Book Reviews

Our reviews of the latest in literature

Squabbling over Kafka

Benjamin Balint’s Kafka’s Last Trial is a legal and philosophical black comedy of the first water, complete, like all the best adventure stories, with a physical treasure to be won or lost. Balint lays out with cool, collected passion the full absurdity of the 2011 court struggle which climaxed when a couple of boxes of aged, yellowing jottings, upon which an elderly Tel Aviv lady had allegedly allowed her cats to sit for many years, were taken under armed guard, besieged by writs and counter-writs, to the highest court in Israel. Until 1973, you see, these boxes had belonged to Max Brod, best friend of Franz Kafka, the legendary Nostradamus

The night has a thousand eyes

Edward S. Curtis’s 1914 photograph, ‘Dancing to Restore an Eclipsed Moon’, shows the Kwakiutl tribe of North American Indians circling a fire ‘to make a sky creature sneeze and disgorge the moon’. Raised arms are silhouetted against the sky, faces remain imperceptible, and bodies are shrouded in smoke. It is apt that such a mesmerising image should accompany the opening chapter of Nina Edwards’s beguiling book, which gallantly aims to subvert common views of darkness, both physical and metaphorical. Given the enormous scope of her subject matter (from clothing to Christianity, electricity to the Enlightenment, Islam to the Industrial revolution, black holes to Steve Bannon, and Milton to the moon),

Lloyd Evans

Brexit: the movie

‘I try to interpret the most generous version of somebody’s actions,’ says the dramatist James Graham. This rare ability to create open and sympathetic characters has turned the 36-year-old into our foremost political playwright. His breakthrough work, This House, chronicled the terminal decline of James Callaghan’s premiership between 1976 and 1979. Rather than focusing on Callaghan and his destroyer, Margaret Thatcher, the play looked at the backbenchers and party whips who laboured behind the scenes to keep Callaghan’s government afloat. Graham’s plays are comedic but he’s principally an observer rather than a satirist. Yet he recognises the value of caricature. ‘It’s a very necessary weapon with which to hold people

A rake’s progress

This monumental unabridged audio production of Casanova’s memoir The Story of My Life in three volumes covers his first 49 years. He was born in 1725 into a struggling theatre family in Venice, the carnival centre of Europe, and masks, masquerades and music were so much in Casanova’s blood that a glorious, effervescent theatricality lights up these 125 hours. The narrator, Peter Wickham, is so convincing that he must surely have had difficulty re-assuming his own identity after the final recording session. Constantly seeking pastures new, Casanova travelled through France, Russia, Spain, Constantinople, Poland and England, transported by sedan chair, sleigh and felucca, but mainly by hideously uncomfortable carriage (74

Outpourings of love and loss

The deserved success of Shaun Usher’s marvellous anthology Letters of Note has inspired several imitators, and Caroline Atkins’s sparkling collection makes an ideal companion volume. Here are missives both literary and otherwise, all of them destined never to be read by their intended recipients. Some are grave, some are tender; some are funny, several are vengeful or self-justifying. It’s a great idea for a book. A letter which goes missing is of course a standard tragedy-inducing device in fiction.  Romeo could have lived had he received Juliet’s letter; but perhaps the most heartbreaking of all is poor Tess Durbeyfield’s to Angel Clare. Never was a flap of carpet responsible for

A tainted paradise

Ian Fleming’s voodoo extravaganza Live and Let Die finds James Bond in rapt consultation of The Traveller’s Tree by Patrick Leigh Fermor. ‘This, one of the great travel books, is published by John Murray at 25s’, proclaims a footnote in the first edition. Fleming was a friend of Leigh Fermor, so this is to be expected. Published in 1950, The Traveller’s Tree may still be the best non-fiction account of the West Indies. ‘It’s by a chap who knows what he’s talking about’, M tells 007, knowingly. But Paul Morand’s 1929 Hiver caraïbe comes a close second. The question is: why has it taken 90 years for this masterwork to

‘I am the master’

Whenever I find myself visiting some great historic house, I always like to break off from gawping at tapestries to ask the tour guide: ‘How did the family make its money in the first place?’ For some reason, this almost always astonishes and bewilders. It’s as if the devotion of capital to bricks and mortar, acres of commemorative canvas and fresco, marble and landscaping, covers up any roots in the slave trade or the amassing of bribes from Indian nawabs. Money is made, and then it sets about dignifying itself. The Gulbenkian Foundation is a solid organisation based in Lisbon. It dispenses money in improving ways and possesses a very

Sam Leith

Books Podcast: conversing with Chris Kraus, author of I Love Dick

In this week’s books podcast I’m talking to Chris Kraus — author of the semi-autobiographical cult novel I Love Dick and the new essay collection Social Practices — about her strange and interesting life in the New York and LA art worlds, about taking Baudrillard to a “happening” in the desert, about ambition and fame, about how art and literature feed into one another — and about why we English should stop sneering at “theory” and learn to love its strangeness and beauty.

