Book Reviews

Our reviews of the latest in literature

The stark, frugal world of Piet Mondrian

In September 1940 the Dutch abstract artist Piet Mondrian arrived in New York, a refugee from war and the London Blitz. He was 68, a well known figure in modern art circles in Europe but as yet little appreciated on the other side of the Atlantic. His visas, his travel and his accommodation had been sorted out for him by well-wishers in Britain and he was welcomed in America by Harry Holtzman, an artist some 40 years his junior. On the evening of his arrival, Holtzman entertained the stiff, fastidious, well-dressed Mondrian to dinner in his apartment and introduced him, via the phonograph, to boogie-woogie. He recalled: Mondrian’s response was

‘I had once been a cat’ – the feline fantasies of Caleb Carr

One of my favourite cartoons is of the owl and the pussycat going to sea in their pea-green boat. The caption is the owl’s guilty admission: ‘I’m afraid there have been… other cats.’ Caleb Carr, in this memoir of his own love affair with a pussycat, is straightfaced: ‘I should own up to the fact that I’d had similar relationships with other cats – even (and in some cases especially) cats who were not mine.’ I have a high tolerance for cat books, but after this one I turned in relief to a ‘Simon’s Cat’ animation on YouTube. There’s one in which a hapless man opens the door for a

Is it up to pop stars to save the planet now?

‘Walking by the banks of the Chao Praya on a breezy evening after a day of intense heat,’ writes Sunil Amrith at the start of his melancholic new book, ‘I struggled to connect the scene before me.’ While the river that flows through Bangkok looked idyllic, ‘crowded with noisy pleasure boats festooned with lights’, Amrith was struck by the realisation that half of the city ‘could be underwater by the end of this century’. This thought was the latest stage in a process that he says has taken him time to work out: ‘I can no longer separate the crisis of life on Earth from our concerns with justice and

Richard Dawkins, Nicholas Farrell, Mary Wakefield, Lisa Hilton and Philip Hensher

33 min listen

On this week’s Spectator Out Loud: Richard Dawkins reads his diary for the week (1:21); Nicholas Farrell argues that Italy is showing the EU the way on migration (6:33); Mary Wakefield reflects on the horrors, and teaching, of the Second World War (13:54); Lisa Hilton examines what made George Villiers a favourite of King James I (19:10); and a local heroin addict makes Philip Hensher contemplate his weight (27:10).  Produced and presented by Patrick Gibbons.

Sam Leith

Sue Prideaux: Wild Thing, A Life of Paul Gaugin

41 min listen

In this week’s Book Club podcast Sam Leith’s guest is the great Sue Prideaux who, after her prize-winning biographies of Nietzsche, Munch and Strindberg, has turned her attention to Gauguin in Wild Thing: A Life of Paul Gauguin. She tells me about the great man’s unexpected brief career as an investment banker, his highly unusual marriage and his late turn to anticolonial activism. Plus: why she starts with his teeth. This podcast is in association with Serious Readers. Use offer code ‘TBC’ for £100 off any HD Light and free UK delivery. Go to: www.seriousreaders.com/spectator Produced by Patrick Gibbons and Oscar Edmondson.

The journalist’s journalist: the irrepressible Claud Cockburn

No one should be put off reading Patrick Cockburn’s remarkable biography of his father by its misleading subtitle. ‘Guerrilla journalism’ doesn’t do justice to its subject. The suggestion of irregular warfare from the left underrates Claud Cockburn’s great accomplishments in mainstream politics and journalism and doesn’t begin to embrace the romantic and daring complexity of his life and career. By late 1931, his eyewitness reporting at the start of the Great Depression convinced him that Marx was right Indeed, it is the journalist son’s signal achievement to have surmounted left-wing cliché and written a fascinating and subtle portrait of a paradoxical career. Claud was a mostly loyal child of the

The court favourite who became the most hated man in England

The Duke of Buckingham, wrote Alexandre Dumas, lived ‘one of those fabulous existences which survive… to astonish posterity’. In the summer of 1614, a young man from a modest gentry family was invited to a hunting party in Northamptonshire to meet a very special guest. George Villiers was affable, not terribly bright and superlatively beautiful. His mother Mary, a practical and ambitious woman, knew what his looks could do for the family, and she aimed high. The mark was King James I, a monarch who openly loved men. The king had lavished his then favourite, Robert Carr, with titles, wealth and great offices, but the finest pair of legs in

A scorched Earth: Juice, by Tim Winton, reviewed

Late last year in Australia’s The Monthly, Tim Winton wrote an essay on the urgent need for writers to look the climate crisis in the eye. Quoting Amitav Ghosh’s observation about the ‘patterns of evasion’ that continue to conceal the scale of the catastrophe, he argued that writers must overcome the habits of mind that treat the natural world as an inert externality. Instead, they must find ways to recognise that we are part of nature, and our fate is inseparable from the world around us. ‘We have difficult work to do,’ he declared. ‘And we’re late to the bushfire.’ Of course, Winton is not someone who could ever be

The rollercoaster ride of the world’s most reckless investor

For a few days in February 2000, Masayoshi Son was the richest person in the world. A risk-taker and showman, universally known as Masa, he had long been disdainful of Japan’s staid ‘salaryman’ business culture and was riding the wave of dot-com mania. His company SoftBank, founded in 1981, had bet big on the growth of online shopping. The bullish mood didn’t last, and Masa slunk away from the limelight – but only for a while. A techno-optimist, the now 67-year-old has repeatedly reinvented himself, urging doubters to see beyond the immediate: ‘You’re limiting your field of vision to 30 years… Start bold and think 300 years ahead.’ Masa’s greatest

