Book Reviews

Our reviews of the latest in literature

Tuesday

Stuart Jeffries

Has Germany finally shaken off its dark past?

In 1982, a board game appeared in West Germany. If you landed on square B9 you were sent to a refugee camp in Hesse where you became ill from loneliness, unfamiliar food and not being allowed to work. Worse still, you had to miss a go and spend the free time thinking about ‘how you would feel in such a situation’. Even if, like me, your childhood was spent crying over lost games of Monopoly, nothing could quite prepare you for the cheerless experience of playing ‘Flight and Expulsion Across the World’. It’s unlikely an updated version has been commissioned for our home secretary, with players assigned counters representing the

Justin Marozzi

How dangerous is the Sunni-Shia schism?

In 2014, with the Middle East convulsed by the murderous, self-styled Islamic State, a Daily Mail reader wrote a letter to the editor which began: ‘Are you confused by what is going on in the Middle East? Let me explain…’ Aubrey Bailey went on to describe the dizzying complexity of diplomatic relationships thrown into turmoil: So, some of our friends support our enemies and some of our enemies are our friends, and some of our enemies are fighting our other enemies, whom we don’t want to lose, but we don’t want our enemies who are fighting our enemies to win… And all this was started by us invading a country

Mathew Lyons

What Shakespeare meant to the Bloomsbury Group

In November 1935, Virginia Woolf saw a production of Romeo and Juliet. She was not overly impressed. ‘Acting it,’ she wrote, ‘they spoil the poetry.’ Harsh words, you might think, for a cast that included John Gielgud, Laurence Olivier, Peggy Ashcroft, Edith Evans and Alec Guinness. But Shakespeare on the stage was something of a bête noire for the Bloomsbury group. ‘We, of course, only read Shakespeare,’ Clive Bell later said. The Shakespeare that mattered was the one on the page. Shakespeare on stage was a bête noire for the Bloomsberries. ‘We, of course, only read Shakespeare,’ said Clive Bell Who was that ‘we’, though? Marjorie Garber’s understanding of the

Nicholas Lezard

Dark days in Wales: Of Talons and Teeth, by Niall Griffiths, reviewed

This book has taken me far too long to read, and not for the usual reasons (that it’s too long, it’s rubbish, idleness, I lost it, etc.) but because I could only manage ten pages a day before getting a kind of mental nosebleed. And that is because it is so good, so different. There is a note at the back from the publishers, of whom I had not heard: ‘Repeater Books is dedicated to the creation of a new reality.’ There follows some invective about capitalist realism in historical fiction and ends: ‘We are alive and we don’t agree.’ I would say that this book fulfils their brief admirably.

Suzi Feay

Why were masters of the occult respected but witches burnt?

It has long been acknowledged that alchemy, however bizarre its premises, is the fore-runner of modern chemistry, compelling a figure as rational as Sir Isaac Newton. Other aspects of Renaissance thought are harder to assimilate. In his study of five crucial figures of the 15th and 16th centuries, Anthony Grafton aims to demonstrate that astrology, angelology and conjuration were, if not central to the era’s world view, at least hard to extricate from its more respectable concerns. His first subject, Faust, is little more than a sideshow, but significant in establishing the magus as a not entirely respectable figure, from which ignominy Grafton seeks to rescue him. The four who

Boyd Tonkin

Must we live in perpetual fear of being named and shamed?

You should feel thoroughly ashamed of reading this infamous rag. Or else you might decide to revel, shamelessly, in its critics’ prim disapproval. From political squalls to global wars, David Keen argues that a ‘spiral of shame’ and shamelessness now traps individuals and societies in arid cycles of pain, rage and revenge. Manipulative actors – ‘advertisers, warmongers, terrorists, tyrants and charlatans’ – sell us ‘magical solutions’ to the anguish of the shame they themselves stoke. But they merely pass the burden to other groups, leaving us with more suffering. Keen writes: ‘Such actors do with shame what the Mafia does with fear.’ The author teaches conflict studies at the LSE.

Ian Sansom

Why are the Japanese so obsessed with the cute?