Duplicity of the first order

Around 1970 I was labelled ‘Public Enemy No. 1’ by white South Africa’s newspapers for leading militant anti-apartheid protests which stopped all-white sports tours to Britain. And a year ago when, under parliamentary privilege in the House of Lords, I exposed looting, corruption and money-laundering by former President Zuma and his cronies the Gupta brothers, some jaundiced white South Africans again attacked me — this time for having helped deliver ‘corrupt black majority rule’. They should read Hennie van Vuuren’s fine book, which tellingly concludes: The current struggle against [Jacob Zuma-inspired] corruption in South Africa is undermined by a basic lack of appreciation of the nature of that corruption and

A sleep and a forgetting

Ma Jian’s novels have been banned in his native China for 30 years and he has been hailed as ‘China’s Solzhenitsyn’. His latest book, China Dream, also contains some of the zip and vigour found in Margaret Atwood’s dystopian visions. This must be one of the liveliest novels about brainwashing ever written. Ma Daode, the protagonist, is the director of the China Dream Bureau. Chillingly, such a body exists and was tasked with promoting Xi Jinping’s ‘China Dream of National Rejuvenation’ shortly after he came to power in 2012. Ma Jian takes this concept one stage further and has Ma Daode work on ‘developing a neural implant, a tiny microchip

Beyond words | 13 December 2018

You may have read about this during the Iraq war. A group of local people approach an American position. A US soldier holds out his hand at arm’s length, palm outwards, in the traditional gesture of ‘halt’. The locals keep on coming. He repeats the gesture. They keep advancing. So he opens fire. The locals turn out to be civilians, not fighters. The Americans evidently didn’t know that this gesture, throughout the Middle East, is a friendly greeting. It means ‘hi’ rather than ‘halt’. Very few gestures are universal, and François Caradec’s fascinating collection shows the way they vary around the world. It’s not a dictionary; more a thesaurus, divided

Critical injuries

A decade ago, a publisher produced a set of short biographies of Britain’s 20th-century prime ministers, which I reviewed unenthusiastically. My wife reproved me: ‘What did you do that for? For a fee of a few hundred pounds you have made a dozen entirely gratuitous new enemies. If you don’t have something good to say about books, don’t write about them.’ Honest reviewing would grind to a halt if all its practitioners deferred to her advice. It is nonetheless true that victims of an unfavourable notice seldom forget or forgive. As authors, we commit our souls as well as our bodies. Memories of the most flattering reviews of my own

Paper chasers

Christmas books pages usually invite columnists to nominate their publishing event of the year. Well, here’s a corker: The Ties that Bind: Citizenship and Civic Engagement in the 21st Century, published by the House of Lords Citizenship and Civic Engagement committee. That obscure body has 12 members and takes itself seriously. The Ties that Bind was the fruit of hearings it held into ‘civic engagement through the prism of the civic journey each one of us who lives in Britain will undertake’. Its 168 luxuriant pages of red and black print, published ‘by the Authority of the House of Lords’, has nine chapters, bullet points, footnotes, boxes, appendices and a

Jeeves and the Midnight Mess

‘Christmas Eve in Mayfair, Jeeves! There’s nothing in heaven to top it. Even with the terror of eleventh-hour shopping for the gang Travers.’ ‘Indeed, sir.’ ‘But we can’t pitch up at Brinkley Court tomorrow bereft of g., f., and the other one.’ ‘Myrrh, sir? No, sir.’ ‘I fear I’m both a little later and much tighter than expected. I bumped into Bingo, you see, and had a snifter at the Feverish Cheese. Then we met Tuppy for a quick ’un at the Startled Shrimp, and finally we were accosted by Barmy who marched us for a gargle or two at the Mottled Oyster.’ ‘Very good, sir.’ ‘But I did not

Poet, novelist and arms-dealer

When H.H. Asquith, as prime minister, visited Elswick, Newcastle upon Tyne, during the first world war, he found a vast noisy factory churning out the most sophisticated means of destroying human life. The firm, Armstrong Whitworth, would, during that war, supply Britain with 12 armoured ships, 11 cruisers, 11 submarines, eight sloops, two floating power stations, 4,000 naval guns, 9,000 military guns, 14.5 million shells, 21 million shell cases, 100 tanks, three airships, over 1,000 aircraft, together with bombs, grenades and armour plate. Asquith was accompanied by his daughter Violet, who sat beside the chairman of the company at dinner, a gigantic figure who her father described as having a

Divinely reticent

Earlier this year The Spectator published an article in celebration of Evensong — the nightly sung service of the Anglican Church. Attendance, it seems, is not just up but dramatically so. While church visitor figures across the UK have fallen steadily and substantially since the 1960s, congregations at sung services have swollen up to ten times over, often rising to three figures. Why? The answers come easily enough. In an increasingly volatile world, the certainty and beauty of Evensong offers a welcome still point — time and space to contemplate, meditate, an opportunity to listen to voices raised in a candlelit chapel and experience spirituality aesthetically rather than intellectually. The

The spirit of Christmas past

This book, an excellent history of Christmas, made me think of a Christmas cartoon strip I once saw in Viz magazine. There’s a couple. It’s Christmas Eve. The man goes out to buy the woman a present. On the way, he steps into a pub for a few drinks. Much later, drunk, having missed the shops, he tries his luck at a petrol station. But too many people have had the same idea; the only thing left to buy is engine oil. This, anyway, is how I remember it, ending deliciously with the man in a terrible dilemma. Why, you might ask, would this genteel book about the history of

The ice was all around

‘We had seen God in his splendours, heard the text that nature renders. We had reached the naked soul of man.’ Ernest Shackleton’s lines unscroll through both these complementary books. David Grann’s The White Darkness is all-man, the gripping story of mighty but quite straightforward struggles. The Library of Ice, brimming with men, women, ships, science, complexity, brevity and beauty, has a precision and quiet brilliance which suggest the feminine. In fact, these qualities belong simply to the author, Nancy Campbell. Readers will finish her quasi-travel book, a search for an ‘understanding’ of ice, wary of any idleness of expression, any generality in thought. Campbell seems incapable of either. There