Book Reviews

Our reviews of the latest in literature

Thursday

David Eimer

We should all share the blame for the Rohingya tragedy

My local shop in Yangon was owned by a retired army officer and his wife and guarded by their handsome coal-black dog. When I asked the name of the hound the man smiled and said ‘Kalar’, before enquiring if I knew the meaning of the word. I did. Kalar is a racial slur, employed originally by the Burmese to describe the darker-skinned immigrants from India brought to Burma by the British as cheap labour in the colonial era. More recently, the word has come to be used as a derogatory reference to Burma’s Muslims, and especially the reviled Rohingya minority in the far western state of Rakhine. The use of

Nicholas Shakespeare

Novel explosives of the Cold War

One autumn night in 1991, I stood on the rooftop terrace of a tacky villa in Saranda once owned by Albania’s Stalinist dictator Enver Hoxha, beside three elderly former SOE officers who were returning to Albania for the first time since 1945. In an image that summed up the waste and the horror of the Cold War, David Smiley stared out over the dark water at the lights of Corfu, from where, on a similar night in October 1949, he had sent a group of dissidents, code-named the ‘Pixies’, to launch an insurgency — and wiped his eye in silence. Smiley’s men had been ambushed as they landed, and then

Hugh Thomson

Can’t anyone travel for fun any more?

There was a time when travel writers would set off with a spring in their step: Coleridge knocking the bristles from a broom in his impatience to make it into a stick; Laurie Lee walking out one midsummer morning; Patrick Leigh Fermor singing as he headed down the lane. To travel was an expression of freedom and exploration; to step out of the front door the beginning of a grand  adventure. Not any more. Travel writers now come troubled and weary before they’ve even begun. A journey can no longer be a jeu d’esprit. It has to be undertaken to expiate some trauma. It is almost as if, in today’s

Richard Francis

A single man of no fortune must be in want of a job: younger sons in Jane Austen’s England

Readers of Jane Austen gain a clear idea of the task facing the daughters of gentlemen. They need to secure a husband who can enable them to keep or even improve their social and economic status. But what about their opposite numbers? How did the younger sons of gentlemen face up to the challenges and responsibilities of adulthood? Primogeniture meant that even those from a wealthy background often had to earn their living. While for girls marriage and career tended to be synonymous, for many of their brothers a profession came first, and then with luck a marriage would follow, since ‘a single man in possession of a good fortune

Prue Leith

From bitter loss to sweet relief: baking as therapy

This is a gentle, lovely book. It will, I’m sure, appeal to many an aspiring cook and baker, and should be read by anyone grieving for the loss of someone they loved. It is a memoir — each chapter ending with a recipe — covering a few years, from the sudden death of a beloved mother, through the author’s bleak, enveloping sorrow to a change of career, retraining as a pastry chef, and a love affair. At first, I found it unengaging. The stages of grief — denial, anger, resentment of other people’s happiness, manic displacement activity, exhaustion, sudden outbursts of either wracking sobs or unsuitable laughter — are well-written

Wednesday

Sam Leith Sam Leith

Spectator Books: Mick Herron on how to be a crap spy

The spy writer Mick Herron’s Slough House series of comic thrillers has steadily established him as perhaps the most influential author in the genre since Le Carre. The latest in the series, Joe Country, is out now — and we thought to celebrate its publication with another opportunity to listen to my conversation last year with Mick — when London Rules came out — about Slough House, slow horses and his unkillable, curry-stained antihero Jackson Lamb. Normal post-holiday service will be resumed next week with a box-fresh podcast featuring Lemn Sissay.

