Book Reviews

Our reviews of the latest in literature

Where’s Coco?

Anne de Courcy, an escapee from tabloid journalism, has become a polished historian of British high society in the 20th century. Her book The Viceroy’s Daughters, an account of the three daughters of Lord Curzon, marked her transition from debutante-itis to something grittier. It was followed by a biography of Diana Mosley, published a few months after Mosley’s death. When I questioned Diana about it she told me that her previous biographer, Jan Dalley, had been frightened to ask anything too personal, but that De Courcy had been robust and unafraid to probe. That fearlessness was most in evidence in De Courcy’s biography of Lord Snowdon, published in 2008, which

A fatal misunderstanding

What is it about Naomi Wolf that inspires such venom? Perhaps that she’s American, brash, media-savvy and not averse to showing off her impressive embonpoint, which might go down badly in academe. But also — she makes mistakes. She made a pretty bad mistake in her very first book, The Beauty Myth, published in l990, by saying that 150,000 women died of anorexia in the US every year — whereas in fact she should have said 150,000 women suffered from anorexia. In this book, she seems to have dropped an even bigger clanger. Matthew Sweet started the ball rolling on his Radio 3 Free Thinking programme, when he told her

Anything but a quiet life

Meet Deen Datta, a nervous, practical and cautious man, born and brought up in Calcutta, who now lives in Brooklyn, where he works as a dealer in rare books. Recently and unceremoniously ditched by a woman with whom he had been in a once promising relationship, and with his sixties ‘looming in the not-too-distant-future’, he spends his days in a state of relentless desolation: humiliated, lovelorn and ‘more alone than ever’. Emotional turbulence must be dispensed with. What’s called for, Deen resolves, is ‘a quiet, understated, uneventful life’. His resolve is not signally robust. When we encounter him in the early pages of Gun Island (Amitav Ghosh’s tenth novel), he

‘God wills it’

The crusades are part of everyone’s mental image of the Middle Ages. They extended, in one form or another, from the 11th to the 16th century. Those which reached the Holy Land were fought by men on horseback wearing metal armour and carrying lances and swords, as in the pictures. The onset of gunpowder had not yet spoiled the fun. They were truly international, in their own way emblematic of the myth of a single Christian European polity. They embodied everything that people associate with medieval warfare: reckless courage, murder, loot, adventure and romance. Christopher Tyerman has been writing about the crusades for nearly 40 years. His work includes the

Poisoned paradise

For Joanna Pocock, a midlife crisis is the moment in which ‘bored of the rhythm of our days, whatever those may be… we begin to realise that we have more past than future’. With the approach of her 50th birthday and the onset of the menopause, she is struck powerfully by this notion. Her response is to leave London and to relocate, with her husband and their six-year-old daughter, to the American West, a place where she hopes ‘the fabric of our lives and rhythm of our days would be different’. It is an idyllic, optimistic premise that ties into the mythos of the American West as being a place

Myths ancient and modern

Six remarkable stories shape this book. Tracing the trajectories of the Odyssey to the Icelandic Njals Saga, via the Kosovo Cycle of heroic poems, the French Chanson de Roland, the German Nibelunglied and our own home-grown epic Beowulf, Nicholas Jubber’s new work is at once a travel journal, a meditation on the idea — and ideal — of Europe, and an exploration of a pivotal moment in the author’s own past. Following the 2016 referendum, Jubber sets off to the Greek island of Chios, perhaps Homer’s birthplace, and now at the front line of the Mediterranean migrant crisis. After a month volunteering in a refugee camp he works his way

Evil under the sun

When James Ellroy’s L.A. Confidential appeared in 1990, it introduced us to a world of blatant corruption, casual racism and routine police brutality that, a year before anybody ever heard of Rodney King, might have seemed fanciful to some. Set in the early 1950s, the novel was a landmark in neo-noir writing, in which historical detail mingled with pacy fiction to conjure up a city that was both highly glamorous and rotten to the core. At the same time, Ellroy’s staccato, near-telegraphic prose drove the action relentlessly onwards, with an urgency that seemed designed to swamp not just the reader but also the protagonists themselves with noise, movement and a

The lust of kings

The novel is a wonderfully commodious creature. One might wish they made trousers like it, for it can stretch or shrink to accommodate almost anything, from Ali Smith’s Spring (part story, part polemic) to Max Porter’s prose-poem/fable, Lanny. Then there’s the current vogue for re-tellings: Margaret Atwood’s version of The Tempest and Pat Barker’s feminist look at the Iliad. Penguin even has a ‘Modern Retellings Book List’, which includes Alexander McCall Smith’s reworking of Emma. (Why would you?) Elizabeth Cook was ahead of the game with her Achilles in 2001. Her latest book, Lux, four times as long, having been ‘slow in the making’, is a kind of meditative triptych

The cruellest sea

‘Below the Forties there is no law, and below the Fifties there is no God.’ Most sailors know some version of this saying, referring to the dangerous waters more than 40º south of the equator. In Wild Sea, Joy McCann focuses on these waters with a history of the Southern Ocean. The ocean surrounds Antarctica, its northern bound still open to dispute. In the 1928 first edition of Limits of Oceans and Seas, the Southern Ocean was delineated by land-based limits: Antarctica to the south, and South America, Africa, Australia and Broughton Island, New Zealand to the north. More recently, cartographers have tried to limit its scope. UK officials take

