Book Reviews

Look up at the sky on a clear night. This is not an astrological game. (Indeed, the experiment’s more impressive if you don’t know one zodiacal pattern from another and rely solely on your wits.) In a matter of seconds you will find patterns among the stars. We can pretty much apprehend up to five objects (pennies, points of light, what-have-you) at a single glance. Totting up more than five objects, however, takes work: it means looking for groups, lines, patterns, symmetries, boundaries. The ancients cut up the sky into figures, all those aeons ago, for the same reason we each cut up the sky within moments of gazing at

In this week’s Book Club, my guest is the historian Tom Holland, author of the new book Dominion: The Making of the Western Mind. The book, though as Tom remarks, you might not know it from the cover, is essentially a history of Christianity — and an account of the myriad ways, many of them invisible to us, that it has shaped and continues to shape Western culture. It’s a book and an argument that takes us from Ancient Babylon to Harvey Weinstein’s hotel room, draws in the Beatles and the Nazis, and orbits around two giant figures: St Paul and Nietzsche. Is there a single discernible, distinctive Christian way

The inspiration for the latest challenge — to rearrange the letters of the names of poets (e.g. Basho: ‘has B.O.’) and submit a poem of that title in the style of the poet concerned — was puzzle writer and editor Francis Heaney’s wonderful Holy Tango of Literature, which includes such delights as William Shakespeare’s ‘Is a sperm like a whale?’, Dorothy Parker’s ‘Dreary Hot Pork’ and William Carlos Williams’s ‘I will alarm Islamic owls’. The anagrammatic titles that caught my eye in a vast and stellar entry included ‘Naughty Nude Wash’ by Wystan Hugh Auden (David Shields) and Samuel Taylor Coleridge’s ‘Ode to a Large, Slimy Ulcer’ (Max Gutmann). Hats

My guest in this week’s Book Club is the rock musician, writer and sometime Faber editor Pete Townshend. Pete has just published his first novel The Age of Anxiety, an ambitious work jointly conceived as an opera. We talk about madness and creativity, Who lyrics popping up in the fiction, how he settled on an Aristotelian plot, and the unusual way his psychic second wife sends him off to sleep.