Thursday

Kapka Kassabova

Moving stories

Two words may pique the reader’s interest on the cover of this timely, panoramic history of Europe by the distinguished writer on human migration Peter Gatrell: ‘unsettling’ and ‘1945’. Why unsettling, and why choose the end of the second world war as a turning point? By the close of dramatic Part I (‘Violent Peacetime, Cold War Rivalry, Rebuilding Europe 1945–1956’), we have gained detailed insight into just how demographically, economically, politically and psychologically shattered — and geographically unsettled — Europeans were in the decade after 1945. The continent was on the move — from the displaced within the USSR and the new Soviet empire, to the two million German civilian

Douglas Murray

A classic Bond villain

North Korea watchers are good book-buyers, rarely able to resist scratching that itch of interest caused by the world’s worst regime. Accounts by escapees sit on our shelves alongside the memoirs of anyone (Kim Jong-il’s sushi chef, for example) who has come into contact with the country or its leadership. Some books, such as Barbara Demick’s 2009 Nothing to Envy, break through to a wider audience. But the questions still need to be satisfied. What is the world’s most closed society like? What do its captive population actually believe? And who are the leaders of this communist monarchy? Through open source material, repeated travel to the country and first-hand interviews

Jesse Norman

Wrong but revered

Who was Walter Bagehot? For generations of politics students he has been the all-but-unpronounceable — Bayge-hot? Baggott? — author of the magisterial The English Constitution (1867). Since the 2008 crash he has enjoyed a vogue among central bankers for Lombard Street (1873), his brilliant anatomisation of the City of London. He remains the most revered, though not the first, editor of the Economist. The historian G.M. Young wrote in 1937 of him: We are looking for a man who was in and of his age… with sympathy to share and genius to judge… whose influence… can still impart, the most precious element in Victorian civilisation, its robust and masculine sanity.

Sarah Ditum

Grit and grace

The accepted story of mid-20th century culture in Britain belongs to the boys: the British Invasion, Beyond the Fringe and the Angry Young Men, with women relegated to bit parts. Celia Brayfield’s book is a corrective to that. She gathers seven young female writers who made their debuts in the late 1950s and early 1960s, and proposes them as a parallel clique to the Angries. Shelagh Delaney, Edna O’Brien, Lynne Reid Banks, Charlotte Bingham, Nell Dunn, Virginia Ironside and Margaret Forster never thought of themselves as a movement, but they ‘shared an inner place, the territory of girlhood,’ writes Brayfield. So far, so convincing — and her subjects have enough

Francesca Steele

Way out west | 15 August 2019

Téa Obreht’s second novel is an expansive and ambitious subversion of Western tropes, set in fin de siècle America. We have the outlaw, the detached hero, the fainting woman. Yet our outlaw is a camel-rider, our desperado a mother defending her homestead. Everything save the relentlessly harsh Arizona desert — a ‘godforsaken place’ of ‘baking summer hillsides’ — is unreliable: memory, relationships, even the finality of death. Both our narrators are preoccupied with the dead. Lurie, ‘a small, hirsute Levantine’ and former grave-robber wanted for murder, is haunted by the ‘wants’ of dead orphans. Alive, they set him on the road to banditry, but once deceased they urge him to

Julie Burchill Julie Burchill

An over-flogged horse

On paper, Candace Bushnell and the medieval warlord El Cid don’t have a lot in common. The first made a fortune from persuading a generation of women that brunch with a bunch of broads was something to aspire to. The second scrapped his way through Spain, eventually establishing an independent principality. But the thing film fans recall about the latter is that immediately after his death he was propped up on his noble mount one more time to inspire his weary troops into battle. The story may be apocryphal, but while reading Is There Still Sex in the City? I couldn’t get the image out of my head. It isn’t

Kate Womersley

All skin and bones

Nobody warns you when you start medical school that your career decisions have only just begun. Up to a decade of recruitment pitches follow: have you thought about becoming a haematologist? Leave the ward for the drama of theatre! If you don’t like patients, try radiology. A recent flush of popular medical non-fiction lets the public sample this professional pressure. From the heart to the gut, each author claims his or her chosen organ has been unfairly overlooked. The genre’s most recent additions are about skin and bone. Dermatologists and orthopods are often sidelined as medicine’s aestheticians and carpenters, responsible for the paintwork and scaffolding that encase and buttress the

