Book Reviews

Our reviews of the latest in literature

How far can we trust the men in lab coats?

A month ago the Lancet and the New England Journal of Medicine each retracted a major study on Covid-19 drug therapies. One article had been up for more than a month, the other for less than two weeks. Both were based on faked data. That the rush to publish on Covid-19 led established researchers, reviewers and journals to skip elementary checks is deplorable, if not entirely surprising. But is there a more deep-seated crisis in scientific research? Stuart Ritchie claims an epidemic of ‘fraud, bias, negligence, and hype’. Alas, he overhypes his own argument. In 2011 this book would have been a wonderful path-breaker. Back then, a reputable psychology journal

Children’s books provide the perfect escape from coronovirus

The lockdown we have been enduring has at times felt drawn from the pages of a children’s book. The eerie quiet of the deserted public square has had something of the earliest fairy tale about it, as if we were all slumbering in Sleeping Beauty’s castle. At the same time, the apocalyptic media landscape of death graphs will have been familiar to fans of the latest young adult dystopias. Either way, for the healthy at home the action is still happening elsewhere, so this might be a good time for confident younger readers to tackle those enduring classics which have seen more than one generation through a crisis. Kidnapped by

Spotting the mountweazels: The Liar’s Dictionary, by Eley Williams, reviewed

There is a particular sub-genre of books which are witty and erudite, comic and serious and often of a bibliophilic nature: such novels as Elaine di Rollo’s The Peachgrower’s Almanac, Pasi Ilmari Jääskeläinen’s The Rabbit Back Literary Society or Brock Clarke’s An Arsonist’s Guide to Writers’ Homes in New England. The problem with this form is that it can go badly wrong and teeter into pretentious whimsy. But when it goes right, as with Eley Williams’s The Liar’s Dictionary, it is sheer joy. Although I cantered through the book and welcomed its distraction during lockdown, there are enough hidden jokes and cunningly disguised rabbit holes to make one want to

Rory Sutherland

Saying yes slowly is what’s hampering progress today

One of my long-held beliefs is that evolutionary biology should be taught extensively in schools. There may be some objections from religious fundamentalists, but these are silly. Evolution does not tell you anything about whether or not God exists; it simply proves that, if he does exist, he really hates top-down central planning. In any case, it would pay to teach evolution in schools even if evolution were not true — for the simple reason that by understanding evolutionary mechanisms, you are gifted with an entirely new way of looking at the world. In the words of the computer scientist Alan Kay: ‘a change in perspective is worth 80 IQ

The Sixties vibe: Utopia Avenue, by David Mitchell, reviewed

There aren’t many authors as generous to their readers as David Mitchell. Ever since Ghostwritten in 1999, he’s specialised in big novels bursting with storytelling in all kinds of genres — most famously Cloud Atlas, where six very different novellas were immaculately intertwined. Not only that but, as he’s said, ‘each of my books is one chapter in a sort of sprawling macro-novel’, with many of the same characters and events being either updated or given fuller backstories. At its best, this generosity has resulted in some of the most lavishly satisfying fiction of recent times. Occasionally, though, it can feel rather like the type shown by Mrs Doyle in

Sam Leith

Nuclear disasters, multilingual jokes, and the art of Kintsugi

49 min listen

In this week’s Book Club podcast my guest is the Argentine-born novelist Andrés Neuman, who was acclaimed by the late Roberto Bolano as the future of Spanish-language fiction. We talk about boundary-crossing in literature, historical trauma, multilingual jokes – and his dazzling new novel Fracture, which sees a survivor of Hiroshima and Nagasaki grappling with the Fukushima nuclear disaster.

Imperialism is far from over, but gathering force in disguise

From ancient times, empires have risen and fallen, driven by war, territorial acquisition, trade, plunder, religion, ideology, technology, culture and information. In this ambitious book, Samir Puri — formerly at the Foreign Office, now a lecturer on war and international studies — attempts to analyse how all this has affected the world today. Over eight chapters, he recounts the histories of empires around the globe, omitting only South America and Oceania. He looks at how their very different narratives linger in modern geopolitics. If we are living, as he says, through a ‘great imperial hangover’ it must have been one almighty booze-up. In the United States he considers the paradox

The luxurious lives of Sparta’s women

History is full of ‘ifs’ and the Spartan story fuller than most. If the 300 had not made their famous stand against a vast Persian army at Thermopylae in 480 BC, or if Helen of Troy, originally from Sparta, had not been abducted, we might not remember them today. If their young men had not been brought up so strictly the word ‘spartan’ might not have entered our vocabulary; nor, had they not valued brevity in an age that revered oratory, the word ‘laconic’ — from Laconia, a Spartan province. And if the Spartans had not remained such an enigma, there would be no need for this book. It is

Foreign fields: Boyd Tonkin chooses his favourite shorter classics in translation

If I had a rouble or a euro for every reader who fulfilled their lockdown promise to devour Dostoevsky, Tolstoy or Proust my bank account would hardly grow by a single penny. Duty, guilt and pride never made the pages turn more swiftly, whatever a book’s length. Almost all vows to catch up on doorstopper classics from the global canon will have failed to outlast the fallen blossoms. Yet you might more realistically blend discovery and delight by exploring some of the smaller miracles of great fiction in translation. Freshly completed, in first-rate new translations, the 75 volumes of Georges Simenon’s Maigret mysteries bear witness to a Penguin Modern Classics

