Book Reviews

Our reviews of the latest in literature

The British Dreyfus

One day in December 1908, a wealthy 81-year-old spinster named Marion Gilchrist was bludgeoned to death in her Glasgow flat. Miss Gilchrist, who lived alone with her maid, was an obsessive collector and hoarder of jewels, which she hid among her clothes. There was no sign of a forced entry, but a valuable diamond brooch was missing. The month before the murder she had changed her will, cutting out her relatives, whom she hated, and leaving everything to her maid. The Glasgow police decided to arrest a foreigner named Oscar Slater. He happened to have pawned a brooch around the time of the murder. The brooch turned out to belong

Eat your heart out, Holden Caulfield

Tim Winton’s novel about a journey of teenage male self-discovery is raw, brutal and merciless. You need to be familiar with Australian vernacular to appreciate the first-person narration by the young protagonist who says he is 17 but is thought to be ‘more like 15’ by an old renegade Irish priest he meets in the wastelands of Western Australia. Jackson Clackton is on the run in the scrub and salt-lands away from the coast. His voice is full of Oz-isms — roo bars, johnnycakes, mulga and gimlets. Jaxie flees small-town Monkton. His mother is dead, and his father kills himself in an accident for which Jaxie thinks he will be

Telling tall tales

‘I think you’re an adult when you can no longer tell your life story over the course of a first date,’ says Glen David Gold. I emerged from his weighty memoir feeling more like I’d been through a marriage: sadder, wiser, still sifting the decades of detail for the moments when a little self-awareness could have spared hearts. My crush on Gold’s writing dates back to his sensational 2001 debut novel: Carter Beats the Devil. Set in the author’s native California in the 1920s, the tale of rival magicians combined seductively complex characters, wisecracking dialogue and vintage Americana in a plot as ingeniously designed and expertly sprung as an escapologist’s

The road to Ekaterinburg

The true tragedy of the last Romanovs was a failure of imagination. Both during his last disastrous months in office and throughout the slowly unfolding catastrophe of his imprisonment, Nicholas II failed to conceive of how quickly the world around him could change, or just how desperate and ruthless the revolutionaries could be. A similar naivety was shown by his would-be rescuers. Helen Rappaport’s frank and brilliant study of the various efforts to save the Romanovs begins, intelligently, with the race to save them from themselves. Their downfall began in 1916 as the course of the first world war began to run against Russia. Nicholas reacted by attempting to take

New York times

Seven years ago Stella Tillyard, a successful historian of the 18th century, broke into historical fiction with Tides of War. This historically faithful and scrupulously detailed Napoleonic saga was thought in some quarters to have met its period’s gold standard: Patrick O’Brian’s Jack Aubrey novels. It also received the accolade, now obligatory for success in the genre, of being worthy of Hilary Mantel. For her second novel, Tillyard has adopted a fresher, braver setting — Cromwellian East Anglia, framed with 1660s New Amsterdam, the Dutch American capital about to succumb to the restored Charles II’s greed. In 2016 Francis Spufford produced Golden Hill, a hit of Mantelian proportions, set in

Olivia Potts

Setting the bar too high

‘The first thing we do, let’s kill all the lawyers,’ says Dick the Butcher in Henry VI, Part II. Mostly, this has been written off by literature undergraduates and fridge magnet makers as a joke at the expense of one of the oldest professions; but there’s another interpretation. Dick, although a comic character, was a follower of the rebel Jack Cade, who believed that by disrupting law and order he could overthrow the king and stand in his place. What this line actually means is that lawyers independent of the state are the final bastion of civilised society. Without lawyers, society falls apart. This premise is examined in two new

Change and decay | 5 July 2018

It seems somehow symptomatic of David Edgerton’s style as a historian, of a certain wilful singularity, that even his book’s title requires explanation. On the face of it ‘the rise and fall of the British nation’ seems a comforting enough notion, but when Edgerton deploys the term British nation he is not talking about any long perspective, but a very specific, post-imperial, nationalist project of internal reconstruction that rose and flourished between 1945 and the 1970s, only to sink back into the global system from which it had emerged. ‘Making the national explicit’ in this way, he writes, allows us to notice the non-national features of earlier and later periods.

Knowing your enemy

Espionage, Christopher Andrew reminds us, is the second oldest profession. The two converged when Moses’s successor Joshua sent a couple of agents to spy out ancient Jericho. There they were sheltered by the madam of the local brothel. All three are heroes in Israel today. Generals and politicians have always needed secret information to track and outmanoeuvre their foreign and domestic enemies. So they place spies, suborn traitors, eavesdrop, decipher other people’s messages, subvert their governments, assassinate their servants and sabotage their property. The technology has changed massively over the centuries; the aims and the basic methods have not. During the 20th century, thanks partly to the works of talented

Sam Leith

Books Podcast: Judith Kerr and Matthew Kneale, writing in the family and the real Mog

This week’s books podcast is a family affair: I’m talking to the children’s writer and illustrator Judith Kerr (Mog The Forgetful Cat; When Hitler Stole Pink Rabbit; and The Tiger Who Came To Tea), and her son the novelist and historian Matthew Kneale, author of English Passengers and Sweet Thames, and most recently, Rome: A History in Seven Sackings. We talk about fiction and nonfiction, hereditary writers, whether what we’re seeing now answers the definition of fascism — and the bit that Judith’s publisher wanted taken out of The Tiger Who Came To Tea on the grounds of it “not being realistic”.