Whipping up a masterpiece: painters and their materials

If you are someone who revels in the deliciousness of oil paintings, who looks at them and wants to eat them ‘as if they were ice cream or something’, in Damien Hirst’s phrase, then Martin Gayford’s latest book will be a banquet. In part, this is thanks to the illustrations – luscious close-ups of Van Gogh’s brushstrokes like buttercream icing, and a double-page spread of a golden Rothko large enough to tumble into. But mainly it’s due to his intention to understand the medium of painting from the inside out: from the artists’ viewpoint rather than the art historian’s. He is well placed to do this, having interviewed almost every

Mounting suspicion: The Fate of Mary Rose, by Caroline Blackwood, reviewed

‘She was dead even before I became aware of her existence.’ The menacing opening line of this gripping novel is not about the title’s Mary Rose but about another six-year-old girl, Margaret Sutton, who has been abducted, raped and murdered in the Kent woods. The story is told from the perspective of Mary Rose’s father, Rowan Anderson, who spends most of his time in London, writing a biography of the scientist Hertha Ayrton and feuding with his possessive girlfriend, Gloria. He periodically visits his daughter and his wife, Cressida, in their country cottage. Cressida busies herself with domestic chores in the cramped space, compulsively ironing sheets, painstakingly preparing elaborate meals

And still the colonial memoirs keep coming…

Since the 1990s there has been a spate of post-colonial memoirs written by white Africans. The best was Rian Malan’s My Traitor’s Heart, a poetic, guilt-stricken Afrikaner confessional published on the eve of Nelson Mandela’s release from prison. Two others of note were by Rhodesian/Zimbabwean writers: Douglas Rogers’s The Last Resort and Alexandra Fuller’s Don’t Let’s Go to the Dogs Tonight. Both were beautifully written, funny and full of original insights. Peter Godwin, another Rhodesian/Zimbabwean, is the most prolific of all, and Exit Wounds is now his third memoir. These writers, all beneficiaries of an excellent British-supervised education system, can really tell a tale. Godwin has a significant hinterland as

The demonising of homosexuals in postwar Britain

Not every human culture leaves clear and legible accounts of itself. Here we have a comparatively recent way of life which we know thousands of men led. It was proscribed, and those who lived within it had good reasons to conceal their participation and nature, usually taking care not to leave any records. Invisible and, even at this short distance, impossible completely to understand, the culture of male homosexuals in London was only partially legalised in 1967. Before that has to be interpreted through material which is intrinsically unsatisfactory. A comparison might be drawn to the textual means historians have of understanding another proscribed culture, the early Christians in Rome.

Three great minds explore the enigmas of the universe

It sounds like a Tom Stoppard play. A big-shot philosopher meets a big-shot boffin by way of a big-shot writer to descant on the biggest of big-shot debates – what The Rigor of Angels’s subtitle calls ‘the Ultimate Nature of Reality’.True, William Egginton can’t match Stoppard for punchy one-liners, nor for puns and pratfalls and persiflage. But while his book is as demanding a read as anything published this year, it still leaves you smiling. Over and over again the author reminds you of the shimmering weirdness beneath the experiential surface of what we are pleased to call the real world. There is no shortage of books that pit one

Small-town mysteries: A Case of Matricide, by Graeme MacRae Burnet, reviewed

The gifted writer Graeme Macrae Burnet makes a mockery of the genres publishers impose on credulous readers. The author of two ostensibly literary novels (both longlisted for the Booker prize), Burnet has also written a trilogy of self-declared thrillers. Yet the concluding volume, A Case of Matricide, demonstrates literary talent of the highest order. It features the same protagonist as in the two earlier volumes – Inspector Georges Gorski, chef de police in Saint-Louis, a provincial French town near the Swiss border. Divorced from his wealthy wife, whose father is the corrupt and powerful mayor of Saint-Louis, Gorski lives rather sadly with his mother, who suffers from increasing dementia. He

Olivia Potts

Potato crisps and the British character

Pickled fish. Lemon tea. Cucumber. Doner kebab. Stewed beef noodles. Salted egg. Soft shell crab. Coney island mustard. Smoked gouda. Hamburger seasoning. Honey butter. Roasted garlic oyster. Spicy crayfish. Finger-licking braised pork. Sesame sauce hotpot. Rose petal. Numb and spicy hotpot. Roasted fish. Blueberry. The world of crisps has changed almost unrecognisably since the snack was first commercially produced in the early 20th century. Now the possibilities are enough to make the head spin. In Crunch, Natalie Whittle takes us on a whistlestop tour of the flavours we can now find across the world. The mind-boggling list gives an idea of the scope of this seemingly simple snack that goes

Familiar scenarios: Our Evenings, by Alan Hollinghurst, reviewed

There’s a certain pattern to an Alan Hollinghurst novel. A young gay man goes to Oxford. He’s middle class and riddled with suburban self-consciousness – a kind of complicated awareness of his non-posh failings and resulting subtle superiority. He meets another young man – possibly gay – who is posh. An intricate dance ensues of social slip-ups and huge townhouses in Notting Hill, bags of money and country piles. It’s a formula which can be transposed between Edwardian drawing rooms and 1980s parties with only the slightest changes. Sometimes our protagonist is the aristocrat himself; sometimes he even went to Cambridge. He’s always cultured – interested in poetry, theatre and

What do we mean when we talk about freedom?

When the Yale historian and bestselling author Timothy Snyder was 14, his parents took him to Costa Rica, a country lauded for its conservation of natural resources that is rated freer and happier than the United States. He recalls feeling liberated and unfettered as he hiked in cloud forests with his brothers, seeing monkeys, sloths and spectacular birds. One day, a local friend led the boys on a mysterious quest to view something special; after walking for three hours through a maze of paths, they arrived at a cascade hiding a cave, where they could gaze out at the green world through curtains of falling water. Trump’s ‘big lie’ over