Book Reviews

Our reviews of the latest in literature

What prompted Vivien Leigh’s dark journey into madness?

‘Vivien was barking mad from the word go,’ Laurence Olivier reflected in later life, and Lyndsy Spence’s biography would fully concur with the summing-up. At best, the actress was ‘suspended in a dream world’, unable to separate herself from the classic characters she played – Scarlett O’Hara, with her dark hair and flashing eyes, or Blanche DuBois (‘she is a tragic figure and I understand her’). At her worst, Leigh was, in her own words, ‘a thing, an amoeba, at the bottom of the sea’. Where Madness Lies is a sympathetic description of Leigh’s ‘perturbing nature’; an analysis of her numerous breakdowns, when she was in the grip of manic-depressive

Nordic dream or nightmare?: The Mark, by Frida Isberg, reviewed

Imagine a society, a high-minded psychologist tells his curmudgeonly father, ‘in which people are like cars. They have to go in for inspection once a year’ in order to assess their emotional fitness for the shared highway of life. As for the ‘psychopathic percentage’ whose ‘moral disorders’ lead them to fail this spiritual MoT, never fear: state-funded therapy will get them on the road again. And should they refuse? Surely, as we learn later in The Mark, everyone longs to stand ‘on the right side of history’. The Nordic dream of close-knit, high-trust, mutually supportive welfare societies has always had its internal critics: mavericks, naysayers and backsliders, who prize autonomy

Sam Leith

Amy Jeffs: Saints

46 min listen

My guest on this week’s Book Club podcast is the writer, artist and historian Amy Jeffs. Her new book Saints: A New Legendary of Heroes, Humans and Magic aims to recover and bring back to life the wild and fascinating world of medieval saints. She tells me what we lost with the Reformation (all the good swearing, among much else), what was the difference between magic and a miracle, and how what washes up on the Thames foreshore can give us the entry point to a whole vanished imaginarium. 

The great French painter who had no time for France

In 1855, Paul Gauguin’s widowed mother Aline returned to her husband’s family in Orleans after seven years in Peru. She brought back her daughter Marie, eight-year-old son Paul and her collection of pre-Columbian artefacts. They had no commercial value but those strange objects, sprouting the heads of birds and animals, had a power that the westernised world had lost touch with. They sank deep into the imagination of her wild, headstrong boy, who often described himself as ‘a savage from Peru’. After the sensory overload of South America, France and school were grey, cold and miserable. With education over, Gauguin insisted on going to sea and served in the navy

Joan Collins, Owen Matthews, Sara Wheeler, Igor Toronyi-Lalic and Tanya Gold

30 min listen

On this week’s Spectator Out Loud: Joan Collins reads an extract from her diary (1:15); Owen Matthews argues that Russia and China’s relationship is just a marriage of convenience (3:19); reviewing The White Ladder: Triumph and Tragedy at the Dawn of Mountaineering by Daniel Light, Sara Wheeler examines the epic history of the sport (13:52); Igor Toronyi-Lalic looks at the life, cinema, and many drinks, of Marguerite Duras (21:35); and Tanya Gold provides her notes on tasting menus (26:07).  Presented and produced by Patrick Gibbons.  

Sam Leith

Ian Sansom: September 1, 1939, from the archives

25 min listen

The Book Club has taken a short summer break and will return in September. Until then, and ahead of the 85th anniversary of the start of World War Two, here’s an episode from the archives with the author Ian Sansom.  Recorded ahead of the 80th anniversary in 2019, Sam Leith talks to Ian about September 1, 1939, the W.H. Auden poem that marked the beginning of the war. Ian’s book is a ‘biography’ of the poem; they discuss how it showcases all that is best and worst in Auden’s work, how Auden first rewrote and then disowned it, and how Auden’s posthumous reputation has had some unlikely boosters in Richard Curtis and