The attraction of repulsion: The Disaster Tourist, by Yun-Ko Eun, reviewed

Disaster tourism allows people to explore places in the aftermath of natural and man-made disasters. Sites of massacres and concentration camps can be visited; tours operate around Chernobyl, Centralia — the city in America that is perpetually on fire — Aleppo and Fukushima. Tourists can ‘experience’ what it is like to live in a war zone, in extreme poverty or a place emptied by nuclear fallout, and then return to the safety of their homes. In Yun Ko-Eun’s The Disaster Tourist, translated from the Korean by Lizzie Buehler, the protagonist Yoona works for Jungle, a Korean disaster tourism travel company. She returns to Seoul after visiting an earthquake-hit region of

Let’s swap murders: Amanda Craig’s The Golden Rule reviewed

It has been three years since Amanda Craig’s previous novel, The Lie of the Land, the story of a foundering marriage set among the gathering shadows of Brexit. The Golden Rule is worth the wait. It opens with a nod to Patricia Highsmith’s Strangers on a Train, the classic thriller in which two strangers, meeting by chance on a train, agree to murder each other’s wives. In this case, the genders are reversed, and the strangers are two women, Hannah and Jinni, who meet on the long journey from London to Cornwall. Hannah, the central character, has escaped from her working-class Cornish family via university to London. But life has

Finder and keeper: two family memoirs reviewed

What can we ever know about our family’s past? How do we love those closest to us when doing so brings us to the edge of insanity? Nicole Chung’s All You Can Ever Know and Sam Mills’s The Fragments of My Father explore both of these questions. Chung’s memoir takes on a sleuth-like quality as she describes the process of uncovering her birth family. Born weeks premature, she was put up for adoption by her Korean-American parents, who feared she wouldn’t survive. Throughout her childhood, the reasons behind her adoption were presented as solid and comforting: ‘The doctors told them you would struggle all your life. Your birth parents were

It was Bevin, not Bevan, who was the real national treasure

On a family holiday almost 40 years ago I visited Winsford, the village on the edge of Exmoor where Ernest Bevin was born (and Boris Johnson was raised). Having read the first book in Alan Bullock’s scholarly three-volume biography, I’d become a convinced Bevinite (not to be confused with the followers of Nye Bevan, his near namesake and bête noire). As it was the centenary of Bevin’s birth I expected to find some kind of commemoration, but there was nothing apart from a faded plaque on the cottage he was born in. I asked the woman serving in the Post Office opposite if I’d missed anything, but she’d never heard

Sam Leith

Andrew Adonis: how Ernest Bevin was Labour’s Churchill

43 min listen

In this week’s books podcast I’m joined by Alan Johnson and Andrew Adonis to talk about the latter’s new biography of a neglected great of British political history: Ernest Bevin: Labour’s Churchill. He was, in Andrew’s estimation, the man who did most to save Europe from Stalin. So why has Bevin been so forgotten? In what way was he Churchillian? What would he have made of the current state of the Labour party? And will we ever see his like again?

Good biographers make the best companions

Strange, when your own life flatlines, the way in which other lives become suddenly more interesting. I have been retreating into biographies and memoirs as never before, scouring them for accounts of incarceration, illness, boredom, family meltdowns and sudden financial freefalls. One of the pleasures of the genre is the way in which the peaks and troughs of a lifetime are resolved by the author into a pattern as ordered as a heart rate on a hospital monitor: this year was a low point and this one a high point; this experience proved to be a turning point, while this one was no more than a blip in the chart.

Keeping poker-faced is no use – it’s the hands that give the game away

This is not a rip-roaring, gonzo gambling adventure. By page 66 this cautious, thoughtful author has still never played a hand of poker in her life. She has read, re-read, dissected and annotated poker textbooks. She has scribbled notes while trying to keep up with her power-walking mentor, the poker legend Erik Seidel, as he tells her she’ll need to develop the ability to be reckless. This is a swot’s progress, a fish-out-of-water experiment. It’s hard to imagine her taking on, say, Devilfish in Vegas. As she finally joins a charity tournament on page 115, I’ll admit to thinking, this had better go somewhere. And it does. Within 18 months

A panoramic novel of modern Britain: The Blind Light, by Stuart Evers, reviewed

A decade ago — eheu fugaces labuntur anni — Stuart Evers’s debut story collection, Ten Stories About Smoking, was one of the first books I ever reviewed, and I’ve kept tabs on his career ever since, in that spirit of comradely competitiveness one feels for a writer of a similar age launching at the same time. I spoke warmly of his first novel If This Is Home and enjoyed his second collection, Your Father Sends His Love, when it appeared in 2015. But there was nothing in those earlier works to prepare me for the scale and ambition of The Blind Light. This extraordinary novel about Britain and Britishness spans

From bashful teenager to supermodel: Susanna Moore’s fairytale memoir

There’s a kind of writing about LA that I am a sucker for. Gossipy, lyrical, with a surface of affectless simplicity but an undertow of melancholy that can be personal (bad love affairs, damaged families) or institutional (the death of old Hollywood, the birth of the new) or, best of all, both entwined. It is reserved in its affiliations, not susceptible to moral fervour, lightly amused by what it observes but not given to wisecracking (it is not Nora Ephron, who I am a sucker for but in a different way). It has the measure of the city’s miraculous lucency and compulsive self-invention. Joan Didion did it; Eve Babitz specialised