Book Reviews

Our reviews of the latest in literature

A shortage of Nigels and other calamities: humorous stocking-fillers

This is the part of the run-up to Christmas I always look forward to most – the ‘silly’ books, loo books, even non-books produced by serious publishers who may resent the huge piles of money they make every year while delicate, thoughtful literary novels remain unbought and unread. As it happens, I have just finished a wholly unsatisfactory book of short stories – no names, no packdrill – so a few weeks of loo books have proved surprisingly refreshing, like a palate cleanser after a hideously over-thought restaurant meal. They are all recommended for grumpy old relatives, or even yourself. Ysenda Maxtone Graham’s Scream (Abacus, £14.99) comes in the familiar

A post-Brexit entertainment: The Proof of My Innocence, by Jonathan Coe, reviewed

This is a novel that spans the Truss administration, from its heady dawn to its decline and fall 49 days later. The Proof of My Innocence starts as a satire, not so much of Truss and her world but the ideologists who thought that the prime minister’s brief, shining moment was their long-cherished future. They meet in a collapsing Cotswolds castle to hear from delegates such as Josephine Winshaw, who intones that everything now is woke: ‘Paying your TV licence was woke. Getting vaccinated was woke… buying avocados was woke, and reading novels was woke.’ Another speaker praises a reactionary novelist to a much smaller audience. Into this milieu steps

Mary Wakefield

We need to learn to pray again

In The Spectator’s basement kitchen a few weeks ago, I cornered a young colleague, Angus Colwell, and asked him what he made of Rod Dreher’s new book Living in Wonder. The thrust of it is that we are not in an age of enlightenment so much as ‘endarkenment’ (Dreher’s term) and that, having turned our backs on God, we have become easy pickings for demonic forces. ‘Oh Lord’, said Angus, turning wearily away, ‘I’m so sick of demons.’ This delighted me then and still delights me, both because it’s so surreal and also because it rings so true. If you’d told me ten years ago that young political types in

Surviving an abusive mother-daughter relationship

In The Brothers Karamazov Dostoevsky writes: ‘It would be strange in times like ours to expect to find clarity in anyone.’ Given where the times have got to in the intervening 140 years, one would suspect that clarity would be even further from us. The clarity we seek is generally externalised, about the world and its workings; that which is most hidden is about our personal histories and our families’ intergenerational legacies. Nightshade Mother is the Welsh poet Gwyneth Lewis’s quest for clarity – a memoir of excavation positioned between what the infant experienced and what the adult has sought to understand. Multiple narratives are in play: the voice of

A century of Hollywood’s spectacular flops

Gore Vidal once sighed that ‘every time a friend succeeds, I die a little’, and there is inevitably a sense that when some idiotic blockbuster makes $1 billion worldwide, our collective intelligence loses a couple of IQ points. It’s a relief, then, when the worst examples of their kind, made at enormous cost to negligible artistic impact, flop hideously: proof that audiences will not fork out for any arrant piece of trash. The most recent high-profile failure of this kind was Todd Phillips’s bewilderingly poor Joker sequel, Folie à Deux, which insulted its audience and thus precipitated its commercial failure. If the Daily Telegraph film critic Tim Robey’s excellent study

The boundless curiosity of Oliver Sacks

Oliver Sacks, who died in 2015, first came to public attention with his descriptions of fascinating neurological conditions in accessible articles and books. He was one of the first doctors to attempt to break down the barriers between the medical profession and the layman by eschewing esoteric jargon and explaining complex brain pathology simply while never losing sight of the patient as a human being. He exuded compassion and honesty. He brought attention to little-known illnesses such as encephalitis lethargica, or sleeping sickness, of which there was an epidemic after the first world war. In his book Awakenings (1973), he wrote about how these patients were locked into a syndrome

Is it time for Jordan Peterson to declare his spiritual allegiance?

Alan Isler’s novel Clerical Errors (2001) features a troubled priest who mocks the faith he has largely abandoned. ‘How can any rational creature not see in the story of Christ the pattern of countless pagan myths, the universal romance of the sacrificial god, his apotheosis and his rebirth?’ Jordan Peterson’s new book stands this argument on its head. That core Old Testament and gospel narratives are echoed in other cultures, past or present, is hailed as a mark of biblical universality. What applies to the resurrection also covers themes including sibling rivalry (Cain and Abel), pride and overreach (Noah’s Flood), deliverance from slavery (the Exodus) and the Fall itself. These

Nadine Dorries, Katy Balls, Edmund West, Sam Dalrymple, and Tanjil Rashid

32 min listen

On this week’s Spectator Out Loud: Nadine Dorries reads her diary (1:12); Katy Balls analyses the politics behind the Assisted Dying debate (5:58); Edmund West allows us a glimpse into Whitby Goth Week (11:55); reviewing Avinash Paliwal’s book India’s New East, Sam Dalrymple looks at the birth of Bangladesh (17:39); and Tanjil Rashid reveals William Morris’s debt to Islam (21:23).  Produced and presented by Patrick Gibbons.