The quest for the world’s highest peaks

What makes men and women climb high? Most commonly, according to Daniel Light, ‘the prosecution of science or the advancement of empire’. It might also be general flag-waving or just personal fulfilment, as in the case of ‘private traveller’ Godfrey Vigne, who opened his English eyes to the wonder of the Karakoram in the baleful 1930s. London-based Light – ‘a keen climber, not a serious mountaineer’ – has produced a colourful survey of mostly 19th-century mountaineering across the globe, starting with the geographer and natural philosopher Alexander von Humboldt and his five-year expedition to South America. The baron came back convinced he had got within 1,000ft of the highest point

Some uncomfortable truths about World Music

Joe Boyd’s masterly history of what some of us still defiantly call World Music – more on which later – takes its title from Paul Simon’s ‘Under African Skies’, but is really less about the roots of rhythm than its routes. A typical chapter will start with a song from a particular geography, then wind the clock back to the country’s history, then forward again to show how that history has contributed to the development of its music, and finally move outwards, following the trade winds as they carry the sounds around the world. The Argentine singer Carlos Gardel urges the young Frank Sinatra to turn from crime to music Thus

Will there ever be another cricket captain like Richie Benaud?

Some books have good titles. Many books, sadly, have terrible titles. But a few rare books have the perfect title – the one that tells you briefly what the book is about, and also whether you want to own it. Richie Benaud’s Blue Suede Shoes is one such. If that title grabs you, you should go out and buy it now, because the book is brilliant. If it doesn’t, you have probably stopped reading this review already and turned over to Melissa Kite. Either you love Blofeld’s ‘My Dear Old Thing’ eccentricities or you want him slowly roasted over an open fire Harry Ricketts is a poet and critic who

The greatest British pop singer who never made a hit single

This is a magnificent book, regardless of whether the reader knows who it is about. I state this bluntly at the outset because I am keenly aware that many more people are ignorant of Lawrence’s career and achievements in the field of popular music than will be familiar with them; and that I will need to use up a significant number of words attempting to explain a figure who has repeatedly proven inexplicable to the public at large. So here goes… Has the indefatigably eccentric Lawrence led a charmed life or a cursed one? Lawrence Hayward may be the greatest British pop star never to have enjoyed a hit single.

Falsifying history can only increase racial tension

For many years the academic sociologist Frank Furedi has been among the strongest conservative voices in the front line of the culture wars. The target of his latest book is the systematic campaign to discredit the history of the West in the interest of a modern political agenda. The vandalising of statues, the ‘decolonisation’ of institutions and curricula, the recasting of museums and the rearrangement of libraries are all symptoms of something more fundamental. Furedi argues that historical memory is the foundation of western identity and culture. The object of the campaigners is to discredit the West’s ideals and achievements. The result has been to persuade a generation of young

An accidental spy: Gabriel’s Moon, by William Boyd, reviewed

When was the last time you described – or indeed thought of – someone’s face as ‘even-featured’, ‘angular’ or ‘refined’? If the answer is never, I suspect you’re not a novelist, and definitely not one of the William Boyd, old-school kind. In 1983 Boyd was among the 20 writers on Granta’s famously influential list of Best Young British Novelists, along with the generation-defining likes of Martin Amis, Julian Barnes, Kazuo Ishiguro and Salman Rushdie. In the decades since, however, he’s increasingly moved away from more obviously literary fiction towards the sort that’s earned him the routine (and accurate) label of ‘master storyteller’. As in his earlier work, there’s still plenty

Rather in the lurch: Small Bomb at Dimperley, by Lissa Evans, reviewed

Stories and films set in stately homes continue to fascinate us, and Lissa Evans’s latest novel is likely to increase our appetite. It is 1945, and Dimperley Manor, the large, dilapidated home of the Vere-Thissetts near Aylesbury, has been almost emptied of its wartime evacuees. Only the widowed Zena Baxter (who adores Dimperley) and her small daughter remain, and the place has become a millstone round the neck of the heir, Valentine. The new baronet is expected to marry a rich bride to save his ancestral home. The nation, battered and bloodied, has just voted overwhelmingly for Labour. Is it a new dawn or a disaster? All this might seem