Joshua Paul Dale is a professor of American literature and culture at Chuo University in Tokyo and a pioneer in what is apparently a burgeoning academic field called ‘Cute Studies’ – or what Damon Runyon might have called ‘Pretty Cute’ Studies, as in ‘“Are You Kidding Me? You Study This?” Studies.’ In fairness, Dale makes a strong case for his subject to be taken seriously. Irresistible is packed with references to all sorts of neuroscientific studies and cultural studies and studies about theories of animal domestication and the evolution of ‘affiliative social behaviour’, which lead Dale to posit that cuteness is a ‘species-wide emotion’. Is it an emotion? I don’t

Ian Birrell

The freedom fighters who dared to take on a communist superpower

In May 2020, as the planet grappled with the pandemic, China’s state media declared that there were ‘obvious deficiencies’ in Hong Kong law enforcement needing to be addressed. Any delusions this might have referred to intensifying police brutality in response to massive pro-democracy protests, let alone the unleashing of Triad thugs to attack participants, were dashed rapidly. Details emerged days later of a draconian new security law that criminalised any form of dissent, whether at home or abroad, with threat of life imprisonment. ‘When the world is not watching, they are killing Hong Kong,’ said Dennis Kwok, a lawyer and pro-democracy legislator. He was right. This was the moment that

Wednesday

Sam Leith Sam Leith

From The Archives: Robert Webb

26 min listen

The Book Club is taking a brief Christmas break, so we have gone back through the archives to spotlight some of our favourite episodes. This week we are revisiting Sam’s conversation from 2017 with Robert Webb. His moving and funny book How Not To Be A Boy turns the material of a memoir into a heartfelt polemic about what he calls ‘The Trick’: the gender expectations that he identifies as causing many of the agonies of his adolescence and young manhood. What is it to be a man? Are we doomed to lives of inarticulacy, shagging, fighting and drinking — giving pain and fear their only outlet in anger?

Wednesday

Sam Leith Sam Leith

From The Archives: Speeches that shape the world

28 min listen

The Book Club is taking a brief Christmas break, so we have gone back through the archives to spotlight some of our favourite episodes. This week we are revisiting Sam’s conversation from 2017 with Philip Collins, former speech writer to Tony Blair, about his book When They Go Low, We Go High: Speeches That Shape The World and Why We Need Them. He takes Sam through the history of rhetoric, how Camus is the original centrist Dad, and why David Miliband’s victory speech is perhaps one of the best speeches never delivered. 

Thursday

Roger Lewis

The bald truth about Patrick Stewart

When you think that David Niven, James Mason, Ronnie Barker, Arthur Lowe and Powell and Pressburger among many others failed to receive state honours, you’ll concede that a knighthood was wasted on Patrick Stewart, even if for 12 years he was chancellor of Huddersfield University. I mean no disparagement by this. I’m happy for him. But why not Sir Timothy Spall or Sir Timothy West? Stewart, whose grandmother was Stan Laurel’s babysitter, is a middle-ranking mime with a gurgling bass-baritone. He is chiefly famous for the X-Men franchise and for playing Captain Jean-Luc Picard in 178 episodes of Star Trek: The Next Generation, plus the numerous feature film spin-offs in

James Cahill

Andy Warhol would have revelled in the chaos of his legacy

Andy Warhol’s legacy has been dogged by rows over authenticity more than that of any other modern artist. Warhol might well have predicted the chaos and even delighted in it. He once signed a fake painting at Christie’s – four silkscreened Jackie Kennedys – for the hell of it. ‘I don’t know why I ever did,’ he wrote in his diary – and yet the confession makes clear that he maintained a distinction, in the end, between what was fraudulent and what was his. You can’t sign a fake if everything is real. The task of the Andy Warhol Authentication Board – established in 1995 by the foundation which handles

Alex Peake-Tomkinson

Surprise package: Tackle!, by Jilly Cooper, reviewed

Jilly Cooper, queen of the British bonkbuster, has turned her attention to football for her 18th novel. She was inspired after sitting next to Sir Alex Ferguson at lunch one day. She also thanks Kenny Dalglish, Alan Curbishley and ‘my wonderful neighbour’ Tony Adams in her acknowledgements. Her friend, the former home secretary Michael Howard, even took her to a Liverpool match, where she met Steven Gerrard.  Her legions of fans need not worry, however. We are still in Rutshire, the village Cooper created for her earlier novels; Rupert Campbell-Black, the hero of Riders, Rivals and Mount!, who was allegedly partly modelled on Andrew Parker Bowles, still lives in Penscombe

