Book Reviews

Our reviews of the latest in literature

Staring into the abyss

Rowan Hisayo Buchanan has achieved that rare feat, in her second novel Starling Days, of writing a convincing novel about depression which manages, miraculously, not to be in itself depressing. Her success is partly due to the fact that her protagonist, Mina, is not flattened by her despair and remains alive enough to become fascinated by another woman, Phoebe, her husband’s best friend’s sister. When Phoebe asks her to say something about herself, Mina considers what she might voice: I want to run my tongue along the dent in your collarbone that your top has made visible. Nope. Sometimes I want to die and sometimes I want to buy a

Love at first sight | 4 July 2019

France was to blame. Yes, France was most definitely to blame. He was never like this at home. So thinks an English boy, Cromwell, as he lies on a beach at Biarritz, contrasting the green fields of Scotland and Eton with the state he is now in, perpetually waiting and haunted by the ‘constant premonition of love’. Looking out over the rose-tinged waves of the rushing ocean, he thinks of Tristan and Isolde, and then sees the piercingly beautiful Isolde herself walking towards him. The fact that she’s a teenage Russian girl, Liza, staying with her mother and brother Nikolai near by, doesn’t bother Cromwell a bit. He is immediately

Women on the edge

In Nicole Flattery’s Show Them a Good Time (Bloomsbury, £14.99), her female protagonists grapple with abusive relationships, degree courses, difficult bosses, unemployment programmes and a lascivious professor. The stories are tragicomic and deliciously odd. The author writes sentences that make you laugh, and then immediately want to reread to savour a striking image: a woman’s boss ‘had a way of looking me up and down like I was a CV full of errors and misspellings’. They somersault from the everyday to the absurd, in a way that reflects the disorientation of the characters, leaving one feeling both sympathetic and alienated. Flattery captures the pressures on women to be ingratiating, and

King of a wild frontier

Red Dog is an ambitious hybrid of a book. It was published in South Africa to wide acclaim in 2014 and has been expertly translated by Michiel Heyns, who has retained the cadence and some of the vocabulary of the original Afrikaans — the mongrel tongue that evolved in the Dutch East India Company’s Cape colony. Willem Anker brings South Africa’s bloody birth to life through the story of Coenraad de Buys. The priapic founding father of a nation of bastards, he is a pillager and survivor, a rapist and husband, a colonist and outlaw, a rebel and hero. With his numerous wives and children, he is the gargantuan progenitor

Harlequin ladybird, fly away home

I was shocked some years ago to discover, as I scratched bites on my ankles on holiday on Maui, that mosquitoes are not native to Hawaii. They first arrived in the 1820s, in barrels of water from a visiting ship. Of course, the climate was perfect for them, and they settled in very happily. But we could have had tropical islands free of them  — and the risk of diseases they can carry. The story of invasive species is often one of accidental introduction. Or of misguided humans who think they are somehow setting a creature ‘free’ — like the group of Buddhists who released hundreds of foreign lobsters from

Distress signals

It’s an increasingly common lament that computers have ruined everything, and a longing for the days before Google and Twitter, when everything was somehow more organic and authentic, is on the rise. As someone who can remember writing early reviews on an electric typewriter and then going to the library to fax them to a literary journal, I’m partial to this kind of unplugged nostalgia myself. But it can get out of hand. So it does in this book — ambitiously titled to evoke John Berger’s classic of art criticism, Ways of Seeing — which explains that computers have wrecked music along with everything else. Early on, Damon Krukowski rails against

Feasts and flowers

Cedric Morris is often referred to as an artist-plantsman, and while as a breeder of plants, most particularly of irises, he has always been highly regarded in horticultural circles, his reputation as a painter has been subject to regular fluctuations. Last year, two excellent and complementary London exhibitions — Cedric Morris: Artist Plantsman at the Garden Museum and Cedric Morris: Beyond the Garden  Wall at Philip Mould & Company — did a great deal to revive interest in his paintings; and so a joint biography of Morris and his partner Arthur Lett-Haines is welcome. They met in 1918 at an Armistice party hosted by Lett (as he was always known)

A sea of troubles | 4 July 2019

Andrew Ridker’s The Altruists (Viking, £20) is a Jewish family saga of academic parents and grown-up offspring. From this rather careworn material he manages to wring a spry comedy of parental failure and romantic misadventure. Arthur Alter is a terrible father, an ‘emotional cheapskate’ who attempts to bring his estranged children Ethan and Maggie together for a weekend in St Louis, with the ulterior motive of getting his hands on their inheritance. Unsurprisingly, he was excluded from his wife’s will, as he was sleeping with a much younger German medievalist throughout her final illness. The novel takes us on grimly entertaining excursions into the parents’ back-stories; but the main focus

King of the World: The Life of Louis XIV

I was flicking through an old copy of The Spectator the other day, one of the issues containing contributors’ ‘Christmas Books’, and there was a comment of Jonathan Sumption’s that ‘as a general rule, biography is a poor way to learn history’. It is primarily a matter of approach rather than simply subject of course, but if one was drawing up a shortlist of men who might qualify as exceptions to the rule, then Philip Mansel’s ‘King of the World’, Louis XIV, would surely be very near the top. Louis XIV came to the throne in 1638 at the age of four with the monarchy ‘on a knife edge’ and

Binding love

In the spring of 1998, Rolling Stones fans in Germany were disappointed to hear that the band had been forced to cancel a string of gigs. Keith Richards, the ne plus ultra of rock’s wild men, had damaged a rib in a tumble from a ladder while trying to retrieve a book from one of the higher shelves in his Connecticut library. Hide that smirk: it could just be true. Keef, it turns out, has not one but two extensive libraries — on either side of the Atlantic — and even went as far as applying the Dewey Decimal System to bring his sprawling collections into some kind of order.