India radiates kindly light across the East

‘Everywhere I could see India, yet I could not recognise it.’ So said India’s great national poet Rabindranath Tagore of South-East Asia, after travelling there in 1927. Tagore was fascinated by how elements of ancient Indian culture had found their way eastwards: gods, temple architecture, the Sanskrit language and the great epics the Ramayana and the Mahabharata. A nationalist but also a universalist, Tagore welcomed the reshaping of these ideas by the people who received them, a process whose fruits he encountered in Malay literature and Balinese dance. He even hoped that one day a ‘regenerated Asia’, making creative use of its shared cultural heritage, might heal the world of

The trivial details about royalty are what really fascinate us

For the moment, can there be anything new to say about Elizabeth II? In time, the archives will open up and more of her correspondence and any of the diary we know she kept will be made available to the public. (I wouldn’t get too excited – no monarch’s diary since Victoria’s has had much to tell us about its writer). But for now you would be forgiven for thinking every scrap has been gone over, every anecdote and every major or minor event in a long life. In an excruciating encounter with HM, Brown told her the plot of The Resistible Rise of Arturo Ui The first published biography

William Cash, Marcus Nevitt, Nina Power, Christopher Howse and Olivia Potts

31 min listen

On this week’s Spectator Out Loud: William Cash reveals the dark side of Hollywood assistants (1:12); Marcus Nevitt reviews Ronald Hutton’s new book on Oliver Cromwell (7:57); Nina Power visits the Museum of Neoliberalism (13:51); Christopher Howse proves his notes on matchboxes (21:35); and, Olivia Potts finds positives in Americans’ maximalist attitudes towards salad (26:15).  Presented and produced by Patrick Gibbons.  

The song of the bearded seal and other marvels

In his satirical Devil’s Dictionary, Ambrose Bierce defined the ocean as ‘a body of water occupying about two thirds of a world made for man – who has no gills’. Bierce may have been right to poke fun at human arrogance, but he underestimated the importance of the seas. Averaging almost 3,700 metres (12,000ft) deep, the ocean constitutes around nine tenths of the habitable space on our planet. It plays a commensurate role in the Earth system, not least as an engine – a ‘blue machine’ in the phrase that also titles an excellent book by the physicist and science presenter Helen Czerski – that moves heat around the planet.

A romantic obsession: Precipice, by Robert Harris, reviewed

London in the long hot summer of 1914. A city of gold sovereigns, chaperones and muffin men, but also a place where war looms, paranoia breeds and secret papers mysteriously disappear. The world that Robert Harris brings to life in Precipice is both close to that of Buchan’s The Thirty-Nine Steps and simultaneously very far away. In place of rugged heroes giving dastardly spies what for, he offers a subtle drama about the distasteful and ultimately destructive love affair between a young aristocrat, Venetia Stanley, and a man 35 years her senior who, not coincidentally, happens to be the prime minister H.H. Asquith. When the book opens, a few days

More curious canine incidents: Dogs and Monsters, by Mark Haddon, reviewed

Mark Haddon’s latest collection of short stories, Dogs and Monsters, uses myth and history as springboards into mesmerising accounts of isolation, tragedy and, of course, dogs, which are a motif throughout, from the hounds who mistakenly tear apart their owner Actaeon, to one who befriends St Antony at his lowest point. Haddon monitors the borderlines between man and beast, divine and mortal, and what’s real and what isn’t. In ‘The Mother’s Story’, a reimagining of the Minotaur myth, the action is transported to quasi-medieval England. The first-person narrator is Pasiphae (though unnamed), whose ruthless husband has locked up her son Paul, born ‘a moon calf’. Horribly abused, Paul is transformed