Three’s a crowd | 6 June 2019

‘I am very, very pleased,’ murmured Queen Victoria in 1895, when she dubbed Henry Irving, Britain’s first theatrical knight. He and Ellen Terry, who so often played opposite him, were international celebrities. Bram Stoker was their intimate friend and associate. He managed Irving’s Lyceum Theatre for 27 years and spent much of his career in their shadow. More than 100 years after his death, however, Stoker’s name is almost certainly more widely known than theirs, solely because of his most famous creation, Dracula (who is believed to have been partly modelled on his employer). In Shadowplay, Joseph O’Connor focuses on the three-cornered relationship between Stoker and the two actors. In

The loveliest girl in Vienna

It must be rare for a popular song to have such a lasting influence on a posthumous reputation. However, this is the case with Tom Lehrer’s deliciously satirical tribute, ‘Alma’. Reading Alma Mahler’s obituary in 1964 — the ‘juiciest, spiciest, raciest’ he’d ever come across — Lehrer was amazed by her matrimonial CV and proceeded to immortalise it in a catchy lyric. Not only had Alma been married three times, to the composer Gustav Mahler, to Walter Gropius, the founder of Bauhaus, and, finally, to Franz Werfel, author of the runaway bestseller The Song of Bernadette, she’d also managed to bag as lovers some of the top creative men in

Sam Leith

Life at the Globe | 6 June 2019

IN ASSOCIATION WITH THE PRINCIPAL PARTNERS OF SHAKESPEARE’S GLOBE’S 2019 SUMMER SEASON   This column concludes my brief series about Shakespeare and the Globe, linked to the summer season of history plays — from Richard II to Henry V — sponsored by Merian. It’s been a pleasure to write. And one of the special pleasures it has offered is the chance to explore what Oxford’s Professor of Shakespeare Studies, Emma Smith, identifies in her book This Is Shakespeare as the Stratford man’s outstanding quality: what she calls his ‘gappiness’. That is what academics more usually call indeterminacy. (I can see why she prefers ‘gappiness’.) What she means by that is

A combustible combo

Once upon a time there was the arche-typal Manchester band — half of which came from Macclesfield, in leafy Cheshire, and a quarter of which grew up in Salford, a city in its own right, full of fans of a famous football club equally confused about its true home. This combustible combo was Joy Division — or it was after they dropped Warsaw, because of its Nazi connotations, adopting instead a moniker given to the brothels in Nazi concentration camps. Not a mass of contradictions, then. Bathed in such muddy waters, Joy Division remains a band in need of serious re-evaluation 40 years after the release of their debut LP,

Shaggy dog stories

What is it that distinguishes humans from other animals? The default answer nowadays is tediously misanthropic, but a more interesting distinction is that humans keep pets. Why this should be is the subject of this book. Jacky Colliss Harvey investigates the men and women who have owned, doted on, and in some cases mistreated their pets, in literature, painting, the movies and history. This begins 26,000 years ago, when a boy and his dog went exploring in bear caves in the south of France. The evidence was discovered in petrified tracks at Chauvet in the Ardèche in 1994. Harvey has a scholar’s aspiration and she is tremendously erudite, ranging far

Revelations about the prophet

In 2011, when the editor of Charlie Hebdo put Muhammad on the cover, he did so as the heir to more than 200 years of a peculiarly French brand of anti-clericalism. Just as radicals in the Revolution had desecrated churches and smashed icons, so did cartoonists at France’s most scabrous magazine delight in satirising religion. Although Catholicism was their principal target, they were perfectly happy to ridicule Islam too. If Jesus could be caricatured, then why not Muhammad? Sure enough, one year after the prophet’s first appearance on the cover of Charlie Hebdo, he was portrayed again, this time crouching on all fours and with his genitals bared. The mockery

Damian Thompson

Remembering my friend Claus von Bülow

There is a paperback on my bookshelves with an inscription from Claus von Bulow, who died this week. ‘To Damian,’ it reads, ‘who is also quite innocent.’ The title of the book? Insulin Murders. This may surprise anyone old enough to remember the tragedy and the two trials that made Claus notorious in the early 1980s. He was, after all, eventually acquitted of trying to murder his socialite wife Sunny by injecting her with insulin in her Newport mansion, plunging her into a decades-long coma that ended only with her death. But that title is misleading. The chapter devoted to Claus von Bulow, written by Prof Vincent Marks, a world

Changed utterly | 30 May 2019

All cities are shapeshifters, but London is special. London is a palimpsest of places gone but not lost. Even as it is taken apart and rebuilt reaching to the skies, London remains rooted in the lay of the land, shore ditches, hills and fields still giving their names to the neighbourhoods upon them, and all bisected by the great snaky tidal river. Born in Burnt Oak, Robert Elms grew up on one of those hills — Notting — and he would be sad but not remotely surprised that a Google search today cites first the film and then offers the question: ‘Is Notting Hill a real place?’ It was, he

The dawn of Romanticism

Several years ago, I was interviewing the garden writer and designer Sarah Raven at her home in Sussex when a tall, tanned figure bounded up from the woods towards us. It was Adam Nicolson, her husband, and he carried an axe over his shoulder. A few months later, an email arrived from Nicolson, inviting me to come with him and a gang of his friends on a ‘moon walk’ in the Quantocks. I couldn’t make it, but realise now that the night walk was part of the research for his extraordinary and engrossing record of the time William and Dorothy Wordsworth spent in Somerset with Samuel Taylor Coleridge. This ‘year

From alpha to omega

Mary Norris’s book about her love affair with Greece and the Greek language starts with a terrific chapter about alphabets. That may sound like an oxymoron, but I was fascinated to learn why the Y and the Z come at the end of our alphabet. When the Romans were adapting the Greek alphabet, they ditched these letters because they didn’t need them. Later, when they started using Greek words, they wanted them back, so they tacked them on at the end. Equally, it’s nice to know how it comes about that, in England, we pronounce the letter Z as Zed — unlike in America, where Zed’s dead (and they say