Book Reviews

Our reviews of the latest in literature

A haunting apparition: Bonehead, by Mo Hayder, reviewed

It is well established that women are happy to read novels written by men but that male readers rarely extend a reciprocal courtesy. The late Mo Hayder is a case in point, since despite the extraordinary sales of the novels she wrote before her premature death in 2021, her fan base remains overwhelmingly female. It may be that the extreme violence often found in her books (‘lurid’ would not be unfair) strikes men as a trespass on what has traditionally been a male preserve. Whatever the reason, male reviewers tended to shy away – I know that, since I was one of them. Yet just ten pages into Bonehead, her

Richard Flanagan rails against wrongs ‘too vast to have a name’

‘Is it because we see our world only darkly that we surround ourselves with lies we call time, history, reality, memory, detail, facts?’ Richard Flanagan’s memoir opens at the Ohama coal mine in Japan, once home to his father and a host of other POW slave labourers. It then spirals outwards via his childhood (in a remote Tasmanian settlement), his much-put-upon mother (who hoped Richard would become a plumber), his semi-present, kindly, traumatised father Archie (enshrined in The Narrow Road to the Deep North) and on through all the now-familiar Flanagan themes. These include the horror of drowning; the Dickensian characters of 19th-century Van Diemen’s Land; the mighty Huon pine;

The rewards of being the ‘asylum capital of the world’

They came on a small, crowded, leaky boat from Calais towards Dover in seas that could turn from placid to treacherous in an instant, around 30 people seeking sanctuary from persecution, unsure of the welcome they would receive. ‘We were seized by horrible vomitings and most of the party became so dreadfully ill they thought they were dying,’ one of the group, a young mother accompanied by her two children, wrote later. The year was 1620 and quite possibly among the refugees might have been a forebear of Nigel Farage. This small boat, one of many hundreds that crossed the Channel in the late 16th and early 17th centuries, was

Dedicated to debauchery: the life of Thom Gunn

In 1876, writing to his friend Gertrude Tennant, Gustave Flaubert set down a principle that artists and writers should live by: Soyez réglé dans votre vie et ordinaire comme un bourgeois, afin d’être violent et original dans vos œuvres. (Be regular in your life and ordinary as a bourgeois, in order to be violent and original in your work.) The life of the English poet Thom Gunn had its disciplined aspect (he managed to hold down a job at least), but, overall, it was so dedicated to debauchery and excess that it’sa wonder it lasted as long as it did. The story, told in detail by Michael Nott, makes even

Lara Prendergast

The reckoning: it’s payback time for voters

39 min listen

This week: the reckoning. Our cover piece brings together the political turmoil facing the West this week: Rishi Sunak, Emmanuel Macron, and Joe Biden all face tough tests with their voters. But what’s driving this instability? The Spectator’s economics editor Kate Andrews argues it is less to do with left and right, and more a problem of incumbency, but how did this situation arise? Kate joined the podcast to discuss her argument, alongside former Cambridge Professor, John Keiger, who writes in the magazine about the consequences that France’s election could have on geopolitics (2:32).  Next: what role does faith play in politics? Senior editor at the religious journal First Things Dan Hitchens explores

Sam Leith

Kathleen Jamie: Cairn

24 min listen

In her new book Cairn, the Scots poet Kathleen Jamie sets a capstone of sorts on her trilogy of short prose collections Findings, Surfacing and Sightlines. She joins me on this week’s Book Club podcast to talk about why she hesitates to call herself a nature writer, how prose found her late in life, and why whale-watching isn’t what it used to be. Produced by Patrick Gibbons.

