Book Reviews

We ought to cherish the haunted landscape of the Thames Estuary while we can. The grey hulks of old power stations, the white domes of oil refineries, the sternly rectilinear factories, all of which once seemed oppressive, are now instead poetic because of their near extinction. Caroline Crampton’s atmospheric and movingly written exploration of the Thames, and that once-industrial estuary, is especially illuminating on the soul of the river; and she investigates satisfyingly what it is in these silent marshes and concrete embanked paths that still generates such an odd sense of unease. Her relation to the river and the sea beyond is especially strong: her parents built their own

In this week’s books podcast I’m joined by the physicist Jim Al-Khalili (host of Radio Four’s The Life Scientific) to talk about his first novel, a science-fiction thriller called Sunfall. In it, Jim uses real science to conjure up a plausible but fantastical near-future crisis in which the earth’s magnetic field falters and dies. What would that mean? (Nothing good, is the answer.) He helps us sort our neutralinos from our neutrinos, tells us about the real existential threats we face, and explains why he’s drawn to so-called “hard sf”.

Rory Stewart is the back-of-field Tory leadership candidate who’s catching most attention at the moment; popping up all over London inviting all comers to talk to him about policy and ideas. He’s a politician with real hinterland- and you can get a flavour of that hinterland in the conversation we had when he came to talk to me about his last book, The Marches. It’s at once the tale of a meandering journey he made along the Anglo-Scottish border around the time of the Scottish independence referendum (Rory is MP for Penrith and the Borders), and a tender account of his relationship with his father Brian. Soldier, spy, adventurer and

One of the great joys of the 18th-century novella La petite maison is the way Jean-François de Bastide matches the proportions and shape of the book to the architecture of the exquisite country house at the story’s heart. Zuzana Ružicková, the outstanding Czech harpsichordist who died in 2017 while working with Wendy Holden on this touching memoir, analyses Bach, a composer she more or less made her own in the second half of the 20th century,  in very similar terms: I have a tectonic rather than a visual memory, and as the melodies begin to build, in my mind I imagine a building… I instinctively know how it is built.

In this week’s books podcast my guest is Emma Smith, Professor of Shakespeare Studies at Hertford College, Oxford, who’s talking about her new book This Is Shakespeare. What is it that makes Shakespeare special — and is it defensible that, as even in university curricula, we talk about Shakespeare apart from and above the whole of the rest of literature? How did he think about genre? Why is Act Four always a bit boring? Is the Tempest an autumnal masterpiece or the thin work of a writer of dwindling powers? And how filthy is A Midsummer Night’s Dream?

Of how many magazine articles can you recall where you were and what you felt when you read them? If any occur, there’s a reliable chance John Hersey’s ‘Hiroshima’ will figure among them, and not just because it will have been assigned at an impressionable age in school. For the first time in its history, the New Yorker cleared an entire issue in August 1946 to run the 30,000-word piece in full. In Mr Straight Arrow, his chronicle of Hersey’s career, the former Times Literary Supplement editor Jeremy Treglown relates an account of its reception among the international press corps in Rome — every one rapt, occupying their own cone