Book Reviews

Our reviews of the latest in literature

Thursday

Stuart Kelly

All change: The Arrest, by Jonathan Lethem, reviewed

This is an Exquisite Corpse of a novel — or if you prefer another name for that particular game, Heads, Bodies and Legs, or Combination Man, or perhaps most appositely Consequences. The parlour game involves creating something and then passing along the hidden creation to which another then adds, and The Arrest reads like Jonathan Lethem playing the game against himself. He is a novelist whose work has always experimented with, and evaded, genres. In this one, he is juggling dystopia, Thoreau-like idealism, science fiction, folk horror, sentimentality, revenge plot and quite a lot more. It is also very funny. I did want to say that it is like Cormac

Elif Shafak

What is so special about heavy metal?

Ever since my early youth I have loved, followed and respected a certain music genre that some people consider strange, even dangerous: heavy metal. The journey started in Istanbul, at a small, stuffy music store on a side street in Taksim, nestled between an Ottoman mosque and a fish market, where I would buy cassettes of Iron Maiden, Judas Priest, Led Zeppelin, Megadeth, Twisted Sister, Metallica… and then go home and listen to them endlessly while eating sunflower seeds, because that’s what we Istanbulites do to pass time. Over the years I veered towards less-well-known sub-genres, such as industrial metal, symphonic metal, metalcore, gothic metal, Viking/pagan/Nordic metal; and while the

Tanya Gold Tanya Gold

The only man who didn’t want to be Cary Grant was Cary Grant himself

Cary Grant was a hoax so sublime his creator struggled to escape him. He was a metaphor, too, for the transformative magic of cinema, for its lies; and for the artifice and social mobility of the 20th century itself. His real name was Archie Leach, and he could, the critic David Thomson wrote, ‘be attractive and unattractive simultaneously; there is a light and dark side to him, but whichever is dominant, the other creeps into view’. Thomson thinks Grant the greatest film actor — I did not notice him in his first scene in The Philadelphia Story until he wanted me to notice him — but he was terrified of

Nicola Barker

The End of Times and the coming of the Antichrist

Two things it may be wise to know before picking up this relatively short and surprisingly cheerful brand spanking NEW biography of the Antichrist: (1) the meaning of the word ‘eschatological’ (it’s fairly critical); (2) the fact that the Antichrist is not the devil (a common misapprehension). The Antichrist is actually the son/spawn of the devil, and Philip C. Almond has already provided us with a perfectly serviceable biography of the Prince of Darkness himself (also NEW, even though, um, a few years old now). As a religious/cultural figure the Antichrist was actually a bit of a slow starter. The earliest and most comprehensive text about him, Adso’s A Little

Wednesday

Sam Leith Sam Leith

Nicholas Shakespeare: remembering John Le Carre

36 min listen

In this week’s Book Club podcast, we remember the great John Le Carre. I’m joined by one of the late writer’s longest standing friends, the novelist Nicholas Shakespeare. He tells me about Le Carre’s disdain for – and debt to – Ian Fleming, his intensely secretive and controlling personality, his magnetic charm, his thwarted hopes of the Nobel Prize… and why at the end of his life he acquired an Irish passport.

Thursday

Paul Levy

Unpleasant smells can actually enhance pleasure

Harold McGee’s Nose Dive: A Field Guide to the World’s Smells is an ambitious and enormous work. Indeed it’s so large, at 654 pages and weighing nearly a kilo, that I could only manage to read it at the kitchen table — which made me appreciate its wipe-clean binding. Its distinctive new-book smell (there is such a thing) contrasts mightily with the musty, familiar old-book scent of my study. As I walk through the house, I detect the not entirely agreeable whiff of last night’s wood fire in the sitting-room, but this gives way to the snap-to-attention aroma of just-made coffee, the fragrance of the sliced banana and apple in

Sam Leith Sam Leith

The serious business of graphic novels

One of the running jokes about ‘serious’ graphic novels is that so many seem to consist, one way and another, of comics about how lonely, miserable and socially inept comic book creators are. Adrian Tomine leans into the trend, but with great charm, in The Loneliness of the Long-Distance Cartoonist (Faber, £16.99). Here is an autobiographical anthology of humiliation in chronological order — a series of wan vignettes taking the artist from inadequate-feeling schoolboy comics nerd to… inadequate-feeling New Yorker-published middle-aged comics superstar. Every time he feels he’s arrived, there’s something to remind him he hasn’t: a stinking review; a disobliging comparison to Neil Gaiman or Dan Clowes; Frank Miller

