Book Reviews

Our reviews of the latest in literature

Man’s true best friend

This unusual book begins with an account of the author’s ten-year love affair with dairy farming and an attempt ‘to give a flavour of what our cattle do for us’. It then turns into a survey of the various British breeds of cattle. After poor A-levels, Philip Walling took odd jobs in his native Cumbria, such as building dry-stone walls, until he managed to acquire a small farm of his own. With great determination, he ran this single-handed, keeping both beef and dairy animals and raising poultry and a couple of pigs. They were, in retrospect at least, ‘ten years of almost undimmed joy’. But aged 30, discouraged by the

Lines in the sand

One of the many pleasures offered by Lords of the Desert, which narrates the rivalry between Britain and the United States in the Middle East from the end of the second world war through to 1967, is the quotations that are liberally strewn across its pages. They have been culled from memoirs or official documents unearthed in British or US archives and testify to the research that has gone into this dense but consistently fascinating account. Some reveal the deep complacency of influential individuals. Ralph Brewster, an American senator who undertook a round- the-world tour in August 1943 to investigate the progress of the war and report to President Franklin

There be dragons

Reflecting on the genesis of Treasure Island, the adventure yarn that grew from a map of an exotic isle he had drawn to amuse a bored schoolboy on a rainy day, Robert Louis Stevenson observed: ‘I am told there are people who do not care for maps, and I find that hard to believe.’ It’s fair to say that Thomas Reinertsen Berg cares very deeply about them, and his book, sumptuously produced with lots of full-colour images, is a kind of potted treasury of cartographical history that gleams with pieces-of-eight-like snippets of information. With a title that tips its hat to Theatrum Orbis Terrarum, the first modern atlas produced by

All shook up

The polymath writer A.N.Wilson returns to the novel in Aftershocks, working on the template of the 2011 earthquake which devastated Christchurch, New Zealand. He protests that the setting is not New Zealand but, as he admits, there are many recognisable similarities. This is a novel about true love, its agonies, ecstasies, and eventual fulfillment, told in the voice of a young woman, Ingrid Ashe. She is the daughter of the female local radio broadcaster, Cavan Cliffe; and the mother/daughter relationship is almost unhealthily close. Ingrid’s is a lesbian love story in which her passion cannot develop until the earthquake upsets the structure of the city, destroys the cathedral and causes

Something nasty in the coal cellar

Literary non-fiction demands that a respectable household is not really a respectable household — and the Bastendorffs of 4 Euston Square fully oblige. The family take in lodgers at their elegant townhouse in Bloomsbury and, just as they are sprucing it up to welcome their latest in May 1879, a mystery corpse is uncovered in their coal cellar. It would not spoil anything to say that the Bastendorffs turn out to be a pretty kooky bunch, headed up by Severin, the paterfamilias who started life in rural Luxembourg. Thanks to Severin’s heritage, we skip past the well-worn Disney Victoriana of gas lamps and sooty urchins and into the more unusual

The couple who conned the world

The other day in the Guardian’s Blind Date column, two participants, or victims, finished off an account of their frightful encounter by dismissing any chance of a future relationship: ‘I’m sure two ENFPs might wear each other out.’ The acronym is perhaps not familiar to everyone, but that, coming from a couple of young people steeped in human resources gibberish, would have been the point. The woman involved was showing off her Myers-Briggs personality type. Myers-Briggs is an American analysis of personality first used in the 1940s, which gained huge success in the 1950s. It was a decade in which, as Merve Emre poetically says, ‘the stench of political paranoia

A law unto himself

John Law was by any standards a quite remarkable man. At the apogee of his power in 1720, he was the richest private citizen in Europe and controller-general of finance in France, responsible not merely for the country’s income and expenditure but for its commerce, navigation, agriculture and industry. He created and presided over one of the earliest and greatest of all stock market boom-and-busts, that of the ‘Mississippi Company’, and inspired another, the South Sea Bubble. And he pioneered ideas about banking, monetary policy and financial markets that were revolutionary in his own time, and retain their importance three centuries later. Yet Law was not French, not a noble,

A meditation on history

It is a truth universally acknowledged that a serious novel must be in want of a theme. Paris Echo soon makes it clear that it has several. It’s about the shifting nature of history and the mysterious footprints of the past in the present. It’s also concerned with the myriad and biased interpretations that we place on past events. Another preoccupation is the ambiguities of spoken and written French. Modern Paris, the novel’s main setting, allows Sebastian Faulks to explore his themes through two main viewpoints. There’s Tariq, a precociously self-aware 18-year-old Moroccan from a middle-class family in Tangier, who comes to Paris in search of himself, his mother’s French

The great agitator

John Lilburne was only 43 when he died in 1657, an early death even for the time. But in many ways it was remarkable that he lived so long. He not only dodged Royalist bullets when fighting for Parliament in the civil war as Lieutenant Colonel Lilburne, but managed to avoid the noose or firing squad on three occasions, each time trusting his own principled legal dexterity (and a slice of luck that he would have seen as the hand of Providence) to cheat his would-be executioners. This was an age, of course, when men of far more elevated status than this member of the minor gentry from the north