Poetry in the back garden

When I read about the author on the flyleaf of this book, I must admit my heart sank: ‘Tristan has led expeditions in five continents and is the only living person to have both flown solo and sailed singlehanded across the Atlantic.’ Oh no, I thought, not another gung-ho memoir by some posh explorer, chronicling his adventures crossing the Andes on a pogo stick or paddling up the Amazon in a bathtub. Thankfully, Wild Signs and Star Paths is nothing of the sort. It’s a thoughtful, lyrical book about the hidden connections between flora and fauna, the landscape and the weather, and most of its wise and wondrous observations are

The real wizard of Oz

What makes a barrister famous? At one time, many of the best advocates were also prominent politicians, whose day job was in court and who moonlighted in the Commons — think F.E. Smith. But it is impossible today to double up with any distinction. As long as capital punishment survived, public attention also attached to those great defenders who rescued their clients from the noose — think Edward Marshall Hall. But English judges no longer don the black cap to pronounce the sentence of death. Geoffrey Robertson, the author of this riveting memoir, ticks the boxes which guarantee the reputation of the modern celebrity silk: chiefly, a concentration on the

Via dolorosa

Guy Stagg walked 5,500 km from Canterbury to Jerusalem, following medieval pilgrim paths, and he records the expedition in The Crossway. It was a journey from darkness to light, as the author, who suffers from mental illness, looked for redemption. It was also a considerable feat, especially as Stagg proclaims lugubriously at the outset: ‘I’m not much of a walker!’ He stayed in convents, monasteries, in his tent, in disused schools or the homes of strangers, and, later, in mosques. He crossed the Alps in winter in order to make Rome for Easter, and it took him six days to clear the Apennines. On the trail, he reflectsa good deal

Ways of escape | 28 June 2018

Olivia Laing has been deservedly lauded for her thoughtful works of non-fiction To the River, The Trip to Echo Spring and The Lonely City. Her first novel, Crudo, is every bit as intelligent and provocative, with a roar of energy that comes from having been written, remarkably, in just seven weeks. Perhaps the novel’s most unusual element is its narrator: ‘Kathy by which I mean I’ is a 40-year-old hybrid of the post-punk icon Kathy Acker and a fictionalised version of Laing herself. Acker died in 1997, but Laing brings her back to life for the politically turbulent summer of 2017. She peppers her prose with quotations from Acker’s writing

Hypnotic threnodies

The tricky term ‘Krautrock’ was first used by the British music press in the early 1970s to describe the drones and industrial kling-klang of difficult German bands such as Kraftwerk, Tangerine Dream, Popul Vuh, Faust and Can. A British fear and loathing of Germany and the Germans informed numerous New Musical Express Krautrock articles. (‘Kraftwerk: the Final Solution to the Music Problem’, or ‘Can: They Have Ways of Making You Listen’.) The term was made semi-respectable by Julian Cope, the erudite jester of English pop, in his ironically entitled book Krautrocksampler (1995), which commended the strange new music that rose from the moral and material ruins of post-Hitlerite Germany. It

Strewn with foreign bodies

Ghosts of the Past by Marco Vichi (Hodder, £18.99) is unashamedly nostalgic in tone. The title could not be more apposite. The action takes place in 1967, when Inspector Bordelli of the Florence police force is called to a house where a wealthy industrialist has been run through with a sword. Each member of the family is acting suspiciously, as are the various colleagues and associates of the deceased. Bordelli’s life is further complicated when an old friend, Colonel Arcieri, turns up in dire trouble and needing protection. The case unfolds in a slow haze of interviews and recollections. Vichi takes his time to explore Bordelli’s mind, his thoughts and

Short stories: Life-changing moments

On a recent Guardian podcast, Chris Power — who has written a short story column in the Guardian for a decade — recognises the tendency of reviews of the form to begin with ‘an obligatory paragraph on “The Short Story” in capital letters, rather than talking about the work’. Power’s debut collection is itself a love letter to the form, a survey of it and the culmination of a life’s studious interest. So talking about the work itself doubles as a precis of ‘The Short Story’ and its moment. Happening around the world — often engaged with travelling itself — the ten stories in Mothers take the form’s austerity and

Clutching at straws

For someone who is only 47 and has won a Pulitzer Prize, Andrew Sean Greer certainly knows how to get inside the head of someone who is 50 and hasn’t. Less is, among other things, a novel about the aches and pains of midlife, real and imagined; its hero, Arthur Less, turns 50 in the course of the book. By a happy coincidence — or one engineered by The Spectator’s literary editor — while reading Less I too marked my half-century. (Send no flowers.) Reader, I laughed and I cried; this is a hilarious, heart-warming and thoroughly midlife-enhancing book. Less is a failed novelist, or at least thinks of himself

An electrifying genius

Nikola Tesla, the man who made alternating current work, wrote to J. Pierpont Morgan, the industrialist and banker. It was 1902 and Tesla was broke. ‘Am I backed by the greatest financier of all time? And shall I lose great triumphs and an immense fortune because I need a sum of money? Are you going to leave me in a hole?!! Financially, I am in a dreadful fix.’ This was not perhaps the best way of approaching a millionaire who had made his fortune in the very industry Tesla was setting out to transform. It was a time of scientific entrepreneurs and robber barons. Morgan was a man of many