Rupert Shortt

Joseph Ratzinger’s coat of many colours

A common but flawed assumption about Joseph Ratzinger is that he is simply an ardent conservative. That’s the figure we see in Netflix’s The Two Popes. Anthony Hopkins’s performance may be a visual feast, but the script leaves no cliché unaired. Better informed observers note that the Vatican’s former doctrinal guardian is a poacher turned gamekeeper who once supported major reform of the Catholic Church but then performed a somersault, partly because of worry about threats including Marxism and moral relativism. Among the truest verdicts is that he has always been torn between different versions of himself. The cultural warrior who could urge Catholics not to practise yoga and to

Hallie Rubenhold

Transport to Australia was the saving of Carmen Callil’s family

If 2020 has given us something to talk about other than Covid, it’s been history — and, more precisely, to whom history belongs and how we’ve chosen to define it. Well into the modern era, the philosopher Thomas Carlyle’s definition of the subject as ‘the biography of great men’, seems to endure. Most remember their school history lessons as a force-fed diet of monarchs’ names, battles and key dates, or as a narrative about palace-dwelling elites whose experiences seemed utterly removed from reality. It is undoubtedly why the subject in its most uncut Victorian form can seem so unpalatable to the general public. Conversely, it also goes a long way

Anna Aslanyan

The brutality of the Gulag was totally dehumanising

‘It was a gray mass of people in rags, lying motionless with bloodless, pale faces, cropped hair, with a shifty, gloomy look.’ Julius Margolin’s first encounter with Soviet prisoners takes place in August 1940 on the way to a labour camp in the north of Russia. Four years later, waiting at another transit point, he sees ‘semi-cripples, former, present and future invalids’, ‘bony shadows with hands and feet like sticks, in smelly tatters and dirty rags’. He has another year of horror ahead. A Polish Jew stranded in the USSR at the beginning of the second world war, Margolin refused to take Soviet citizenship and as a result was sentenced

Andrew Lycett

War was never Sir Edward Grey’s métier

This meaty but easily digested biography pivots around the events either side of that fateful evening of 4 August 1914 when Britain’s ultimatum to Germany over Belgium ran out and Sir Edward Grey memorably remarked that the lamps were going out over Europe. As foreign secretary for almost a decade before that, Grey had deftly orchestrated a web of alliances designed to keep the peace in Europe, and Britain the dominant global power. But war and its attendant carnage unravelled his life’s work, leaving him a nervous wreck. He hung on in office until 1916 when the new prime minister David Lloyd George unceremoniously swept him out. Lloyd George later

Mike Cormack

James Kelman’s ‘Memoirs’ are a misnomer

James Kelman doubtless remains best known for his 1994 Booker prize win for How Late It Was, How Late and the subsequent furore. The brouhaha looks painfully absurd 25 years later with the plaudits Kelman has received (when not being dismissed as akin to an ‘illiterate savage’) perhaps the greatest in post-war English literature. Here is a writer to stand alongside Zola, Beckett and Joyce.Yet since then it feels as though Kelman’s audience has grown more selective — a process perhaps aided by his move to the USA in 1998 to teach creative writing at the University of Texas at Austin. But with Kelman now in his 75th year, it’s

Elizabeth Frood

The tug of war over the Rosetta Stone

The Rosetta Stone is the icon of decipherment. As one of the most popular objects in the British Museum, its irregular shape and the once white-on-black of its three scripts — hieroglyphic, demotic, Greek — are distinctive enough to sell countless socks, keyrings and nail files in the museum shop. The stone’s marketable popularity testifies both to the allure of hieroglyphs, including a persistent orientalising idea of their ‘mystery’, and the seemingly miraculous achievement of code-breaking. The latter is most associated with the two men of The Riddle of the Rosetta’s subtitle: the ‘English polymath’ Thomas Young (1773-1829) and the ‘French polyglot’ Jean-François Champollion (1790-1832). Theirs is a story much

