Book Reviews

Our reviews of the latest in literature

A book that could save lives: Adam Rutherford’s How to Argue with a Racist reviewed

In the award-winning musical Avenue Q, filthy-minded puppets sang about schadenfreude, internet porn, loud sex, the uselessness of an English literature degree — and racism. Or, more specifically, they sang about the ubiquitous human habit of stereotyping people by race: Everyone’s a little bit racist, sometimes.Doesn’t mean we go around committing hate crimes.Look around and you will find,No one’s really colour blind.Maybe it’s a fact we all should face.Everyone makes judgments…Based on race. The puppets were right: everyone makes judgments based on race. Humans are lazy creatures who like mental short cuts. Thinking in shades of grey is more effortful than thinking in black and white. Evaluating a new person

Rescued by the Goldberg Variations

Were this a less good book than it is, it would be called How Bach Can Help You Grieve. As it is, Counterpoint serves very well, describing the American art and architecture critic Philip Kennicott’s intertwined themes: his reaction to the death of his mother, with whom he had a fractious and traumatic relationship, and his attempt to learn Bach’s Goldberg Variations, through which he considers the ability of the greatest music to ease us out of a senseless pit of grief. This is a deeply serious and often affecting book, combining the ‘grief memoir’ with the genre created by Alan Rusbridger in Play It Again, an account of an

The Big Three who ended the Cold War

Historians argue endlessly and pointlessly about the extent to which the human factor rather than brute circumstance determines the course of events. History, geography and economic reality always constrain personal freedom of action. But within these limitations the individual can make a decisive difference. Britain’s war would have taken a different turn if Halifax rather than Churchill had become prime minister in May 1940. Archie Brown’s thesis is that the Cold War could have ended quite differently— much later and perhaps much more bloodily — had it not been for the fortuitous combination of Ronald Reagan, Margaret Thatcher and Mikhail Gorbachev. In 1997 Brown published The Gorbachev Factor, a pioneering

Sam Leith

Hadley Freeman: tracing my family’s escape from Europe

34 min listen

In this week’s Book Club, my guest is the writer Hadley Freeman, whose new book House of Glass tells the story of 20th century jewry through the hidden history of her own family. The four Glahs siblings — one of them the writer’s grandmother — grew up in a Polish shtetl just a few miles from what was to become Auschwitz. They fled the postwar pogroms to Paris; and then had to contend with the rise of a new and still more dangerous anti-Semitism under the Vichy regime. Hadley traced their story through two wars and across continents, and tells me how the story reflects both on Jewish history and

How close is humanity to destroying itself?

Humanity has come startlingly close to destroying itself in the 75 or so years in which it has had the technological power to do so. Some of the stories are less well known than others. One, buried in Appendix D of Toby Ord’s splendid The Precipice, I had not heard, despite having written a book on a similar topic myself. During the Cuban Missile Crisis, a USAF captain in Okinawa received orders to launch nuclear missiles; he refused to do so, reasoning that the move to DEFCON 1, a war state, would have arrived first. Not only that: he sent two men down the corridor to the next launch control

Knowing Cromwell’s fate only increases the tension: Mantel reviewed

When the judges for the 1992 Booker Prize received Hilary Mantel’s A Place of Greater Safety, an 800-page novel set during the French Revolution seemed a quirky diversion from the work of a novelist then most associated with shortish dark comedies of contemporary or recent life, such as Fludd (1989), featuring a weird Catholic priest, and Eight Months on Ghazzah Street (1988), in which an Englishwoman suffers Saudi Arabian culture shock. We did not shortlist the book. History shows that monumental distant-historical fiction would subsequently become the glorious core of Mantel’s work, though, perhaps validating our doubts, featuring English, rather than French, revolutionary struggles. Wolf Hall (2009) and Bring up

The scars of public school: English Monsters, by James Scudamore, reviewed

‘James Scudamore is now a force in the English novel,’ says Hilary Mantel on the cover of English Monsters, which, given that it’s his fourth book, has the whiff of a backhanded compliment (‘Have you lost weight?’). But despite its less exotic setting than his earlier novels, there is a reach and scope here that makes me think Mantel might be right. This is an English public school story (come back!) that gives us four decades in the life of Max Denyer. Max’s jet-setting parents leave him in the care of the sort of sparky grandfather of whom Roald Dahl would approve (gadgets, projects, home-made cider vinegar: ‘Electric jolt. Scalp

The good boy of jazz: Dave Brubeck’s time has come round at last

On 8 November 1954, Dave Brubeck’s portrait appeared on the cover of Time magazine, accompanied by the words ‘The Joints are Really Flipping’. Inside, the pianist and leader of his own jazz quartet was variously described as ‘a wigging cat with a far-out wail’ and ‘way out on Cloud 7’, who when at college chatted up his future wife Iola with the immortal philosophical enquiry: ‘Tell me about this Plato cat.’ Yet Brubeck’s life and habits were far from the archetypal drug-fuelled, self-destructive behaviour the public had sometimes been led to expect from best-selling memoirs of that world, such as Mezz Mezzrow’s hugely entertaining sustained exercise in jive-speak, Really the

Carve his name with pride: Andrew Ziminsky rebuilds the West Country

Andrew Ziminski is the man who rebuilt the West Country. For 30 years, this skilled stonemason has renovated some of Britain’s greatest buildings. Along the way, he has acquired an unparalleled understanding of this country’s stones. He got hooked as a young man when a mason asked him if he noticed that tea tasted different in different parts of the country. That was because the land’s personality had an effect on its water; and so it is with stones. It’s oolitic limestone that gives Bath its golden tint. It’s granite that gives Aberdeen its mighty, hard-as-rock profile — fizzing, incidentally, with a batsqueak of radiation. Until the 18th century and