Writer’s Notebook | 27 June 2019

Someone should write a guide to the best literary festivals. Sydney and Auckland would certainly be there, along with Sri Lanka, Jaipur and Dubai. Later this year I’m off to Mumbai and I’ve been invited to Mandalay. I swear there are writers who never actually have time to write any more, they spend so much of the year shuffling around all these exotic places. I’ve just come back from the festival of writing at Borris, which I loved. It’s a beautiful house in County Carlow, two hours from Dublin, and the whole weekend was one long party in the company of Michael Morpurgo, Simon Schama, Carl Bernstein and others. Writing

Ideas are history

Wallace Stevens called it ‘the necessary angel’. Ted Hughes thought it ‘the most essential bit of machinery we have if we are going to live the lives of human beings’. Coleridge described its role a little more vigorously: ‘The living Power and prime Agent of all human perception… a repetition in the finite mind of the eternal act of creation in the infinite I AM’. The imagination is the subject of Felipe Fernández-Armesto’s latest grand sweep of a book. Not a historian to dwell on individual kings, queens or battles, he has identified the creation of ideas as the driver of history, the imagination as their source and the pool

Born to be wild

It was high time we had a proper look at the four beautiful, original Olivier sisters. Hitherto, with one exception, they have been seen in glimpses, playing marginal parts on the Bloomsbury stage after about 1910. The exception was the youngest, Noel, who all her life and since has been stuck with her invidious role as the girl who turned down a national hero, Rupert Brooke. Even Sarah Watling cannot help beginning and ending her solid, thoughtful book with that piece of the jigsaw. But admirably, if a trifle laboriously, she goes on to consider each of them as an individual, and succeeds in placing them firmly in the vanguard

On a wing and a prayer | 27 June 2019

In 1979, despite the best efforts of scientists for more than a century, a butterfly called the British Large Blue became extinct. There is widespread concern about the more recent decline in butterfly populations, but the American ecologist Nick Haddad writes that the collective weight of the known populations of the five rarest butterflies he discusses in his sobering book is just ‘three pounds five ounces — as much as one panda’s paw’. The special importance of butterflies, he argues, is that they provide lessons about the decline and management of other threatened species. The fate of the British Large Blue shows how difficult it can be to conserve a

Cindy Yu

A Kan-do attitude

The defining feature of Chinese millennials is not Instagram, avocado on toast or propertylessness. Born in the early years of China’s growth miracle, my generation idled away days on dusty village roads that would be paved as we grew up. Our adolescence coincided with the arrival of the smartphone; and now, with our jet-setting cosmopolitan ways, we drive China’s global tourism boom. We are as much at home with squatting toilets as with Starbucks menus. In Under Red Skies, Karoline Kan tells her own millennial story of rags to riches. She was born into a poor farming community, where her grandfather tilled the fields. When she was in primary school,

Return of the iceman

It is more than a generation since the appearance of Barry Lopez’s classic Arctic Dreams. That book’s effortless integration of history, anthropology and ecology, mediated through its author’s radiant prose, introduced a global audience to the frozen north. It freed the frigid ice world from much historical polar literature, conjuring instead landscapes of delicate beauty and extraordinary natural abundance. Lopez also revealed the Arctic as a place of remarkable human achievement, as expressed in the survival skills and spiritual endurance of the indigenous Inuit. A follow-up has long been anticipated and now, 33 years later, Horizon has finally arrived. It is vast in both scope and size; comprising more than

Mothers meeting

Niven Govinden’s This Brutal House is set in the demi-monde of the New York vogue ball. This is an organised, charged battle of display, a peacocking, glitter-fuelled extravaganza, in which transvestites and transsexuals compete against each other for kudos and cash prizes. Eyelashes lengthen, hair is piled up for hours, dresses shimmer and heels clack, as some of the city’s most vulnerable inhabitants seek a place of self-expression and safety. The participants urge each other on with powerful expressions in demotic idiom. One chapter is devoted to a list of vogue ball categories. Running to several pages, it includes everything from ‘Category is: see you in the afternoon realness’ to

Between the devil and the deep blue sea

Death by water haunts the stories of Africans in Europe that flow through this fourth novel by Helon Habila. From the drowning of Milton’s swain Lycidas (a sort of tidal refrain for the book) to the capsized boat in the closing pages that offers victims in their hundreds to the ‘enraged leviathan’ of the sea, the imperious waves help wash these personal histories in an aura of myth. Whether privileged or penniless, the migrants whose journeys fill this episodic fresco of a work all crave the stories ‘traded as a currency among homeless, rootless people’. They hunger for narratives because ‘the water they all crossed to come here has dissolved