Blooming marvellous: the year’s best gardening books

I am an absolute sucker for a handsome reproduction of a rare and highly illustrated natural history, preferably more than two centuries old. This may possibly be a niche interest, but Catesby’s Natural History was pronounced a wonder when it was first published and is a wonder still. Mark Catesby was ‘a procurer of plants’, sponsored by a group of rich, curious patrons, including William Sherard and Sir Hans Sloane, to explore and record the flora and fauna of the most southern of the Thirteen Colonies – the Carolinas and Florida, as well as the Bahamas Islands. He made several perilous trips in the 1720s, sketching his subjects live, and

Sam Leith

Michael Moorcock: celebrating 60 years of New Worlds

43 min listen

My guest in this week’s Book Club podcast is the writer, musician and editor Michael Moorcock, whose editorship of New Worlds magazine is widely credited with ushering in a ‘new wave’ of science fiction and developing the careers of writers like J G Ballard, Iain Sinclair, Pamela Zoline, Thomas M Disch and M John Harrison. With the release of a special edition of New Worlds, honouring the 60th anniversary of his editorship, Mike tells me about how he set out to marry the best of literary fiction with the best of the pulp tradition, how he fought off obscenity charges over Norman Spinrad’s Bug Jack Barron, about his friendship with Ballard and his enmity

What will the cities of the future look like?

At the Pacific Design Center Gallery in Los Angeles, artists have created an imaginary enormo-conurbation into which humanity’s billions have been herded, surrendering what’s left of the planet to wilderness. Views of Planet City, the resulting temporary exhibition, is all Blade Runner-esque, purple-neon cityscapes in miniature, VR games and costumes melding world cultures into one. The show riffs on Edward O. Wilson’s Half Earth hypothesis, the biologist’s 2016 proposal to remove humanity from half the planet to allow ecosystems to recover. It is an entertaining, clever and provocative exhibition, but it is fiction: it does not offer a set of instructions. David Graeber and Nika Dubrovsky’s Cities Made Differently is

The fresh hell of Dorothy Parker’s Hollywood

Hollywood didn’t kill Dorothy Parker, but booze probably did. In fact, if Hollywood hadn’t paid her so well to spend so much time at home, she couldn’t have afforded the booze – as well as maintain a lifelong ability to insult almost everyone she loved while still earning their (sometimes reluctant) affection. It’s hard to believe that Parker didn’t take her film work seriously, since she kept producing such good work Gail Crowther’s latest book (she has written entertainingly on other notably cocktail-absorbed writers such as Sylvia Plath and Anne Sexton) is a focused, fun and almost recreationally enjoyable brief biography not of a writer but of a well-framed aspect

Who would be a goalkeeper?

‘We are all goalkeepers now,’ declares Robert McCrum, and who could seriously argue with that? Every day we try to defend our own goal against the hurtling ball of fate, but too often end up fishing it out of the back of the net. Then again, we are also all strikers, hopefully hoofing, occasionally taking a bit of a dive in the box. Or central defenders, muddied but valiant. Or nippy little wingers, making mazy but pointless runs down life’s touchline, whingeing at the referee. Come to think of it, we are all, in a very real sense, referees too. There is no end to the football-as-metaphor game. For the

A quest for retribution: Fire, by John Boyne, reviewed

At the end of John Boyne’s novel Earth, Evan Keogh, a conscience-stricken young footballer, hands evidence of his connivance in a rape to the police. Two years earlier, he and his teammate Robbie had been found innocent of the charge by a jury, whose foreperson was Dr Freya Petrus. Freya, a consultant in a hospital burns unit, becomes the protagonist of Fire, the third of Boyne’s Elements quartet. Like its predecessors, the novel is dominated by issues of aberrant sexuality. As a 12-year-old girl on a summer holiday in Cornwall, Freya was first raped and then buried alive in a sadistic ritual by 14-year-old twins, Arthur and Pascoe. Once freed,

The ambassador’s daughter bent on betrayal

In June 1933, the 24-year-old Martha Dodd, the daughter of the newly appointed American ambassador to Berlin, arrived in the German capital with her parents and older brother. She knew little and cared less about politics. To her, Adolf Hitler, who had just seized supreme power in Germany, was merely ‘a clown who looked like Charlie Chaplin’.            To all her friends in Berlin, Martha would show odd bits of information from her father’s office The Berlin in which the Dodds found themselves was a ferment of intrigue, uncertainty, plots, counterplots, sudden disappearances and febrile gaiety. Three months earlier, the Reichstag had burned down and a state of emergency had

Seeds of hope in the siege of Leningrad

The idea was revolutionary – yet there was something ancient at its heart. The scientist Nikolai Vavilov, arriving in Petrograd in 1921 to take the helm of the Bureau of Applied Botany and Plant Breeding, was on a sacred mission: to make, in his words, ‘a treasury of all known crops and plants’. The world’s first seed bank would shape the future of agriculture – possibly even eliminate failed harvests and hunger. This was gleaming scientific idealism, but there was also an element of the Old Testament Ark about it. Throughout the siege, the botanists had to find the superhuman strength not to eat the seeds themselves The vision would

Reading the classics should be a joy, not a duty

Writing the history of the novel, even covering a limited period, is a challenge. No one could possibly read every novel that has been published. Even if you read 100 a year you would scarcely scratch the surface. It isn’t like writing a history of most other subjects, where the important matters select themselves. You wouldn’t guess from this book how hilarious Lolita is, or some of the best passages of Ulysses No one could say with certainty that the most noteworthy novels are those which once made, or now make, the most impact. Indeed, a history that included many of the bestsellers of the day would be unusual –

Paul Wood, Sean Thomas, Imogen Yates, Books of the Year II, and Alan Steadman

30 min listen

On this week’s Spectator Out Loud: Paul Wood analyses what a Trump victory could mean for the Middle East (1:16); Sean Thomas gets a glimpse of a childless future while travelling in South Korea (8:39); in search of herself, Imogen Yates takes part in ‘ecstatic dance’ (15:11); a second selection of our books of the year from Peter Parker, Daniel Swift, Andrea Wulf, Claire Lowdon, and Sara Wheeler (20:30); and notes on the speaking clock from the voice himself, Alan Steadman (25:26).  Produced and presented by Patrick Gibbons.