discusses the statistical challenges for the Oulipo group and their refusal to use the letter ‘e’ in thir clvr novls Sarah Hart, a professor of mathematics, wants us to see literature and mathematics as the ancients did – mutually supportive, central elements of a rounded education.  Once Upon a Prime is an eager, straight-forward book.