Book Reviews

David Jones has written the Bookends column in this week’s issue of the Spectator. Here it is for readers of this blog: Joan Collins first came to public notice in the 1950s, as a Rank starlet and sex kitten. In the 1970s she starred in film adaptations of her younger sister Jackie’s novels The Stud and The Bitch, and in the 1980s as Alexis Carrington in the American soap opera Dynasty. More recently she has reinvented herself, in these pages and elsewhere, as a grande dame and moral arbiter, bemoaning the debased standards and general vulgarity of our times. The World According to Joan finds her in full Lady Bracknell

At face value, Asti Hustvedt’s Medical Muses is rather a niche tome, a faultlessly researched history of three female hysterics living in eighteenth-century Paris.  However, it actually provides a broad and fascinating insight into the interwoven development of the arts and sciences during La Belle Époque – an age of rapid technological, medical and artistic advancement which, ironically enough, was to prove feminine in nothing but name.   While some women at this time were busy playing Calliope to Europe ’s artists and musicians, swathes of other down-and-outs were falling prey to the disease of the moment, Hysteria. Interred in the notorious L’Hôpital Salpêtrière in Paris – a century later

The BBC’s World at One recently asked five leading figures in the literary world for their thoughts on the ‘future of the book’. Here is what they had to say: 1.) Notorious literary agent, Andrew Wylie – aka ‘the Jackal’ – worried that the industry is at a crisis point. He argued the book industry is in danger of mirroring the fortunes of the music industry by giving too much power to distributors like Amazon. ‘Publishers have been trying to reconcile themselves with the demands of the digital distributors,‘ he said. ‘I think if they allow the digital distributors to set the music then the dance will become fatal…The music business ended

As a new series of Desert Island Discs gets underway, we investigate the least talked about but most fascinating aspect of the show: the castaway’s book choice… This March, in the most momentous archival unveiling since Glasnost, the entire back catalogue of the world’s longest-running factual radio programme, BBC Radio 4’s Desert Island Discs, went online. Searchable and sortable, it’s a dangerously addictive resource, especially if you’re the sort of weirdo who’s been carrying around a mental list of eight songs, a book and a luxury since childhood. Helpfully, the BBC has compiled a list of castaways’ top tunes: Ode to Joy, Land of Hope and Glory, and other drearily

One of the literary excitements of this week, The Fear Index by Robert Harris, showed that the journalist and novelist continues to mine both the ancient and modern world for inspiration.  His latest thriller revolves around a mad scientist who’s created a beast he can’t control. So far, so Shelley, but this monster is unmistakably of the moment: a computer program designed to monitor fear in money markets for a hugely profitable hedge fund. His tale tips into gothic when the soulless monster switches and starts to track fear in the mind of its master. Peter Kemp in the Sunday Times (£) raved about the up-dating of a timeless classic: ‘Robert

There’s a passage in Willy Russell’s wonderful novel, The Wrong Boy, which could almost be funny — except, wisely, Russell doesn’t play it for laughs. The book chronicles a childhood blighted by adult misunderstanding, and describes an instance of it in which zealous ‘educationalists’ observe that the Boy’s artwork is harshly, relentlessly black: echo and evidence, all agree, of a darkness in the child’s soul. The truth, had the evangelical minds been open to it, was both simpler and easier to mend. The Boy was a shrimp of a kid, easily elbowed aside. So when the school crayons were put out, the coloured ones were promptly snaffled, leaving him with