The clue to Shakespeare’s sexuality lies in the sonnets

The question ‘Was Shakespeare gay?’ is not very rational. It might be a little like asking ‘Was Shakespeare a Tory?’. Some of his scenarios might coincide with later developments – Jaques trying to pick up Ganymede in As You Like It (gay), or Ulysses’s speech on degree in Troilus and Cressida (Tory). But the historical conditions are not there. No doubt there have been people keen on same-sex relations since the dawn of time. But the possibilities of a social identity embedded in the word ‘gay’ didn’t exist in the 16th century, nor the medical diagnosis from which the word ‘homosexual’ arose. Nor will ‘sodomite’ do. That describes some very

Echoes of Tom Brown’s School Days: Rabbits, by Hugo Rifkind, reviewed

The year is 1993 and 16-year-old Tommo has been moved from a day state school of 2,000 pupils in brown blazers that ‘when it rained… smelled of shit’ to Eskmount, an elite Scottish boarding school, where boys wear kilts and put their ‘cocks on your shoulder’ when you’re working in the library (easier in a kilt) and routinely hang ‘smaller kids in duvets… out the window’. The horseshoe effect in schooling terms: the more expensive, the more savage. Hugo Rifkind’s Rabbits opens with a bang: ‘When the shotgun went off under Johnnie Burchill’s brother’s chin, word had it, the top of his head came off like the top of a

The important business of idle loafing

In our godless, post-industrial, hyper-competitive world, rest is seen merely as recuperation: it’s when we man-machines ‘recharge our batteries’, as the cliché goes, before dashing back to the factory or work-station. It’s a negative concept. You rest for a reason, which is to avoid burnout. All you should really do to be happy is read light novels or self-help books, advises Montaigne But as this charming and subtle meditation on the subject from a grand French historian shows, rest used to be far more than just taking time off. It is a religious concept. Take the rest enjoyed by Adam and Eve in Milton’s Paradise Lost. In the Garden of

Nothing rivals a traditional Chinese banquet for opulence

In February 1985 I had the good fortune to be a guest in Hong Kong at the Mandarin hotel’s 21st birthday celebration, a lavish three-day reconstruction of the sort of imperial banquet given during the Qing dynasty by the Kangxi emperor (1654-1722) and his grandson the Qianlong emperor (1711-1799). Kangxi started the custom of banqueting during his tours of southern China – he made six between 1684 and 1707. These provincial feasts were relatively informal affairs, often held in a tent, quite different to the stifling protocol of the imperial court at Beijing, and combined some aspects of the ruling Manchu ‘Man banquet’ with the native Han Chinese ‘Han banquet.’

Why would anyone choose to live in Puerto Rico?

From the eastern Atlantic, the US looks boringly uniform. Yet Alaska is almost as different from Alabama as Turku is from Turkey. If you travel the length of the Mississippi, food, laws, customs and lingo change as surprisingly as along the Danube. Particularism is rife. In two counties in Vermont, there are warrants for the arrest of George W. Bush. In some parts of the South, you must step across a county line to evade laws against alcohol. In Indiana, where I live, every county sets its own time zone and you have to keep adjusting your watch on your way to Chicago. In this land of anomalies, nowhere is

The Karakachan sheepdog is a match for any bear – but not for modern society

Kapka Kassabova is celebrated for her poetic accounts of rural communities dwelling at the margins of modernity, but also along a border zone in the southern extremity of her native Bulgaria. In her previous book, Elixir, her chosen people were the Muslim Pomaks of the Rhodope Mountains, with their ancient herbalist traditions. In Anima, she explores the world of transhumance pastoralists, known in Bulgarian as the Karakachan and in Greek as the Sarakatsani. It is not so long ago that the Greek component of this extraordinary sheep-herding tribe acquired cultural cachet in this country. American and English anthropologists hurried off to study and write about them (notably J.K. Campbell in

The assassination of Georgi Markov bore all the hallmarks of a Russian wet job

In September 1978 Georgi Markov, a Bulgarian émigré writer, waited at a bus stop on Waterloo Bridge on his way to work at the BBC World Service. Feeling a sting in his right thigh, he looked round to see the man behind him picking up his apparently fallen umbrella. The man apologised in a foreign accent and hastily crossed the road where he hailed a taxi. Markov felt feverish that night, was admitted to hospital and within four days was dead. ‘The bastards poisoned me,’ he told doctors, as they struggled to identify what was wrong with him. ‘The bastards poisoned me,’ Markov told doctors, as they struggled to identify

