Book Reviews

Our reviews of the latest in literature

Ruling the waves | 22 November 2018

The sea — that wine-dark whale road, to mix Homeric and Anglo-Saxon evocations of it — has always held a special place in the human psyche. A site of both great peril and great opportunity, it has influenced our languages and our cultures, just as it has our economic systems and the contours of our many histories. A presence experienced almost as universally as the sun and the soil, the sea is one of human civilisation’s shared foundations. Andrew Lambert, an eminent naval historian, is a strong believer in the power of the sea to shape the destiny of nations. In Seapower States he looks in detail at five historical

Top of the Christmas lists

The ‘gift books’ are out again, piled high in Waterstones, books that have only one reason to exist: to be given to people who don’t want them on Christmas Day. Having written one or two myself, I have seen the look on the faces of potential purchasers as they pick one up and leaf idly through its well-crafted pages. The look that says: whose Yuletide can we ruin with this? As ever, happily, there are a few genuinely decent books in among all the drivel and nonsense and tired jokes about Brexit and Donald Trump. The Spectator’s own Mark Mason is a long-serving truffler of trivial facts, which he often

Life, death and everything in between

The most striking and difficult aspect of this novel is its incredible scale. How can a reviewer best discuss an enterprise containing a vast survey of life in Germany, Britain and the United States and the transformations of these societies from the end of the 19th century to the 1980s? Two volumes cover the experience of age and youth, the rise of the Nazis in Mecklenburg, the second world war, life and death in a small German town, the evolution of East German communities and the emergence of a Soviet state after the war. The New York Times appears in more or less every chapter, as the conveyer of the

Nick Cohen

The madness of Charles III

Republicans hate to admit it, but the stability brought by the long reign of that most careful of monarchs Elizabeth II has helped Britain manage the decline from empire to middle-ranking power surprisingly well. As the Treason Act of 1351 is no longer in force, and to ‘compass or imagine’ the death of the sovereign no longer carries the death penalty, I can state the obvious. Her Majesty is 92. She is entering her last days as Brexit threatens the peace in Ireland and the union with Scotland, and divides England and Wales into hostile camps. A vigorous PR campaign is underway to persuade us that now is not the

Messing about on the river

The title of Matthew Dennison’s new biography of the man who wrote The Wind in the Willows appears to nod to another children’s classic of the Edwardian period. J.M. Barrie subtitled Peter Pan — first staged in 1904, four years before the publication of Kenneth Grahame’s book — ‘The Boy Who Wouldn’t Grow Up’, and once declared: ‘Nothing that happens after we are 12 matters very much.’ It is Dennison’s contention that for Grahame the clock stopped even earlier. ‘I feel I should never be surprised to meet myself as I was when a little chap of five, suddenly coming round a corner,’ he quotes him writing in 1907: I

Man of mystery and mysticism

Nobody has ever quite known what to do with the German-language novelist Hermann Hesse. Born in 1877 and living until 1962, he rather deliberately refused to experience most of the traumatic events of his culture. His tiny home town was Calw, in the Black Forest, and he lived mostly in backwaters, and latterly for decades in Switzerland. He only visited Berlin once, and hated it. His work strenuously avoided making any comment on the larger events of the time, insisting on a kind of neutrality. Some readers took him for a mystic Nazi; others for an enemy of German culture; others still for a communist. He was a substantial bestseller

Spectator competition winners: Franz Kafka goes phishing

The latest challenge was to submit a scam letter ghostwritten by a well-known author, living or dead. Falling for a scam is costly and tedious (and more easily done than you might think), but the comedian James Veitch found a silver lining when he decided to en-gage with his persecutors: the ensuing correspondence — lengthy, labyrinthine and often hilarious — went on to form the basis of a popular TED talk and book. It was a tricky assignment, judging by the smallish postbag, but you made some clever choices of author whose prose style lent itself well to the art of phishing: poor spelling (Molesworth via Geoffrey Willans); apparently outlandish

You couldn’t make it up

Orhan Pamuk, writing about Vladimir Nabokov’s masterful memoir Speak, Memory, noted that there was a particular ‘thrill’ for the writer who calls ‘something wholly autobiographical fiction, something wholly fictional autobiography’. When Nabokov did this, Pamuk said, it changed ‘the secret centre of the story’. The fertile interplay of fact and fiction animates a pair of books by the Korean American author Alexander Chee: one a collection of essays, the other Chee’s debut novel, published in the US in 2001 but appearing in Britain for the first time. There’s something strangely nostalgic about reading Edinburgh (it’s set in Maine; the title is a reference to a book that features in the

The reinvention of a nation

When Japan hosts the Rugby Union World Cup next year, and still more so the summer Olympics in 2020, all eyes will be on its omotenashi (hospitality), perhaps its technology, certainly its efficiency, but there will be little thought of symbolism. Not so for the 1964 Tokyo games, when the Olympic flame was carried up its last 160 steps by a 19-year-old named Yoshinori Sakai, who had been born, near Hiroshima, on the day the atomic bomb was dropped. ‘Atom Boy’ bore twin messages: that Japan had been a victim of an unbelievable horror; and that it was now reborn as a modern, democratic state. The running theme of Christopher