Alexandra Coghlan

The popularity of ‘Amazing Grace’ owes much to its melody

Type ‘Amazing Grace’ into YouTube and you can cancel any other plans you might have had for the day. Page after page serves up everything from Elvis Presley to Pavarotti, Gospel choirs and winsome Celtic lovelies, folkies in fabulous knitwear and X Factor finalists strenuously proclaiming their surgically enhanced faith; even an American president. There are arrangements for electric guitar, steelpan orchestra, bagpipes or (God help us) beginner flute ensemble. Saved from the storm, Newton was aware of ‘a sense of the amazing grace that snatched me from ruin’ All of which suggests that James Walvin’s Amazing Grace is a book landing in fertile soil. This is a song that’s

Joel Morris

Alan Partridge has had more incarnations than Barbie

Alan Partridge is back, and this time he’s restoring a lighthouse. The third volume of the Norfolk microstar’s faux autobiography is a meticulous parody of the celebrity-in-search-of-a-televisable gimmick genre, blending fan-friendly, behind-the-scenes tales of his more recent public adventures (This Time, Scissored Isle, From the Oasthouse) with a classic midlife lurch for purpose, part Griff Rhys-Jones rescuing threatened buildings, part Clarkson’s Farm. Though Steve Coogan’s id-slaying monster started out as a media satire, Alan Partridge has become a vital national mirror in which middle-aged, middle English, middleweight, middlebrow man (let us call him Homo Partridgensis) can watch himself weather and crumble. The act of restoring a suitably phallic landmark on

Simon Winchester

The invisible boundaries of everyday life

Norman Shrapnel, the wise and kindly parliamentary correspondent of the Guardian back in the day when it was a readable newspaper, tried never to give a book a bad review. He liked to say that anyone who had taken the time and trouble to write about anything at length deserved to be given the benefit of the doubt, and so he generally dipped his reviewer’s pen in honey rather than vinegar. I must say that on picking up Maxim Samson’s Invisible Lines, I felt quite otherwise. I wanted at first (an important caveat) to paint my laptop’s entire screen with vitriol. Within two pages I’d begun to loathe the author’s

Lynn Barber

Nothing satisfies Madonna for very long

In 1994, Norman Mailer called Madonna ‘our greatest living female artist’. She was huge in those days. I remember teenagers like my daughters constantly asking ‘What would Madonna do?’ But my grandchildren haven’t even heard of her. She seems to have faded faster than most. Why? Perhaps it’s because, as often claimed, she’s the ‘queen of reinvention’. But people who reinvent themselves every few months, as Madonna always did, tend to leave other people behind. Her ‘rebel life’, as told here by Mary Gabriel, is a frenzied churn of friends, lovers, mentors and collaborators who were vital to her for a year or two and then discarded. Her first manager,

Horatio Clare

Seeing the dark in a new light

True darkness, it turns out, can be experienced but does not exist. If you have been down a deep mine where the guide tells you to turn off your lamp you will have seen – in not seeing – something close to it: an utter nothingness in which your body and mind seem to shrink and expand at the same time. On a school trip to Big Pit in South Wales my entire class fell into a moment of unprecedented and never-to-be-repeated silence, a gasped amazement at the disappearance and invisibility of ourselves. Just for a moment everything vanished – and then the whooping and squealing started.  This double impulse,

Don Paterson

What convinces Jeremy Corbyn that ‘there is a poet in all of us’?

Much like its editors, I have no idea who Poetry for the Many is for. However, the choir it preaches to is quickly identified. It opens with a dedication to Julian Assange, the free speech martyr in no way a narcissist patsy for a hostile state. A member of UB40 summarises the book’s aim on the jacket: to ‘encourage the working classes to embrace and enjoy culture’. Elsewhere, in the course of four separate introductions, I divine some plan to make poetry both politically relevant and accessible to the lower orders. This project apparently requires the literary advocacy of Len McCluskey and Jeremy Corbyn. They have written personal introductions to

Frances Wilson

The horrors of dining with a Roman emperor

Emperor of Rome? Is there a typo in the title? Mary Beard’s latest book is about not one but 30 Roman emperors, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE), so why the singular? The answer is that Emperor of Rome is a study of autocracy and one autocrat, as Marcus Aurelius put it, is much the same as another: ‘Same play, different cast.’  Beard’s subject is emperors as a category, because it was the symbol of rule rather than the ruler himself that mattered to the 50 million imperial subjects between darkest Britannia and the Saharan desert in the first three centuries of the Christian