Wednesday

Sam Leith Sam Leith

Spectator Books: books for the beach

Even books editors have to go on holiday sometimes, so Spectator Books is taking a hiatus for a couple of weeks. But so there’s not a gaping gap in your life where the podcast used to be, we’re bringing out some of our favourite episodes from our archive. This week, I am joined by the critic Alex Clark and Damian Barr — memoirist and host of the Savoy’s Literary Salon — to talk about summer reading. What do you take? What do you regret taking? Kindle, dead-tree or — 19th-century-style — cabin trunk full of books sent on ahead? Our discussion yielded a host of recommendations — from the brand

Thursday

David Crystal

Dot your commas

Now, how shall I start this review? I loved this book. I really did. (Too abrupt.) I loved this book, I really did. (Too rushed.) I loved this book: I really did. (Too planned.) I loved this book — I really did. (Too afterthoughty.) I loved this book… I really did. (Too uncertain.) I loved this book; I really did. Ah, that’s more like it. The semicolon gives me the best of both worlds. It helps me pause, and have a think, and yet pushes me forward to what I want to say next. It separates and unites simultaneously. It does a job that no other punctuation mark does. And

Niall Griffiths

Eternal truths

It lives in me still, the intense thrill when, as a child, I would listen to the Irish people around me converse. Some would express themselves in a personal language of grunts and clicks; others would be monosyllabically gnomic; and others would make of English new and magical shapes. They’d enrapture the language (especially in oath and insult) and draw out its transformative potential. I relive that thrill whenever I come across a new book by Kevin Barry. His words address the reward centre in the brain, the neural pathways that are enlivened by nicotine, alcohol or opioids. Reading him, I am given the feeling that I’ve achieved something, done

Mia Levitin

Sex and the married woman

The epigraph of Three Women comes from Baudelaire’s ‘Windows’: ‘What one can see out in the sunlight is always less interesting than what goes on behind a windowpane.’ Inspired by Gay Talese’s 1980 reportage on the sexual revolution, Thy Neighbour’s Wife, Lisa Taddeo, a journalist and Pushcart prize-winning short story writer, peered into the windows of three ‘ordinary’ American women to illustrate their ‘erotic lives and longings’. We meet Lina, a suburban housewife straying from her sexless marriage with an old flame; Maggie, a young woman who has brought charges against a high-school teacher with whom she allegedly had an affair as a student; and Sloane, an elegant restaurateur in

Richard Davenporthines

Bohemian bonhomie

Mary Ann Caws, a retired professor of English and French literature at the City University of New York, published her first book in 1966. Since then she has written several dozen studies, many of them about surrealism or modernism; others with such varied subjects as the women of Bloomsbury, Robert Motherwell, Blaise Pascal, Provençal cooking, Dora Maar and the wonderfully titled The Art of Interference. Now, after a career of urbane, discreet academic distinction, Caws has decided that it is time for her to put her personality into her books as well as her name on the title page. Creative Gatherings gives light but careful sketches of places that Caws

Hugh Thomson

Glorious mud

Francis Pryor claims he would be a rich man if every person who told him that the Fens were ‘flat and boring’ had given him five quid. Yet these million acres of water-logged land making their way from Lincolnshire through Norfolk and towards Cambridge have one quality that makes them irresistible to archaeologists like him. The peat preserves wood perfectly for thousands of years in a way that happens almost nowhere else in the country. As a result, and although few of us are aware of it, ‘some of the most imaginative and technically advanced excavations in the world are taking place in the Fens at the moment’. Using new

Sinclair McKay

Crime of passion

No matter how exquisitely English —gobbets of blood amid the fireplace ornaments — murder annihilates meaning. Even when the motive is clear and strong, even when the progression to the fatal blow can be analysed step by step, all that is left amid the eviscerated lives of loved ones is an emptiness around the violence itself. In fiction, this void is filled: Agatha Christie understood very well about hatred, and her stories seethe with it. In 1935, as millions of her readers were devouring Murder on the Orient Express — a novel constructed around a biblical act of molten vengeance — the nation was suddenly mesmerised by a real-life shocker: