Book Reviews

Our reviews of the latest in literature

The pedants’ revolt

The scene is the imperial palace on the Palatine Hill in Rome in the 2nd century. The philosopher Favorinus is waiting to greet the emperor Hadrian when a grammarian corners him and launches into a lecture on the grammatical qualities of the word penus, meaning “provision.” “Well and good, master, whatever your name is,” Favorinus replies wearily. “You have taught us more than enough about many things of which we were indeed ignorant and certainly did not ask to know.” A thousand years later, the Muslim polymath Ibn al-Jawzi tells of an Arabic grammarian, notorious for punctilious use of archaic language, attempting to negotiate with a carpenter. “What is the price that this pair of doors costeth?” the scholar asks.

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Crucible’s complex picture

The beginning of Crucible, the writer and Oscar-nominated director John Sayles’s eighth novel, opens with a feint. A couple of journalists are taken for a mock-perilous test drive at the presentation of Henry Ford’s latest automobile. On their return, what starts as a humorous Q&A becomes increasingly restrictive as it becomes clear there is to be one narrative only: the company’s, or rather, the founder’s. This familiar combination of showmanship and control may feel ubiquitous now, but the audacity of Ford and the outrage he provoked was to change the face of American industry.

The radical networks that hijacked the 1970s

Airplane hijacking, like the mode of transport itself, became common in the 1960s. A practice largely confined to the United States, it was invariably a means for ordinary criminals to extort ransom money or flee to Cuba. In 1968, the hijacking of an El Al flight by the left-wing Popular Front for the Liberation of Palestine revealed the political utility of the act: in exchange for the safe return of its plane and passengers, Israel released 16 Arabs from its prisons. Encouraged by this outcome, the PFLP launched a spate of similar operations. One such mission, the hijacking of a TWA flight in 1969, revealed that prisoner exchanges and ransoms weren’t the only upside of this new tactic.

Inside the mind of Cheryl Hines

This book shouldn’t work. A memoir written by a 60-year-old actress – who, frankly, has never threatened to become a major movie star – hardly sounds promising. Then there’s the author’s personal baggage. Since 2014, Cheryl Hines has been married to Robert F. Kennedy Jr., the raspy-voiced Health and Human Services Secretary who served as one of Donald Trump’s chief surrogates during his last presidential campaign. Rarely has a book so straddled the worlds of Hollywood and conservative politics, let alone those embodied by the current administration. Yet, against all the odds, Unscripted is an enthralling read. To address the burning topic first: no, not all of Hines’s friends were entirely happy with her husband’s appointment, nor with his views on Dr.

How the West can win

It is no overreaction to look at the current state of western culture, through academia and the arts alike, and to feel that Rome has fallen all over again. Whether it’s a crowd chanting in support of terrorists at Coachella, or a horrific political assassination on a university campus, cheered by some, we are witnessing something far more sinister than a mere surge in political violence. We are watching the collapse of the fundamental preconditions that make civil society possible, as a civilization tears itself apart. Many are of the opinion that it is already too late: that the unique and unprecedented advances in western culture over the past three millennia cannot be furthered.

Jon Fosse’s Scandi-lit revival

Jon Fosse, the Norwegian novelist who won the 2023 Nobel Prize in Literature, has sat center stage in the recent revival of interest in Scandinavian literature. Fosse’s one-time creative-writing student Karl Ove Knausgård became the very definition of a publishing sensation when the first volume of his six-part memoir Min Kamp (“My Struggle”) – in which he dragged all his family skeletons out of the closet for all to see – was published in 2009. Danish novelist Solvej Balle’s seven-part On The Calculation of Volume, of which only the first three parts have been published in translation, has caused a similar stir in the past two years.

The great, underestimated Richard Yates

When the novelist Richard Yates, who was born in February 1926, was interviewed by the magazine Ploughshares in 1972, the conversation turned to the neglected writers of his generation. Yates, a man of remarkable acuity and taste, was typically incisive about the likes of Evan S. Connell, Brian Moore and Edward Lewis Wallant – and, just to show that he was no misogynist, he saluted Gina Berriault, saying that she was “an absolutely first-class talent who has somehow been left almost entirely out of the mainstream. She hasn’t quit writing yet, either, and I hope she never will.” If these words struck something of a cautionary note, then Yates’s conclusion was even more concerning.

The Seven Rules of Trust sees Wikipedia as a blueprint

Everybody criticizes Wikipedia, but everybody uses it. Having spent my childhood cross-legged on my carpet reading dictionaries and encyclopedias, I found it a revelation and refuge from the get-go. Google could never emotionally compete. While some AI products have become useful knowledge tools, there is still nothing like Wikipedia’s hyperlink paradise, which allows nights to slip away as you click through slices of world history or science. Now its co-founder Jimmy Wales has written a book (with the help of author Dan Gardner) about what enabled this impossible project to become one of the world’s favorite utilities. When reading The Seven Rules of Trust, two things jump out at you.

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Louis C.K. fails to follow in Faulkner’s footsteps

The Great American Novel is a holy obsession – the Everest every writer dreams of summiting. For most, that dream begins and ends with William Faulkner, whose winding sentences and sunburned Southern landscapes birthed prose that seemed to breathe. His words marched; crookedly, yes, but always with purpose. Louis C.K., a would-be Faulkner disciple, trudges into the same swamp in Ingram, minus the map, the bearings and any sense of control. What was presumably intended to echo the Mississippian’s hypnotic disarray becomes instead a masterclass in incoherence. The story, told in long and sweaty first-person narration, follows a boy wandering through a Texan landscape of mud, hunger and half-formed memories. The intention is noble; the execution is catastrophic.

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Mitfordmania in Carla Kaplan’s Troublemaker

I won’t attempt to explain Mitfordmania; we’d be here all night. Suffice it to say that fascination with the British sisters – Nancy, Pamela, Diana, Unity, Jessica and Deborah, born to the 2nd Baron Redesdale between 1904 and 1920 – shows no sign of waning. This year alone, the six have inspired Outrageous, a lavish (and fatuous) multi-episode television drama available on BritBox; The Party Girls, a play by Amy Rosenthal; and Do Admit: The Mitford Sisters and Me, a graphic novel by cartoonist and fangirl Mimi Pond. Now comes biographer Carla Kaplan’s Troublemaker: The Fierce, Unruly Life of Jessica Mitford. I did wonder if there was anything left to say. Famous for the muckraking classic The American Way of Death, Jessica also wrote two well-received autobiographies.

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Why are Lawrence Osborne’s novels suddenly popular in Hollywood?

The film Ballad of a Small Player opens with a blast of classical music, a shot of the Macau skyline and Lord Doyle (Colin Farrell) waking up in a hotel suite littered with Champagne bottles, cigarette butts and designer loafers that are starting to show their wear. While he dresses and shaves, a voice-over informs us he has three days to live. A sharp observer might notice he seems to have considerably less than that. Either way, for the next 100 minutes, director Edward Berger (All Quiet on the Western Front and Conclave) treats us to a sumptuous vision of one English con man’s final spree before oblivion. It will take an even sharper-eyed observer to catch, as the final credits snap past, that they have just watched an adaptation of a Lawrence Osborne novel.

Comic Con with a Shakespearean twist

Recently, when I shared that I would be attending New York Comic Con in cosplay, I was met with a mixture of applause and derision. Why would an art critic want to participate in such an activity, let alone write about it? To me the appeal was obvious, since cosplay stems from the same impetus to tell tales, share values and dazzle the spectator that can be found throughout thousands of years of artistic expression. The first comic book conventions, popularly known as “comic cons” or simply “cons,” began as get-togethers for comic book aficionados to share their love of illustrated popular storytelling. Over time, cons absorbed other genres and forms of entertainment to become major social events and trade fairs.

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