Wednesday

Sam Leith Sam Leith

One man’s failed attempt to climb Everest

36 min listen

In this week’s Book Club podcast, my guest is the journalist Ed Caesar, whose new book The Moth and the Mountain tells the story of a now forgotten solo assault on Everest that ended in disaster. But as Ed argues, the heroic failure can be a richer and more resonant story than any triumph — and as he painstakingly excavated the story of Maurice Wilson, it was just such a rich and resonant story he discovered: of a character who became fixated on the mountain as a means of redeeming wartime trauma and a chequered and at times disgraceful romantic history, of getting his own back on hated authority figures,

Thursday

Katrina Gulliver

The British Empire is now the subject on which the sun never sets

Wrestling with the history of the British Empire is the unfinished and unfinishable project of our history. Time’s Monster takes a meta-approach to this. Its author Priya Satia has read widely, and has written essentially a cultural history of the Empire from the early modern period to today, of the way Britain’s colonial expansion has been interwoven with the culture. Many of the connections she draws are intriguing and her narrative is nuanced enough to be sympathetic to both pro- and anti-imperial arguments past and present. But overlaying this is a discussion of how historians themselves have shaped the perception of the Empire, acting as boosters, or at least as

Adam Begley

Who killed Jane Britton in 1969?

The problem with telling stories about Harvard is that Harvard, if it teaches anything these days, teaches distrust of stories. So, for example, two thirds of the way through Becky Cooper’s long, ambitious book about the murder of a Harvard graduate student, the author explains that ‘we’ — those attempting to fashion a narrative about the gruesome fate of a 23-year-old woman bludgeoned to death in her Cambridge apartment in the late 1960s — ‘had unconsciously been perpetuating a story whose moral derived from the very patriarchal system we thought we were surmounting by telling the story in the first place’. This is a book that twists itself into a

Saba Ahmed

The plight of the migrant: Crossed Lines, by Marie Darrieussecq, reviewed

‘We should be living in a brave country and on a brave planet that bravely distributes its occupants,’ thinks Rose Goyenetche, a middle-class, middle-aged Parisian child psychologist and the heroine of Marie Darrieussecq’s Crossed Lines. As their hands touch, Rose feels a familiar electric ping, and their futures become linked The story unfolds on a Mediterranean cruise ship, where Rose is holidaying in a deluxe cabin (‘that is, economy class’) on an all-inclusive-without-alcohol-without-wifi package sponsored by her mother as a chance for Rose to get some perspective on her life. When the ship comes across a rickety boat full of refugees who are taken aboard, Rose gives a young Nigerien

Martin Gayford

Bright and beautiful: the year’s best art books reviewed

When he was a student, the celebrated American modernist master Robert Rauschenberg once told me that his ‘greatest teacher’ — Josef Albers — would proclaim ‘art is svindle’ in heavily accented English at least ten times a day. By that provocative remark Albers probably meant not so much that art was a cheat but that intellectualising about it is usually bogus. He once thanked his lucky stars that his father was a painter-decorator rather than an intellectual. For him it involved simple forms, clear colours and no nonsense. Albers and his equally brilliant wife are the subject of a remarkable and visually beautiful joint biography, Anni & Josef Albers by

William Leith

No one ‘got’ the Sixties better than David Bailey

What caught my eye towards the end of Look Again was this conversation between David Bailey and the shoe designer Manolo Blahnik. They are talking about a brief golden age, a perfect moment in their lives: Blahnik: So sometimes I just have to sit down and say: ‘God, did all this happen?’ All the excitement, it doesn’t exist any more, maybe because I’m old.Bailey: It’s not because you’re old. It doesn’t exist. This is the autobiography of David Bailey, as told to James Fox (‘my collaborator’). It starts with Bailey as a child in the East End, and ends with Bailey returning there as an old man. But the real

Stephen Bayley

Roy Strong’s towering egotism is really rather engaging

There is nothing wrong with being self-invented. The most interesting people in the world designed themselves. And in this matter Roy Strong, once upon a time the director of the Victoria & Albert Museum and National Portrait Gallery, can offer a master class. He has discovered the mines of self-invention to be very deep and richly seamed with treasure. This is no less than his third bulky volume of diaries, and readers have been generously treated to autobiographies as well. While convinced that a scheming Alan Yentob conspired to keep him off the telly for more than 30 years, Roy, with his singular voice, is a national asset, recognisable from