Riots in the stalls

The age of Garrick, Norman Poser, a law professor, insists, gave us much of what we take for granted today in the theatre: ‘naturalistic’ acting, and, as Dr Johnson remarked, the very idea of the business of acting as a profession. Hence this book’s portentous title. Its curtain raiser trumpets themes of fame, personality, interiority and cultural self-knowledge, but regrettably Poser’s main show offers a trawl through anecdotes in a style and structure more wooden than the monopedal comic actor Sam Foote’s peg leg. Naturalism in acting, it is often said, originated in this era. But it’s a subject as large as it’s slippery. There is limited source material on

A brief glimpse of utopia

Today Munich is a prosperous and peaceful place — Germany’s most affluent, attractive city. Wandering its leafy avenues, lined with handsome apartments and shiny new BMWs, it’s hard to picture anything remotely revolutionary happening here. However, exactly 100 years ago this cosy bastion of conservatism was overrun by one of Europe’s most unlikely revolutions, led by an idealistic theatre critic called Kurt Eisner. For a British equivalent, imagine a socialist insurgency led by Kenneth Tynan. Of course, like all well-intentioned revolutions, it was doomed to fail. For several chaotic months, Eisner’s Free State of Bavaria teetered between tragedy and farce, before succumbing to a vicious counter-revolution led by the Freikorps,

Iron in the soul

‘I hate Indians. They are a beastly people with a beastly religion’, said Winston Churchill as prime minister in 1942, to his secretary of state for India, Leo Amery. Like John Nicholson, Churchill had soldiered on the subcontinent as a young man, and both men saw fighting on the North-West Frontier. Nicholson was a career officer in the East India Company army. ‘I dislike India and its inhabitants,’ he said as a young man, and never changed that opinion. Duty, obligation and a career kept both men in a country they loathed; the graves of more than two million Britons in India demonstrate that it was not simply a place

Conflicted genius

Boxing writers sometimes try to make comparisons across weight groups. They used to say, for example, that Floyd Mayweather was the best pound-for-pound fighter in the world. Saul Bellow for many years has had the reputation of the best page-for-page writer. Every paragraph has something that arrests you: an image, an insight, a line of dialogue, or a moral dilemma. This is the kind of thing: ‘My brother picked me up by the trustful affections as one would lift up a rabbit by the ears.’ The sentences flow, both natural and vivid. Bellow can capture the moment’s peace of a commercial traveller, sitting in the garden of his lover’s rented

Books of the year – part two

Daniel Swift I feel as though I came late to the Sarah Moss party. Nobody told me she was this divided country’s most urgent novelist. Her themes: the cycles of history, male absurdity, the forms female subversion may take, in irony, sickness and sacrifice. It helps that she’s absurdly topical, and that she’s funny. Her new book, Ghost Wall (Granta, £12.99), is the shorter, spikier companion piece to her previous novel, The Tidal Zone. It is about ancient Britain and its re-enactment in the present day, and like all the novels I’ve loved best this year, it’s also a parable. Other parables: I was hugely moved by Jesse Ball’s allegorical

Baron of the boulevards

Rupert Christiansen’s City of Light opens on the evening of 5 January 1875, with the inauguration of Paris’s new opera house, designed by Charles Garnier ‘in a style of unabashed grandeur’, with its gilded and mirrored salons, shimmering candelabra and marbled colonnades, mosaics, statues, frescoes and ‘flaming gas torches enhancing a central stairwell that turned the ascending and descending audience into an impressive spiralling spectacle’. The building had been under construction for almost 15 years at vast cost and symbolised the extravagance of the Second Empire, a period in French history which lasted for 18 years, from Napoleon III’s coup in 1852 to the Franco-Prussian war of 1870. A week

In Pinochet’s shadow

You could call The Remainder a literary kaleidoscope: look at it one way and you see how the past lays a crippling hand on the generation that follows political catastrophe; shift the focus and you’re plunged into a darkly comic road trip with a hungover trio in an empty hearse chasing a lost coffin across the Andes cordillera. The three protagonists are trapped in the past, obsessively dredging up and re-living the ruined lives of their parents, dissidents under Chile’s dictator, Pinochet. The terrors inflicted on the adults have profoundly scarred their offspring; the novel belongs to a category the Chilean novelist Alejandro Zambra has called ‘the literature of the

Mythic automata

Among the myths of Ancient Greece the Cyclops has become forever famous, the Talos not so much. While both were monsters who hurled giant boulders at Mediterranean shipping, the Cyclops, who attacked Odysseus on his way home from Troy was a monster like us, the son of a god, an eater, a drinker, a sub-human with feelings. The Talos was more alien, by some accounts a mere machine, manufactured in metal by a god and pre-programmed only to sink ships and roast invaders alive, a cross between a Cruise missile launcher and an automatic oven. Talos began its existence just as early as the Cyclops. But it was only described

In the bedroom, with a carving-knife

Early on the morning of 6 May 1840, a young housemaid in a respectable Mayfair street discovered that her master, the elderly and mildly eccentric peer Lord William Russell, had been murdered in his bed. His throat had been hacked at like a joint of meat, slicing through the windpipe and almost severing his head. It turned out not to be much of a whodunit. Within a few days, a young Swiss-born valet in the house named François Courvoisier was taken away for questioning, and faced by a pile of circumstantial evidence eventually he confessed to the crime. The real question is why he did it. The answer that shocked