A tale of impossible love: The End of Drum Time, by Hanna Pylväinen, reviewed

In the arctic borderlands in the 1800s Finns and Swedes have come to live among the Sami. Missionaries and traders, they have brought alcohol and Protestant teaching.  ‘Mad Lasse’ is what the locals call the preacher, and mostly they keep their distance, staying with their reindeer out on the tundra, following their ancient customs.  Some, though, have been awakened.  Hanna Pylvainen’s novel opens with Biettar, a Sami widower, brought to church by an earthquake – by a voice he heard among the tremors. In his fur trousers, stinking of smoke and reindeer, he falls to his knees before Mad Lasse, declaring himself with God. So the preacher exerts his pull,

Portrait of an artistic provocateur: Blue Ruin, by Hari Kunzru, reviewed

Whatever happened to the likely lads and lasses of the East London art scene at the high noon of Cool Britannia? Hari Kunzru’s seventh novel, Blue Ruin, loads much else on to its ideas-rich plate – not least a pandemic yarn set in the panic-stricken spring of 2020. At its core, however, his plot traces contrasting afterlives from the Sensation generation. It reconnects three survivors – two male artists and the woman both loved – from a time when making conceptual art could feel like ‘a kind of social repair’, even a ‘utopian laboratory’. In his earlier career, Kunzru himself seemed to belong in a gilded group of younger British

Islands of inspiration: a poet’s life on Shetland

Shetland comprises an archipelago of some 300 islands and skerries situated roughly half way between London and the Arctic Circle. Stereotyped by many outsiders as bleak and somehow ‘on the edge’, according to the poet Jen Hadfield’s stylish memoir – about her 17 years of living there – it can be more illuminating to see these places as somehow central to everything. Visiting Foula, Hadfield overcomes her vertigo, finding the island ‘peaceful and dreadful’ all at once Storm Pegs is as much an account of the author finding new personal bearings as a series of magic lantern slides about insular life. The title alludes to a traditional piece of perforated

Katy Balls

Katy Balls, Gavin Mortimer, Sean Thomas, Robert Colvile and Melissa Kite

31 min listen

On this week’s Spectator Out Loud: Katy Balls reflects on the UK general election campaign and wonders how bad things could get for the Tories (1:02); Gavin Mortimer argues that France’s own election is between the ‘somewheres’ and the ‘anywheres’ (7:00); Sean Thomas searches for authentic travel in Colombia (13:16); after reviewing the books Great Britain? by Torsten Bell and Left Behind by Paul Collier, Robert Colvile ponders whether Britain’s problems will ever get solved (20:43); and, Melissa Kite questions if America’s ye olde Ireland really exists (25:44).  Presented by Patrick Gibbons.  

Unless the Treasury is tamed, there’s no solution to Britain’s problems

The Tory era is not (quite) over yet, but already the obituaries are in. In particular, two new books from Torsten Bell and Paul Collier seek to bury not just Rishi Sunak and his cabinet but the whole economic approach that the Conservatives have taken since 2010, or perhaps even 1979. Let’s start with Bell – until very recently head of the Resolution Foundation thinktank, and before that the man who, as Ed Miliband’s policy director, gave us the joy of the EdStone. Great Britain? sets out a comprehensive list of the ways in which we have become a ‘stagnation nation’: low investment, high inequality, insufficient house building, stingy benefits,

A brief glimpse of secretive Myanmar

Were trains to blame for the travel writing boom of the 1980s? When Paul Theroux’s The Great Railway Bazaar was published in 1975, it sold 1.5 million copies and launched a publishing phenomenon. At first, long-distance train journeys conjured all the romance of the golden age of travel: leather luggage, first-class compartments and the billowing steam from an antique engine. But with each new imitator, the format became increasingly stale, and now train trips suggest the cushioned charm of Michael Portillo’s never-ending BBC series. Nevertheless, as Clare Hammond shows in On the Shadow Tracks, rail journeys can still take the traveller deep inside a country. The tracks are flooded, or