Closure at last

And so it comes, the final volume of Karl Ove Knausgaard’s My Struggle sequence: a pale brick of a book, one that might be The End, but is an undertaking all of itself. The previous five books — autofictions that catalogue one’s man’s life in exacting, almost terrifyingly detail — were far from slender, but The End is nearly 1,200 pages, and as such presents itself almost as a challenge, or a dare. Are you sure you want to do this? Can you really face a further delve into the painstaking minutiae of Knausgaard’s thoughts and actions? These are questions that recur as you read, the answers often changing in

On the run from Corunna

There is only one Andrew Miller. In the 20 years since his debut novel Ingenious Pain won both the James Tait Black Memorial Prize and the IMPAC Dublin Literary Award, he has written a series of books which have captured the imaginations of readers and critics alike. Oxygen (2001) was shortlisted for the Booker, while in 2011 Pure, the tale of a young engineer in pre-revolutionary Paris clearing the notoriously overstuffed Holy Innocents’ Cemetery, won the Costa Book of the Year award. Miller is read around the world; as a British author of (mostly) historical fiction that is both popular and literary, his peers are Hilary Mantel and, perhaps, Sarah

A date with Venus

There is something about the Transit of Venus that touches the imagination in ways that are not all to do with astronomy. The last Transit occurred in 2012, and if nobody who watched it will ever see another, the sight of that small black dot, making its almost imperceptible progress across the disc of the sun, offered, across the span of 243 years, an oddly moving connection with the scientists and sailors who quartered the globe and, sometimes, risked their lives in 1769 to attempt the first comprehensive observations of the event. There is no shortage any more of ‘global events’ — a good, old fashioned footballing brawl between England

The old man and the siren

One rainy evening in December 1948, a blue Buick emerged from the darkness of the Venetian lagoon near the village of Latisana and picked up an Italian girl — 18, jet black wet hair, slender legs — who had been waiting for hours at the crossroads. In the car, on his way to a duck shoot, was Ernest Hemingway — round puffy face, protruding stomach and, at 49, without having published a novel in a decade, somewhat past his sell-by. He apologised for being late, and offered the rain-sodden girl a shot of whisky which, being teetotal, she refused. So did Papa, that ‘beat-up, old-looking bastard’, encounter the siren he

A pearl of great price

Objectivity seems to be difficult for historians writing about Britain’s long and complicated relationship with India, and this makes the even-handedness David Gilmour achieves in books such as The Ruling Caste both unusual and welcome. In his enlightening and wonderfully detailed new portrait of The British in India, he states that he is ‘not seeking to make judgments or to contribute to any debate about the virtues and failings of imperialism’, although a brief Envoi supplies some ‘concluding reflections’ on what he acknowledges is a controversial subject. His is a social rather than a political history, focussing on what used to be known as Anglo-Indians not as mere representatives of

The translator as spy

Translators are like bumblebees. In 1934, the French entomologist August Magnan pronounced the flight of the bumblebee to be aerodynamically impossible, and though long since scientifically disproved, this factoid is still routinely trotted out. Similar pronouncements about the impossibility of translation have dogged practitioners since Leonardo Bruni’s De interpretatione recta, published in 1424. Meanwhile, bees, unaware of these deliberations, have continued to flit from flower to flower, and translators continue to translate. As a distinguished translator whose labours have brought English-language readers to works by Marguerite Duras, Gustave Flaubert and the Nobel winner Patrick Modiano, Mark Polizzotti gives short shrift to the idea that translation is impossible, quoting the great

A pint of contention

For tens of thousands of years, humans have been domesticating other mammals — cows, buffaloes, sheep, goats, camels, llamas, donkeys, yaks, horses — and keeping them for their milk. This has generated myriad products, from yoghurt and buttermilk through butter and cheese to toffee and ice cream, in many varied, culturally specific and resourceful forms. A sign of the elemental importance of this foodstuff is that our galaxy is called the Milky Way — and indeed the word ‘galaxy’ is derived from the Greek word for milk, gala. In Ancient Greek mythology, the Milky Way was formed when Hera, the goddess of womanhood, spilled milk while breastfeeding. Each drop became

The fault was in his stars

In 1957, aged 13, Jimmy Page appeared with his skiffle group on a children’s TV programme dedicated to ‘unusual hobbies’ — skiffle apparently qualifying as one. During the show, he was interviewed by Huw Wheldon who, following an old-fashioned BBC lunch, arrived in the studio with a hearty cry of ‘Where are these fucking kids then?’ Asked what he planned to do when he grew up, Page gave a perhaps unexpected reply: find a cure for cancer. As we now know, this plan failed — but already, it seems, the young Jimmy wasn’t lacking in the swaggering self-confidence that true rock stars are required to possess (or at least to

Too much American angst

In ‘A Prize for Every Player’ — one of 12 stories in Days of Awe, a new collection by A.M. Homes (Granta, £14.99) — Tom Sanford, shopping with his family in Mammoth Mart, soliliquises (loudly and nostalgically) about the America he remembers, and finds himself with an audience of shoppers who nominate him as the People’s Candidate for President. Absurd? Not quite so absurd perhaps as in pre-Trump days. Days of Awe (the title comes from Rosh Hashanah, the ten days of repentance in the Jewish calendar) is Homes’s third collection and her first book since winning the Women’s Prize for Fiction in 2013. The stories balance on a narrative