Let’s leave philosophers to puzzle over the reality of numbers

The reality (or lack thereof) of numbers is the kind of problem some philosophers consider overwhelmingly important, but it’s of no consequence to just about everyone else. It does not make a wink of difference to your life whether the figures in your bank account or the digits on your clock are, in a philosophical sense, really real, so long as they work as expected. The mathematician Paolo Zellini’s book, now translated by Simon Carnell and Erica Segre from the 2016 Italian original, does not exactly elevate the number-reality problem to a matter of concern to non-philosophers, and certainly does not explain the problem in a way that will make

Sam Leith

Christina Lamb: how rape is used as a weapon of war

38 min listen

In this week’s Book Club podcast, my guest is the veteran foreign correspondent Christina Lamb. Christina’s new book, Our Bodies Their Battlefield: What War Does To Women is a deeply reported survey of rape as a weapon of war, described in our pages by Antony Beevor as the most powerful and disturbing book he has ever read. From the fates of Yazidi and Rohingya woman at the hands of IS and the Burmese military, to the German victims of the Red Army and the Disappeared of the Argentinian Junta, Christina looks at the past and present of this phenomenon and talks to me about why it’s so little reported or

Spectator competition winners: ‘I love Big Brexit’ – Orwellian short stories

To mark the 70th anniversary of George Orwell’s death, you were invited to submit a short story with an Orwellian flavour. This challenge was inspired by an entertaining thread on Twitter started by @rcolvile who asked for ideas for sequels or spin-offs when Orwell’s work goes out of copyright next January. Among the suggestions that elicited the most ‘likes’ were @NickTyrone’s ‘a sequel to Animal Farm in which all the non-pig animals console themselves with the idea that at least they “won the argument”.’ An honourable mention goes to Nick MacKinnon, whose twist on Nineteen Eight-Four sees Winston consigned to a Room 101 that is the embodiment of his greatest

Stephen Daisley

Pure chutzpah: the breathtaking daring of Operation Moses

Menachem Begin was Israel’s most reviled and misunderstood prime minister. Reviled by Britain for his paramilitary activities against the British Army in Palestine, Begin was a keen admirer of the Westminster parliamentary system and English common law. Reviled by Jimmy Carter as a hawk who refused to cede an inch of territory, this ultra-nationalist signed the peace treaty with Egypt that returned the Sinai. Reviled by the left as a racist and fascist, Israel’s first right-wing prime minister summoned the head of the Mossad soon after his victory and instructed him: ‘Bring me the Jews of Ethiopia.’ That unexpected order from a mercurial leader began a train of events that

Marina Lewycka’s The Good, the Bad and the Little Bit Stupid is completely bonkers

Faced with Marina Lewycka’s new novel, it’s tempting to say that The Good, the Bad and the Little Bit Stupid is also a pretty serviceable description of its contents. Yet, in the end, that feels far too neat a formulation for a book that goes well beyond the uneven into the realms of the completely unhinged. For one thing, its elements — among them suburban social comedy, the horrors of Brexit, money laundering, geriatric sex and the international trade in human organs — seem not so much disparate as random. For another, they’re never remotely blended, but simply allowed to co-exist. The novel begins in Sheffield, and in territory familiar

The wizard that was Warhol

In 1983 I was sent to New York to interview Johnny Rotten and I took the opportunity to call on Andy Warhol. The Factory was in the phonebook; and the receptionist, Brigid Berlin, said that Andy was in Milan but would be back the following afternoon. ‘You better give him half an hour. Why don’t you come over at 2.30 p.m.?’ So I did. I’d never been part of that New York scene, but wanted to meet someone who had helped me develop my own freedoms almost 20 years earlier. According to Blake Gopnik’s book, I should have found a studio that was triple-locked, with an anxious artist hiding inside.

Dangerously desirable: the white-morph gyr falcon commands sky-high prices

The art of falconry is more than 3,000 years old and possibly as popular now as at any time. Its devotees argue that in a pure form it is a deeply honourable tradition, requiring superhuman patience to coax a magnificent predator to hunt at the owner’s behest. It is a relationship, they would also claim, of mutual understanding and partnership between hawk and human. That’s the positive version. At its most degraded, falconry seems to be a psychopathological obsession, rooted in a fetish for control over beautiful raptors, which sometimes drives practitioners to morally dubious, even illegal, behaviour. The American journalist Joshua Hammer has written a revealing portrait of the

Cosy, comforting and a bit inconsequential: Here We Are, by Graham Swift, reviewed

There’s something — isn’t there? — of the literary also-ran about Graham Swift. He was on Granta’s first, influential Best of Young British Novelists list in 1983, and he won the Booker Prize in 1996, but he has never attained the public-face status of his contemporaries. That may not be so surprising, given who those publicity-hoovering contemporaries are, Amis, Barnes, McEwan and Rushdie among them. Once in a while, one of his books rises a little higher in the sky — 1983’s Waterland, 1996’s Last Orders, 2018’s Mothering Sunday — but will Here We Are be one of them? It’s comforting and cosy: a bit sad, a bit funny, a

Emily Hill

Having a baby is like joining a cult — full of other, more capable mothers

When you’re not a mother it’s hard to imagine what motherhood is like. Anyone you know who becomes one assures you that you have no idea what it’s like, and replaces you with some other woman who does, and you never see her again. The End. So then you have to tax your mother on the subject. ‘What’s it like — giving birth?’ And she says: ‘It’s fine. You just breathe,’ before snorting derisively, ‘but she had gas and air’ when an aunt later claims to have done it without any pain relief. In the absence of any actual information from any source whatsoever you start to blame the omertà